Entertainment
Japan’s biggest box-office surprise… Director Lee Sang-il says the beauty of ‘Kokuho’ is ‘touched by the devil’ — why his kabuki epic took 15 years to make
With Kokuho becoming Japan’s most successful live-action film ever and its official Oscar submission, director Lee Sang-il reveals the brutal training, artistic obsession, and unexpected magic behind the phenomenon.
In a year when much of the global film industry battled uncertainty, one of cinema’s most astonishing success stories came from an unlikely place: a nearly three-hour Japanese period drama rooted in the centuries-old traditions of kabuki theater.
Kokuho, directed by acclaimed filmmaker Lee Sang-il, has become Japan’s most commercially successful live-action film of all time — a critical and cultural phenomenon that has stunned industry observers and electrified audiences.
What began as a quiet Cannes premiere in the Directors’ Fortnight section has now grown into a global awards contender, earning more than $112 million, sparking passionate debate, and positioning itself as a frontrunner for Best International Feature Film at the Academy Awards.
But behind the triumph lies a story of artistic sacrifice, obsession, and a director who spent 15 years wrestling with a vision he once called “beautiful… but touched by the devil.”
A 15-Year Odyssey: “This film refused to be made until it was ready.”
Lee Sang-il explained that Kokuho grew from an idea he first explored more than a decade ago, but the story — rooted in kabuki’s discipline, mystique, and emotional violence — resisted easy execution.
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“It is a world of beauty,” Lee said, “but also a world touched by the devil. The deeper you go, the more it consumes you.”
The film explores loyalty, artistic inheritance, and the psychological toll of performance through two rising kabuki actors played by Ryo Yoshizawa and Ryusei Yokohama.
Training that bordered on the brutal
To prepare Yoshizawa and Yokohama for roles steeped in tradition, Lee insisted on rigorous, months-long training under kabuki masters. The actors not only learned the stylized movements of the art form but were immersed in its physical and emotional demands.
“It wasn’t acting,” Lee said. “It was transformation. They had to break themselves to rebuild as kabuki performers.”
Their performances have been widely praised as some of the most disciplined and emotionally layered in modern Japanese cinema.
A film no one expected to explode — but audiences embraced
Despite its length, niche subject matter, and unconventional pacing, Kokuho became a word-of-mouth sensation following its Japanese release. Viewers described it as “hypnotic,” “ravishing,” and “emotionally devastating.”
Industry insiders attribute the film’s success to:

- Its operatic visual style
- A rare look at kabuki training
- Lee’s meticulous storytelling
- A new generation discovering traditional art through cinema
More surprising was its broad demographic reach: teenagers, older viewers, and international cinephiles all embraced it.
As one critic put it:
“Kokuho didn’t just revive interest in kabuki — it revived belief in theatrical cinema.”
On the Oscars: “We are humbled… and a little overwhelmed.”
After a limited awards-qualifying run in Los Angeles and New York, the film is now drawing attention from Academy voters. A full U.S. release is scheduled for early 2026, and momentum is strong.
Lee, however, remains characteristically humble.
“Recognition is meaningful,” he said. “But what moves me most is that kabuki — something so deeply Japanese — is touching people around the world.”
A masterpiece born from obsession
Ultimately, Kokuho is the product of Lee’s fierce devotion to a story that demanded total emotional and artistic surrender.
His 15-year battle with the material, the brutal training he imposed on his actors, and his insistence on preserving kabuki’s elusive beauty have culminated in a film that feels both ancient and piercingly modern.
In an era dominated by franchises and spectacles, Kokuho stands as proof that audiences still crave cinema that is uncompromising, intimate, and boldly alive.
Entertainment
Spotify’s New AI Remix Tool Could Change Music Forever… But Only If Artists Say Yes
Spotify and Universal Music Group have unveiled a groundbreaking AI-powered feature that will allow fans to create licensed covers and remixes of songs — while artists and songwriters earn a share of the revenue.
The future of music streaming may have just taken a dramatic turn.
In a move that could reshape how fans interact with music online, Spotify and Universal Music Group announced a landmark agreement that will allow users to create AI-generated covers and remixes of licensed songs directly on Spotify’s platform.
But there’s a major twist: artists will have control over whether their music can be used.
