Entertainment
Black Rabbit Review 5 Reasons Jude Law and Jason Bateman’s Netflix Drama Fails to Connect
Despite star power and a promising setup, Black Rabbit struggles with dull characters, a gloomy tone, and an overstuffed plot.
Netflix has given us yet another dark drama, this time led by two powerhouse actors – Jude Law and Jason Bateman. On paper, Black Rabbit had everything going for it: a story of brotherhood, loyalty, and survival against the odds. But in execution, it falters.
Created in the shadow of bleak TV experiments like Mark Ruffalo’s Task, this series aims for grit but instead traps viewers in unrelenting misery. The result is a show that is hard to watch not because it’s powerful, but because it makes it nearly impossible to care.
1. A Story Rooted in Family Trauma
At its core, Black Rabbit follows two working-class brothers from Coney Island. Jake (Law) is the handsome, responsible sibling who becomes a manager for rising star Wes (played by Ṣọpẹ Dìrísù). Vince (Bateman) is the screw-up – a drummer whose addiction and poor choices destroyed their early career as a Nirvana-inspired rock group.
When Vince returns home, supposedly sober, Jake tries to give him another chance by welcoming him into the brothers’ restaurant project, the titular Black Rabbit. But as expected, old habits die hard. Vince’s gambling debts, reckless behavior, and selfish choices drag everyone down – not just Jake, but also staff like Anna (played by Abbey Lee) and the brilliant chef Roxie (Amaka Okafor).

2. Characters That Feel Like Ciphers
The biggest flaw is that it’s difficult to invest in either brother. Vince behaves with such repeated stupidity that you find yourself frustrated rather than empathetic. Jake, meanwhile, is written as little more than a firefighter – constantly cleaning up his brother’s messes without any depth of his own.
Supporting characters, from Wes and his complicated girlfriend Estelle (Cleopatra Coleman) to the loyal but weary Anna, are introduced with promise but remain underdeveloped. Their arcs feel like sketches instead of fully realized people.
3. A Gritty Tone That Becomes Suffocating
Grit can be compelling when balanced with moments of light or humor. But Black Rabbit is relentlessly bleak. Every scene is washed in harsh, unforgiving light, every conversation weighed down with despair.
Even shows like The Bear—also a tale of restaurants and family chaos—know when to let the audience breathe. By contrast, Black Rabbit piles on misery until viewers feel emotionally smothered.
4. Missed Potential in Themes
It’s clear what creators wanted: a story about loyalty, family secrets, and how love between siblings can both redeem and destroy. But instead of exploring these themes with nuance, the show becomes repetitive. Vince screws up, Jake saves him. A gangster threatens them, Jake pays. Rinse and repeat.
By the time the show reaches its finale, we know exactly how it ends: with tragedy, regret, and little growth for either brother.

5. Star Power Can’t Save Weak Writing
Casting Jude Law and Jason Bateman was a coup. Law brings charisma, while Bateman is often brilliant at playing flawed men. But here, they are wasted. Law feels miscast as a rough-around-the-edges hustler, and Bateman plays Vince without enough complexity to make him sympathetic.
It’s not their performances that fail—it’s the writing. Even the most talented actors can’t elevate characters that feel thinly sketched and trapped in repetitive cycles.
The Verdict
Black Rabbit is not unwatchable. There are flashes of brilliance: Amaka Okafor’s Roxie is a standout, and certain moments of brotherly tension between Law and Bateman hint at a better show buried underneath. But overall, the series is too gloomy, too unfocused, and too joyless to recommend.
If you’re in the mood for a dark family drama, there are stronger options. Otherwise, save your energy—and maybe rewatch something lighter, like Brooklyn Nine-Nine—to recover from the weight of this misfire.
Black Rabbit is now streaming on Netflix.
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Entertainment
Why ‘Resident Evil’s’ Bold Ending Surprised Austin Abrams
Abrams explains why the video game adaptation’s unexpected finale could divide audiences while pushing the franchise in a fresh direction.
