Entertainment
Susan Sarandon Reveals She Was Told ‘Not to Be Hired’ Even Recently After Gaza Stance: ‘It Became Impossible for Me to Even Be on Television…’
The Oscar-winning star of Thelma & Louise says Hollywood shut its doors after she called for a Gaza ceasefire — and reveals the surprising place she found work when America wouldn’t have her.
There’s a version of this story where Susan Sarandon simply fades quietly into the margins of Hollywood — too controversial, too outspoken, too much. But Sarandon has never been that kind of woman. And so instead, she walked into a room in Barcelona, accepted an international honour, and told the truth about what speaking up actually cost her.
The cost, it turns out, was steep.
The Agency Firing That Started It All
In November 2023, Sarandon was dropped by United Talent Agency (UTA) — one of Hollywood’s most powerful talent firms — following remarks she made about the Israel-Gaza war, in which she called for a ceasefire. The move sent a chilling signal through the entertainment industry: that even an Academy Award-winning actress with five decades of credits was not immune to professional consequences for political speech.
At the time, the industry largely moved on. Sarandon didn’t.
On February 27, ahead of receiving the prestigious International Goya Award at the Spanish Film Academy‘s Goya Awards ceremony in Barcelona, she sat down for a discussion — and for the first time in extended public remarks, laid out exactly what the fallout looked like from the inside.
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“I was fired by my agency, specifically for marching and speaking out about Gaza, for asking for a ceasefire,” she said. “It became impossible for me to even be on television. I don’t know lately if it’s changed. I couldn’t do any major film or anything connected with Hollywood.”
Let that land for a moment. One of the most recognisable actresses in American cinema — the woman who gave us Thelma & Louise, who won an Oscar for Dead Man Walking — couldn’t get on television. Couldn’t get a Hollywood film. Because she asked for a ceasefire.
Where She Found Work — and Who Was Warned Away From Her
What Sarandon shared next was both quietly triumphant and deeply troubling in equal measure.
“I found agents ultimately in England and in Italy, and I work there. I just did a film in Italy, and I did a play at the Old Vic for a number of months,” she said.
The Old Vic — one of the most storied theatres in the English-speaking world, in London — gave her a stage when Hollywood wouldn’t. An unnamed Italian director cast her in a film. But even that came with a shadow.
“I know this Italian director that just hired me — he was told not to hire me, so that’s still recently. He didn’t listen, but they had that conversation.”
Read that again. Someone, somewhere, was making calls. An Italian director, working outside the American studio system, was still being advised against casting Susan Sarandon. She didn’t name who made that call. She didn’t need to. The implication was clear enough.
“Right now, I kind of specialize in tiny films with directors who have never directed, in independent films,” she added — with the wry pragmatism of someone who has made peace with a situation she never asked for.
The Moment She Got Emotional
The discussion shifted in tone when Sarandon began speaking about Spain — and the emotion she had clearly been carrying for some time began to surface.
She praised Spanish Prime Minister Pedro Sánchez and Ireland’s leadership for their vocal support of Gaza at a time when the American political and media landscape, in her view, has remained largely silent or complicit.

She also singled out Javier Bardem — the Oscar-winning Spanish actor and outspoken advocate — by name.
“In a place where you feel repression and censorship, to see Spain and to see the president and what he says and the support that he’s giving about Gaza, and to have actors like Javier Bardem come forward with such a strong voice, is so important to us in the United States,” she said.
Then came the line that perhaps best captures the isolation she — and many others in the American creative community — have quietly felt:
“When you turn on the TV and you see how strong Spain is and how clear that you are morally about these issues, it makes you feel less alone and it makes you feel that there is hope because of you all and the fact that you just don’t hear that on television in the United States. You don’t know that that exists.”
It was not the speech of someone bitter. It was the speech of someone exhausted — and genuinely moved to be in a room where her views were not treated as career-ending.
A Bigger Question Hollywood Hasn’t Answered
Sarandon’s experience sits at the centre of an uncomfortable conversation the American entertainment industry has largely refused to have publicly: who decides which political opinions are acceptable, and who enforces those decisions?
She is far from alone. Several artists — actors, writers, directors — have spoken privately about self-censorship and professional fear in the wake of the Gaza conflict. Sarandon is simply the most prominent, and one of the very few, to say it openly and on the record.
UTA has not publicly addressed the specifics of her remarks. Hollywood, as an institution, has offered no reckoning.