The new feature, revealed Thursday, will launch as a paid add-on for Spotify Premium subscribers and is being positioned as a completely new revenue stream for artists and songwriters — beyond the traditional royalties already generated through streaming.
The companies say the initiative is rooted in “consent, credit, and compensation,” signaling a major attempt to bring generative AI into the music business without repeating the copyright chaos that has plagued the tech world over the last two years.
Spotify Wants Fans to Become Creators
For years, fans have unofficially uploaded mashups, remixes, and AI-generated covers across the internet. Many of those creations operated in legal gray areas, often leading to takedowns and copyright disputes.
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Now, Spotify appears ready to make fan-made AI music an official part of the streaming experience.
According to the announcement, Premium users will soon be able to generate AI-powered versions of songs — including covers and remixes — using licensed music from participating artists and songwriters.
Every created track will still be playable across the platform for all Spotify listeners, even if they don’t pay for the AI add-on.
While Spotify did not reveal the exact technology behind the tool, nor confirm pricing or launch dates, the announcement suggests the streaming giant has finally solved one of the biggest barriers in AI music: rights management.
Alex Norström, Co-CEO of Spotify, described the feature as the next major evolution in music fandom.
“Solving hard problems for music is what Spotify does, and fan-made covers and remixes are next,” Norström said.
“What we’re building is grounded in consent, credit, and compensation for the artists and songwriters that take part.”
That message is particularly important at a time when musicians around the world remain deeply divided over artificial intelligence and creative ownership.
Universal Music Group Pushes an ‘Artist-Centric’ AI Future
For Universal Music Group, the agreement represents another major step in its aggressive strategy to control how AI enters the music ecosystem.
Rather than fighting every AI platform outright, UMG has increasingly embraced what executives call a “responsible AI” model — one where artists approve participation, licensing remains protected, and revenue is distributed transparently.
Sir Lucian Grainge, Chairman and CEO of UMG, framed the partnership as a way to deepen fan engagement while protecting human creativity.
“The most valuable innovations in the music business always bring artists and fans closer together,” Grainge said.
“This pioneering AI-enabled superfan initiative is designed to support human artistry, deepen fan relationships, and create additional revenue opportunities for artists and songwriters.”
The system will reportedly operate on an opt-in basis, meaning only artists and songwriters who explicitly agree will allow their music to be used in AI-generated creations.
That detail could prove critical in easing fears among musicians who worry AI may eventually replace original artistry.
Spotify’s AI Ambitions Were Waiting for One Thing
Interestingly, Spotify executives hinted months ago that this exact feature was already technologically ready.
Back in February during Spotify’s Q4 2025 earnings call, Co-CEO Gustav Söderström said the company’s AI remix technology existed but lacked a legal framework.
At the time, Söderström called AI-generated “derivatives” of songs an “untapped opportunity” for artists to monetize their intellectual property in entirely new ways.
Thursday’s announcement strongly suggests that framework has finally arrived — at least through Spotify’s deal with Universal Music Group, the world’s largest music rights company.
The agreement spans both recorded music and publishing rights, making it one of the most comprehensive AI music licensing arrangements announced so far.
A Paid AI Music Era May Be Starting
The launch also fits neatly into Spotify’s growing push toward “superfan” monetization.
Earlier reports suggested Spotify was exploring a premium “Music Pro” subscription tier that could cost up to $5.99 more per month and include exclusive perks for hardcore fans.
One of the rumored features? AI remixing tools.
Now, those plans appear to be becoming reality.
Instead of relying solely on standard streaming subscriptions, Spotify is clearly betting that fans will pay extra to actively participate in music creation.
That strategy could open a massive new business category — one where listeners are no longer just consumers but collaborators.

Industry insiders believe this may eventually lead to personalized versions of songs, alternate-language remixes, fan-generated duets, and even AI-assisted collaborations between artists and audiences.
UMG’s AI Deals Are Expanding Rapidly
The Spotify partnership is only the latest move in Universal Music Group’s expanding AI strategy.
In late 2025, UMG settled a high-profile copyright lawsuit against AI music startup Udio and agreed to work on a licensed AI music platform.
That agreement reportedly supported a “walled garden” approach, meaning AI-generated songs could not easily leave the platform where they were created.
Meanwhile, reports last month revealed that UMG-linked patents are exploring systems for artist approvals, automated royalty sharing, and digital watermarking technology to track AI-generated music usage.
