Nolan’s nonlinear narratives, like in Memento and Inception, challenge audiences to think deeply.
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Nolan favors practical effects—like flipping real trucks in The Dark Knight and crashing actual planes in Tenet.
Films like Interstellar and Oppenheimer are cinematic epics that blend emotion with spectacle.
Nolan doesn’t dumb things down—he elevates the viewer, and that’s what sets him apart.
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