Meanwhile, Sarandon — Academy Award winner, activist, and now recipient of the International Goya Award — is making independent films with first-time directors in Europe.
She doesn’t sound broken by it. If anything, she sounds like someone who has found a way to keep making art in spite of the walls built around her. But the walls are real. And the fact that they exist, for her, for what she said, is something the industry would rather you forget.
She’d rather you didn’t.
Entertainment
‘Sleepers’ at 30: Barry Levinson Still Questions the Controversy Around His Darkest Film… But Why Does It Refuse to Fade Away?
Three decades later, director Barry Levinson reflects on the moral storm, public backlash, and emotional weight behind Sleepers—a film that still divides audiences and critics alike.
Thirty years after its release, Sleepers remains one of Hollywood’s most emotionally charged and debated films—and its director is still trying to make sense of the controversy it sparked.
Acclaimed filmmaker Barry Levinson, known for classics like Rain Man and Good Morning, Vietnam, recently revisited the legacy of his 1996 courtroom drama Sleepers (1996 film). Despite its powerful cast and strong box office performance at the time, the film continues to raise difficult moral and ethical questions even three decades later.
A Film That Refused to Stay Quiet
Based on Lorenzo Carcaterra’s controversial semi-autobiographical book, Sleepers follows four childhood friends who suffer abuse in a juvenile detention center and later seek revenge as adults. The story, though gripping, immediately divided critics upon release.
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The film featured a heavyweight ensemble including Robert De Niro, Brad Pitt, and Kevin Bacon, adding significant emotional and commercial weight to the project.
Yet, even with its star power, Sleepers became a lightning rod for debate—particularly over whether its narrative was a true account or a heavily dramatized fictionalization.
Levinson’s Lingering Question
In recent reflections, Levinson has expressed that what still puzzles him is not the film’s success, but the intensity of the backlash. Critics at the time questioned the ethical responsibility of presenting a story that blurred the line between fact and fiction.
Levinson has often maintained that his focus was never on literal accuracy, but on emotional truth—the psychological scars and consequences carried by survivors of abuse. Still, the debate never fully settled.

Why the Controversy Never Died
Unlike many 1990s courtroom dramas that faded into nostalgia, Sleepers continues to resurface in discussions about storytelling ethics in cinema. In today’s media environment—where audiences scrutinize “based on a true story” labels more closely than ever—the film feels unexpectedly relevant again.
Film historians often cite Sleepers as a turning point in how Hollywood handles sensitive real-world subject matter, especially when adapting controversial books into mainstream entertainment.
A Legacy That Still Feels Unfinished
Even after 30 years, Levinson’s film remains emotionally heavy and culturally unsettled. For some viewers, it is a powerful exploration of trauma and justice. For others, it remains a problematic example of blurred truth in cinema.
What is undeniable, however, is its endurance. Few films from the 1990s continue to generate such layered debate in modern discussions about filmmaking responsibility.
And perhaps that is why Sleepers refuses to disappear—it never gave audiences a comfortable place to rest.
Entertainment
What I Learned From Dean Tavoularis… Inside the Mind of the New Hollywood Legend Who Built Entire Cinematic Worlds
A rare look into the creative philosophy of legendary production designer Dean Tavoularis, the visual architect behind The Godfather films and a defining force of New Hollywood cinema.
There are film designers who build sets—and then there is Dean Tavoularis, a man widely credited with shaping the visual language of modern cinema itself.
For decades, Tavoularis has remained one of Hollywood’s most influential yet quietly spoken creative forces. His work with director Francis Ford Coppola on The Godfather trilogy redefined how audiences perceive cinematic realism, turning film sets into immersive worlds rather than constructed spaces.
A Lesson in “Invisible Design”
What stands out most when studying Tavoularis’s approach is a philosophy that seems almost paradoxical: the best production design should never be noticed.
Rather than overwhelming audiences with visual spectacle, Tavoularis built environments that feel lived-in, historically grounded, and emotionally authentic. Whether it was the dimly lit interiors of The Godfather or the sprawling political landscapes in Apocalypse Now, his goal was always the same—truth through texture.
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This approach became a cornerstone of what critics now call New Hollywood cinema, a movement that emphasized realism, character depth, and atmospheric storytelling over studio gloss.
Building Worlds, Not Sets
In collaboration with filmmakers like Coppola, Tavoularis transformed production design into a narrative force. His work didn’t just support storytelling—it actively shaped it.
Industry historians often point out that without his architectural precision and obsessive attention to detail, many iconic scenes in The Godfather films would not carry the same emotional weight.