Together, these developments show that the world’s largest music companies are no longer simply resisting AI — they are building the infrastructure to profit from it.
Spotify’s Massive Scale Could Make This Explode
The timing of the announcement is significant.
Spotify ended the first quarter of 2026 with 761 million monthly active users and 293 million paying subscribers across 184 markets.
That reach gives Spotify a unique advantage if AI-generated fan content becomes mainstream.
Unlike experimental AI music startups, Spotify already has global distribution, licensing relationships, and one of the world’s largest music audiences.
If users embrace the feature, the streaming platform could potentially create an entirely new category of interactive entertainment — one where fans help reshape the music they love.
And for artists willing to participate, the financial upside could become difficult to ignore.
Entertainment
P!NK’s ‘Singular Style’ to Be Celebrated at NMPA 2026 Meeting as Meta’s Dina Powell McCormick Joins Surprise Keynote…
The music publishing industry’s biggest annual gathering will honor P!NK, Julian Bunetta, and Harvey Mason jr., while Meta executive Dina Powell McCormick takes center stage for a major conversation on music, technology, and the future of creators.
The music publishing world is preparing for one of its most anticipated industry events of the year, and the 2026 Annual Meeting hosted by the National Music Publishers’ Association is already generating major buzz.
This year’s gathering will shine a spotlight on some of the most influential names in music and entertainment, including P!NK, Julian Bunetta, and Harvey Mason Jr., while newly appointed Meta President and Vice Chairman Dina Powell McCormick is set to appear in a high-profile keynote conversation.
The event, regarded as one of the music publishing industry’s marquee annual meetings, comes at a time when songwriters are gaining more recognition and influence than ever before.
P!NK to Receive Major Recognition for Songwriting Legacy
While millions around the world know P!NK for her powerhouse vocals and arena-filling performances, the NMPA plans to celebrate another side of her career — her songwriting.
According to the organization, the three-time Grammy winner has earned 10 NMPA Gold & Platinum certifications and built a songwriting catalog that stretches far beyond her own discography.
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Over the years, P!NK has quietly become one of the industry’s most respected writers, contributing songs for globally recognized artists including Celine Dion, Faith Hill, and Cher.
Her songwriting credits include Recovering for Dion, If You’re Gonna Fly Away for Faith Hill, and multiple songs from Cher’s Closer to the Truth album.
NMPA President and CEO David Israelite praised the artist’s authenticity while announcing the honor.
“We are thrilled to honor P!NK whose catalog embodies authenticity and depth and whose songwriting has a singular style,” Israelite said.
For many in the industry, the recognition also reflects a growing appreciation for artists who contribute creatively behind the scenes, not just in front of the microphone.
Julian Bunetta’s Quiet Dominance Finally Gets Center Stage
Another major honoree at the event will be songwriter and producer Julian Bunetta, whose influence on modern pop music has become impossible to ignore.
Despite often staying out of the spotlight, Bunetta has helped shape some of the biggest songs of the last decade.
The three-time Grammy nominee has collected 41 NMPA Gold & Platinum songwriting certifications and recently received Grammy nominations for Record of the Year and Album of the Year for his contributions to Sabrina Carpenter’s Short n’ Sweet and its smash hit single Espresso.
His catalog also includes work with One Direction and Teddy Swims, making him one of pop music’s most quietly influential creators.
Israelite emphasized Bunetta’s impact while speaking about the upcoming ceremony.
“Julian Bunetta has been writing everyone’s favorite songs for decades,” he said. “We look forward to spotlighting his incredible talent that has elevated some of the world’s biggest stars.”

Bunetta’s growing industry recognition follows a detailed profile published last year exploring his songwriting process and collaborative style.
Harvey Mason jr. Honored for Championing Songwriters
The 2026 Industry Legacy Award will go to Harvey Mason Jr., CEO of the Recording Academy.
Mason has led the Recording Academy since 2020 and has become one of the strongest public advocates for songwriters within the Grammy system.
During his tenure, the Academy introduced the Grammy Award for Songwriter of the Year, Non-Classical, while also expanding Album of the Year eligibility rules to better recognize writers.
For years, songwriters argued that they were not receiving equal visibility compared to performers and producers. Mason’s leadership helped shift that conversation in a meaningful way.