After spending an entire night outrunning zombies, mutated creatures and almost certain death, Bryan appears to have finally completed the impossible.
Then Resident Evil pulls the floor out from beneath him.
The medical courier played by Austin Abrams reaches Raccoon City General Hospital with the substance needed to create a potential cure. But before doctors can save him, his infection takes control, transforming the film’s unlikely hero into the very kind of monster he has spent the story trying to escape.
For Abrams, the ending was shocking when he first encountered it in the script—but it was also precisely the kind of creative gamble he expected from writer-director Zach Cregger.
“I was surprised by it,” the actor said, while praising Cregger for taking such a bold chance with a character audiences had followed and supported throughout the movie.
What happens to Bryan in the final moments?
Bryan begins the film as an ordinary medical courier rather than a trained soldier or experienced action hero. His routine assignment becomes a nightmare when he is instructed to carry a mysterious medical package to Raccoon City.
The package is later revealed to contain material required to synthesise a cure for the rapidly spreading outbreak caused by the Umbrella Corporation.
ALSO READ : Cynthia Nixon’s Support Draws Attention as Christine Marinoni Secures NYC Education Post
During his journey, Bryan encounters an infected child inside a camper van. He attempts to help her, but she mutates and bites his arm, passing the infection to him.
By the time Bryan reaches the hospital, the damage has visibly spread through his body. He still manages to deliver the package, allowing scientists to produce the cure, but his transformation accelerates before they can administer it.
Tentacles burst from his body as he becomes a grotesque amalgamation and attacks the scientists. During the chaos, the newly created cure falls from a hospital skybridge. The movie never reveals whether it survives the plunge.
The ending also reframes the entire film as an origin story. Bryan is not the conventional protagonist who survives the outbreak and returns home. Instead, he becomes one of the monsters that players might encounter and eliminate without ever knowing the human being it once was.
Austin Abrams calls the ending a major creative risk
Abrams understood that viewers would spend the movie rooting for Bryan precisely because he was so unprepared.
He is frightened, makes mistakes and reacts more like an ordinary person than a polished action hero. Even his screams were deliberately designed to separate him from the fearless protagonists normally found in blockbuster survival stories.
That human vulnerability makes the conclusion considerably more painful.
Abrams described the decision to follow Bryan for the entire film only to deny him salvation as “risky and gutsy.” He believes many contemporary productions are reluctant to kill a popular central character without offering audiences some form of emotional relief.
Cregger does the opposite. Bryan does not receive a miraculous cure, a heroic final victory or even the comfort of knowing that his last message reached the person he loved.
Abrams admired the filmmaker’s willingness to let the tragedy hurt rather than cushioning it with a reassuring final revelation.
Michelle may never learn that Bryan changed
The emotional centre of the ending is not the failed cure or even Bryan’s transformation. It is the voice message he records for his partner, Michelle.
Earlier in the story, Bryan responds poorly after learning that she is pregnant. Fear and uncertainty cause him to make her believe he does not want to build a family with her.
His horrific journey through Raccoon City gradually changes that perspective.
At the hospital, believing he may not survive, Bryan records a deeply personal message. He finally admits that he loves Michelle, wants the baby and is ready to face parenthood alongside her.
However, the film never confirms that the message was successfully transmitted.
Abrams considers that uncertainty an essential part of the tragedy. Michelle may continue believing that Bryan rejected their future together, never knowing that he overcame his fear and chose her before his death.
“He changed and got better, but no one will ever know about it,” Abrams explained.
That unresolved emotional thread makes Bryan’s fate more than a standard horror-film death. His internal transformation towards maturity arrives just moments before the physical infection destroys what remains of him.

Bryan’s fate is not presented as punishment
Some viewers may interpret the ending as karmic punishment for Bryan’s initial response to Michelle’s pregnancy. Abrams, however, does not believe his character deserves what happens to him.