The influence of his work can still be seen today in modern filmmakers who prioritize grounded realism over digital excess.
The Discipline Behind the Art
One of the most striking lessons from Tavoularis’s career is his discipline. Production design, in his philosophy, is not decoration—it is storytelling architecture.
He has often emphasized that every object in a frame must serve a purpose, whether emotional, historical, or psychological. Nothing exists by accident.

This mindset has influenced generations of designers and directors, including those working in major studios such as Paramount Pictures, where The Godfather remains one of the most studied visual achievements in cinema history.
Why His Legacy Still Matters Today
In an era dominated by CGI-heavy blockbusters, Tavoularis’s work feels increasingly relevant. Filmmakers and audiences alike are rediscovering the power of tangible environments—real textures, physical spaces, and grounded aesthetics.
His legacy serves as a reminder that cinematic immersion does not always come from technology. Sometimes, it comes from restraint, observation, and an almost architectural understanding of human emotion.
A Quiet Architect of Film History
Unlike many Hollywood figures, Dean Tavoularis never sought the spotlight. Yet his influence is embedded in some of the most iconic films ever made.
His contribution to cinema is not just visual—it is philosophical. He changed how stories are physically constructed, how emotions are visually supported, and how audiences experience realism on screen.
And perhaps the greatest lesson from his work is this: the best film worlds don’t announce themselves—they simply feel real enough to believe.
Entertainment
“Nicole Kidman Reveals ‘Harrowing’ Moment She Learned About Her Mother’s Death… and Why She Is Now Training as a Death Doula: ‘It’s Very Important to Me’”
The Oscar-winning actress opens up at HISTORYTalks about grief, healing, and her unexpected journey into end-of-life care, while also reflecting on women’s representation and her evolving role as a producer.
In a deeply emotional and reflective appearance at HISTORYTalks 2026, acclaimed actress Nicole Kidman shared one of the most personal chapters of her life—describing the moment she learned about her mother’s death as “harrowing,” and revealing her growing commitment to becoming a trained death doula.
The Oscar-winning star of films like The Hours and Moulin Rouge! opened up during a 20-minute panel discussion about grief, purpose, and transformation. Kidman’s candid remarks stood out in an event otherwise filled with public figures, cultural icons, and political leaders.
A Personal Loss That Changed Everything
Kidman spoke with quiet intensity about receiving the devastating news of her mother’s passing, describing it as a moment that reshaped her emotional understanding of life and death.
“It’s very important to me,” she said, referring to her decision to explore training as a death doula—someone who supports individuals and families during end-of-life transitions.
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The concept of a death doula, though still relatively unfamiliar to many, is gaining recognition in holistic care communities. Kidman’s openness about this path has sparked widespread conversation about grief support and emotional care in modern society.
From Hollywood Star to Producer and Storyteller
Beyond her personal revelations, Kidman also reflected on her evolving role in the entertainment industry as a producer, emphasizing her desire to create more meaningful and diverse narratives for women in film and television.
Her production work through Blossom Films has been widely recognized for championing complex female-led stories, aligning with her long-standing advocacy for stronger representation of women in Hollywood.
Kidman has often spoken about breaking traditional boundaries in the industry, and her latest comments reinforced her belief that storytelling should extend beyond entertainment into emotional and social impact.
Her Relationship with America and Cultural Identity
During the discussion, Kidman also touched on her relationship with the United States, where she has built a significant portion of her career and personal life.

As an Australian-born actor, she noted the cultural shift she experienced while working in Hollywood, reflecting on how America shaped her artistic journey while also challenging her perspectives.
Kidman’s presence at HISTORYTalks 2026, produced by History Channel, underscored the event’s broader theme of identity, legacy, and storytelling across generations.
A Voice for Women in Hollywood
One of the key highlights of her panel was her continued advocacy for women’s representation in the entertainment industry. Kidman emphasized the importance of creating space for female voices not only in front of the camera but also behind it.
Her comments resonated strongly with ongoing global discussions about gender equity in film and media, reinforcing her role as both an artist and an industry influencer.
A Rare Moment of Vulnerability
What made Kidman’s appearance particularly impactful was her willingness to blend personal grief with public discourse. In an industry often defined by image and performance, her vulnerability offered a rare glimpse into the emotional realities behind fame.
As the audience listened, the conversation shifted from celebrity status to human experience—grief, healing, and purpose.
For many attendees, Kidman’s reflections stood out as one of the most emotionally resonant moments of the event.
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