Israelite described the decision to honor Mason as obvious.
“Since leading the Recording Academy, he has championed songwriters in very real ways, which we will discuss in a special fireside chat,” he said.
The award is expected to be one of the emotional highlights of the annual meeting, particularly among publishing executives and writers who have pushed for broader industry reforms.
Meta’s Dina Powell McCormick Signals Big Tech’s Growing Music Ambitions
One of the most closely watched moments of the event could come from Dina Powell McCormick, who was appointed President and Vice Chairman of Meta earlier this year.
Before joining Meta, Powell McCormick spent 16 years at Goldman Sachs and also served as Deputy National Security Advisor during President Donald Trump’s first administration.
Her appearance at the NMPA meeting highlights how deeply technology companies are now tied to the future of music publishing.
Meta has become increasingly active in the music business in recent months, particularly through Instagram and creator-focused initiatives. The company recently commissioned a Luminate study positioning Instagram as a “superfan hub” for artists and music communities.
Israelite said Powell McCormick would provide insight into the rapidly changing technology landscape and Meta’s evolving role within it.
As AI, social media monetization, and digital licensing continue reshaping the entertainment business, conversations between music publishers and technology giants are becoming more important than ever.
Music Publishing Continues to Outpace Recorded Music
The excitement surrounding this year’s annual meeting also reflects the music publishing sector’s remarkable growth.
At the 2025 edition of the event, David Israelite revealed that U.S. music publishing revenue surged 13.4% to $7 billion in 2024 — a growth rate that reportedly outpaced recorded music.
That statistic surprised many industry observers and reinforced how valuable songwriting and publishing rights have become in the streaming era.
With catalog acquisitions, social media licensing, sync deals, and creator economies booming simultaneously, songwriters are finally receiving recognition as the foundation of the modern music business.
This year’s NMPA meeting appears designed to reinforce exactly that message.
Entertainment
‘Michael’ Box Office Stunner: Lionsgate Biopic Eyes $100M U.S. Debut as Global Total Nears $200M… Critics Left Behind?
Early estimates for the highly anticipated biopic on Michael Jackson continue to surge as audiences deliver overwhelming exit scores, while critics struggle to keep up with the film’s unstoppable momentum.
Hollywood may have just witnessed one of the most unexpected box office earthquakes of the year. The new Lionsgate biographical drama, “Michael”, inspired by the life of global pop icon Michael Jackson, is now tracking a massive $95 million to $100 million opening in the United States alone, with worldwide earnings projected to touch an astonishing $200 million in its debut frame.
What makes this surge even more striking is the pace of upward revision. Industry insiders report that early projections were significantly lower, but strong advance bookings, word-of-mouth buzz, and near-perfect audience exit scores have completely reshaped expectations within days of release.
The film is backed by Lionsgate, a studio already known for betting big on high-impact storytelling. However, even within industry circles, few anticipated this level of global audience response.
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Audience vs Critics: A Growing Divide
While audiences appear to be embracing the film with overwhelming enthusiasm, critics have taken a far more divided stance. Early reviews described the film as “ambitious but uneven,” yet those opinions seem to be losing influence as ticket sales accelerate.
Exit polls from major international markets indicate that viewers are rating the film exceptionally high, praising its emotional depth, musical sequences, and cinematic scale. This stark contrast between critics and audiences has now become one of the most talked-about dynamics surrounding the release.
A Biopic That Became a Global Event
The story of Michael Jackson, one of the most influential entertainers in modern history, has always carried global curiosity. But “Michael” has managed to transform that curiosity into a full-blown theatrical event.

From North America to international markets, theatres are reporting packed screenings and repeat audiences—an unusual pattern for a biographical drama. Analysts suggest that nostalgia, combined with the global cultural legacy of Jackson, is driving this surge.
Industry Impact and What Comes Next
If the current trajectory holds, “Michael” could become one of the strongest biopic openings in recent Hollywood history. It also signals a broader shift in audience behavior—where word-of-mouth and emotional resonance are increasingly outweighing traditional critical reception.
Trade experts are now closely watching whether the film can maintain momentum into its second weekend or if the initial surge will stabilize.
Either way, Lionsgate appears to have landed a rare box office phenomenon that is already reshaping expectations for music-based biographical films.
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