Throughout the film, Bryan repeatedly attempts to help other people. He responds to an injured police officer, tries to rescue the infected child and refuses to abandon the medical package even as his own condition deteriorates.
His actions are imperfect, but they reveal an ordinary man gradually discovering courage under impossible circumstances.
The outbreak does not reward that growth. It consumes him anyway.
That cruelty reflects the wider world of Resident Evil, where infection is indiscriminate and good intentions offer no protection. Bryan does not become a monster because he failed a moral test; he becomes one because he was unlucky enough to be bitten.
Cregger wanted an inexperienced, believable survivor
Cregger designed Bryan as a contrast to skilled game characters such as Leon S. Kennedy.
Rather than possessing tactical training and remarkable combat abilities, Bryan functions as an avatar for the average person suddenly dropped into a survival-horror game. He is reasonably capable but frequently overwhelmed, confused and terrified.
Cregger said the character was intended to reflect how a normal person might authentically react when confronted by a mutated dog, an infected child or a city collapsing into violence.
Abrams embraced that approach and deliberately avoided making Bryan appear traditionally heroic. The actor wanted every frightened reaction, panicked decision and awkward attempt at survival to feel grounded.
The movie even allows Bryan’s familiarity with video games to help him. When he finally fires an accurate shot during a crucial moment, he triumphantly credits gaming—briefly turning a long-standing criticism of video games into one of the film’s biggest jokes.
A physically punishing production
Bryan’s ordeal was demanding for Abrams both emotionally and physically.
The production required extensive running, complex timing and multiple night shoots. One of its most dangerous sequences involved a body-sized blood bag weighing approximately 150 pounds dropping close to the actor as he raced through the streets.
Cregger later admitted that the prop came dangerously near Abrams. The actor said he did not fully appreciate how close it had been during filming because he was concentrating on completing the shot.
The intense production continued Abrams’ run of physically challenging films after Weapons and Whalefall. Yet the actor’s existing trust in Cregger proved important.
Their collaboration began with Weapons, when Abrams remained attached to the project despite strike-related scheduling complications. That loyalty ultimately led to their reunion on Resident Evil.
Will the ending lead to another film?
The conclusion leaves several possibilities open.
The cure’s condition remains unknown, the outbreak has not been contained and Bryan’s mutated form could theoretically return as a creature in a future story. However, no direct sequel has been officially confirmed.
Cregger has acknowledged having ideas about where the story could go next, but the film avoids an obvious post-credits tease. For now, Bryan’s journey stands as a bleak, self-contained tragedy.
That refusal to provide easy reassurance is exactly what Abrams respects about the ending. Bryan completes his mission, confronts his fear of becoming a father and discovers genuine courage—but he still does not escape.
In a franchise built around survival, Cregger’s most surprising decision was reminding audiences that sometimes courage is real, redemption is meaningful—and neither is enough to keep someone alive.
Entertainment
New York Judge Hands Harvey Weinstein a 15-Year Prison Sentence
Weinstein spoke about his mistakes in court as the case reached its latest turning point.
A Manhattan judge sentenced Harvey Weinstein to 15 years in prison on Wednesday for sexually assaulting former television production assistant Miriam Haley at his apartment in 2006. The sentence follows years of trials, appeals and testimony from Haley, who again addressed the court before the decision.
“I am not a perfect person. But I am a person who has made mistakes,” Weinstein said in court, according to The Hollywood Reporter. He apologised for the harm his past conduct had caused, while continuing to deny that he had sexually assaulted anyone. Haley described the lasting effect of the assault on her sense of security. “It’s a life sentence for me,” she told the judge.
ALSO READ : Emmy Nominations Announcement Gets a Star Twist… Liza Colón-Zayas & Jeff Hiller Set to Reveal 2026 TV Nominees
Judge Curtis Farber handed down the sentence after a jury found Weinstein guilty in 2025 of a first-degree criminal sex act against Haley. Prosecutors had sought a 20-year term. Weinstein’s lawyers asked for leniency, citing the 74-year-old’s serious health problems and the more than six years he has already spent in custody. He is expected to appeal.

The case returned to court because New York’s highest court overturned Weinstein’s 2020 conviction, ruling that he had not received a fair trial. That original verdict, which also involved a rape charge brought by Jessica Mann, had led to a 23-year sentence. At the later retrial, jurors convicted Weinstein in Haley’s case but acquitted him of a separate charge involving Kaja Sokola. Prosecutors eventually dropped the unresolved charge involving Mann after another jury failed to reach a verdict.
Weinstein also awaits resentencing in a separate California case. An appeals court upheld his conviction there but set aside the original 16-year sentence. For Haley, Wednesday’s decision closes another chapter in a legal process that has required her to recount the assault repeatedly over six years.
Entertainment
Austin Abrams Explains the Shocking Final Twist in ‘Resident Evil’
The star discusses the bold choices behind the film’s closing moments and what they mean for his character’s journey.
After spending an entire night outrunning zombies, mutated creatures and almost certain death, Bryan appears to have finally completed the impossible.
Then Resident Evil pulls the floor out from beneath him.
The medical courier played by Austin Abrams reaches Raccoon City General Hospital with the substance needed to create a potential cure. But before doctors can save him, his infection takes control, transforming the film’s unlikely hero into the very kind of monster he has spent the story trying to escape.
For Abrams, the ending was shocking when he first encountered it in the script—but it was also precisely the kind of creative gamble he expected from writer-director Zach Cregger.
“I was surprised by it,” the actor said, while praising Cregger for taking such a bold chance with a character audiences had followed and supported throughout the movie.
What happens to Bryan in the final moments?
Bryan begins the film as an ordinary medical courier rather than a trained soldier or experienced action hero. His routine assignment becomes a nightmare when he is instructed to carry a mysterious medical package to Raccoon City.
The package is later revealed to contain material required to synthesise a cure for the rapidly spreading outbreak caused by the Umbrella Corporation.
ALSO READ : Cynthia Nixon’s Support Draws Attention as Christine Marinoni Secures NYC Education Post
During his journey, Bryan encounters an infected child inside a camper van. He attempts to help her, but she mutates and bites his arm, passing the infection to him.
By the time Bryan reaches the hospital, the damage has visibly spread through his body. He still manages to deliver the package, allowing scientists to produce the cure, but his transformation accelerates before they can administer it.
Tentacles burst from his body as he becomes a grotesque amalgamation and attacks the scientists. During the chaos, the newly created cure falls from a hospital skybridge. The movie never reveals whether it survives the plunge.
The ending also reframes the entire film as an origin story. Bryan is not the conventional protagonist who survives the outbreak and returns home. Instead, he becomes one of the monsters that players might encounter and eliminate without ever knowing the human being it once was.
Austin Abrams calls the ending a major creative risk
Abrams understood that viewers would spend the movie rooting for Bryan precisely because he was so unprepared.
He is frightened, makes mistakes and reacts more like an ordinary person than a polished action hero. Even his screams were deliberately designed to separate him from the fearless protagonists normally found in blockbuster survival stories.
That human vulnerability makes the conclusion considerably more painful.
Abrams described the decision to follow Bryan for the entire film only to deny him salvation as “risky and gutsy.” He believes many contemporary productions are reluctant to kill a popular central character without offering audiences some form of emotional relief.
Cregger does the opposite. Bryan does not receive a miraculous cure, a heroic final victory or even the comfort of knowing that his last message reached the person he loved.
Abrams admired the filmmaker’s willingness to let the tragedy hurt rather than cushioning it with a reassuring final revelation.
Michelle may never learn that Bryan changed
The emotional centre of the ending is not the failed cure or even Bryan’s transformation. It is the voice message he records for his partner, Michelle.
Earlier in the story, Bryan responds poorly after learning that she is pregnant. Fear and uncertainty cause him to make her believe he does not want to build a family with her.
His horrific journey through Raccoon City gradually changes that perspective.
At the hospital, believing he may not survive, Bryan records a deeply personal message. He finally admits that he loves Michelle, wants the baby and is ready to face parenthood alongside her.
However, the film never confirms that the message was successfully transmitted.
Abrams considers that uncertainty an essential part of the tragedy. Michelle may continue believing that Bryan rejected their future together, never knowing that he overcame his fear and chose her before his death.
“He changed and got better, but no one will ever know about it,” Abrams explained.
That unresolved emotional thread makes Bryan’s fate more than a standard horror-film death. His internal transformation towards maturity arrives just moments before the physical infection destroys what remains of him.

Bryan’s fate is not presented as punishment
Some viewers may interpret the ending as karmic punishment for Bryan’s initial response to Michelle’s pregnancy. Abrams, however, does not believe his character deserves what happens to him.
Throughout the film, Bryan repeatedly attempts to help other people. He responds to an injured police officer, tries to rescue the infected child and refuses to abandon the medical package even as his own condition deteriorates.
His actions are imperfect, but they reveal an ordinary man gradually discovering courage under impossible circumstances.
The outbreak does not reward that growth. It consumes him anyway.
That cruelty reflects the wider world of Resident Evil, where infection is indiscriminate and good intentions offer no protection. Bryan does not become a monster because he failed a moral test; he becomes one because he was unlucky enough to be bitten.
Cregger wanted an inexperienced, believable survivor
Cregger designed Bryan as a contrast to skilled game characters such as Leon S. Kennedy.
Rather than possessing tactical training and remarkable combat abilities, Bryan functions as an avatar for the average person suddenly dropped into a survival-horror game. He is reasonably capable but frequently overwhelmed, confused and terrified.
Cregger said the character was intended to reflect how a normal person might authentically react when confronted by a mutated dog, an infected child or a city collapsing into violence.
Abrams embraced that approach and deliberately avoided making Bryan appear traditionally heroic. The actor wanted every frightened reaction, panicked decision and awkward attempt at survival to feel grounded.
The movie even allows Bryan’s familiarity with video games to help him. When he finally fires an accurate shot during a crucial moment, he triumphantly credits gaming—briefly turning a long-standing criticism of video games into one of the film’s biggest jokes.
A physically punishing production
Bryan’s ordeal was demanding for Abrams both emotionally and physically.
The production required extensive running, complex timing and multiple night shoots. One of its most dangerous sequences involved a body-sized blood bag weighing approximately 150 pounds dropping close to the actor as he raced through the streets.
Cregger later admitted that the prop came dangerously near Abrams. The actor said he did not fully appreciate how close it had been during filming because he was concentrating on completing the shot.
The intense production continued Abrams’ run of physically challenging films after Weapons and Whalefall. Yet the actor’s existing trust in Cregger proved important.
Their collaboration began with Weapons, when Abrams remained attached to the project despite strike-related scheduling complications. That loyalty ultimately led to their reunion on Resident Evil.
Will the ending lead to another film?
The conclusion leaves several possibilities open.
The cure’s condition remains unknown, the outbreak has not been contained and Bryan’s mutated form could theoretically return as a creature in a future story. However, no direct sequel has been officially confirmed.
Cregger has acknowledged having ideas about where the story could go next, but the film avoids an obvious post-credits tease. For now, Bryan’s journey stands as a bleak, self-contained tragedy.
That refusal to provide easy reassurance is exactly what Abrams respects about the ending. Bryan completes his mission, confronts his fear of becoming a father and discovers genuine courage—but he still does not escape.
In a franchise built around survival, Cregger’s most surprising decision was reminding audiences that sometimes courage is real, redemption is meaningful—and neither is enough to keep someone alive.
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