Entertainment
Nick Cannon Just Called the Democratic Party ‘the Party of the KKK’ on Camera and What He Said About Trump Next Made It Even More Controversial…
The Masked Singer host sat down with Amber Rose on his Big Drive show and didn’t hold back a single word — invoking W.E.B. Du Bois, the history of slavery, and a very blunt opinion about Donald Trump that nobody in Hollywood saw coming.
In a single episode of Big Drive, the 45-year-old comedian, media mogul, and host of The Masked Singer called the Democratic Party “the party of the KKK,” expressed admiration for President Donald Trump, and then quoted one of the most revered Black intellectuals in American history to explain why he doesn’t actually trust either party.
It is, to put it mildly, a lot to unpack.
What Happened on Big Drive
Cannon was joined on his show by model Amber Rose — a self-described former liberal Democrat who has publicly shifted toward conservative politics — when the conversation turned to race, party loyalty, and American political history.
Rose laid out her position plainly: “Democrats don’t care about Black people, and they don’t care about people of color, and the Republicans do, and that’s the misconception.”
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Cannon didn’t hesitate. “I agree with you 100 percent,” he replied. “People don’t know that the Democrats are the party of the KKK. People don’t know that the Republicans are the party that freed the slaves.”
The clip spread almost instantly — and the internet has been loudly divided about it ever since.
‘I Don’t Subscribe to Either Party’
What makes Cannon’s comments more complex than a simple political endorsement is what came next. Despite the fire-and-brimstone framing of the KKK line, he was careful to distance himself from the idea that he’s simply become a Republican.
“I mean, both of you and I have some conservative views. You’re just a little bit more outspoken than I am,” he told Rose. “And honestly, I don’t subscribe to either party. I rock with W.E.B. Du Bois, when he said there’s no such thing as two parties. It’s just one evil party with two different names.”
That’s a striking move — invoking Du Bois, the towering Black scholar, civil rights activist, and co-founder of the NAACP, in the same breath as a claim that feels tailor-made for a MAGA rally. Whether you agree with Cannon or not, you can’t accuse him of not having thought about this.
And Then There Was Trump
When the conversation shifted to President Donald Trump‘s second term, Cannon was enthusiastic: “Motherfucker’s cleaning house,” he said. “He’s doing what he said he was gonna do.” Variety
He expanded with a metaphor that is equal parts sharp and absurd: “We got the Gulf of America now. He’s like the club. He’s charging a $5 million bottle service fee to get into the country. I f*** with Trump.” Yakima Herald

Love it or hate it, there’s something very Nick Cannon about that framing — wrapping a geopolitical observation inside a nightclub analogy and delivering it with a straight face.
What the History Actually Says
Because this is the kind of story where the facts matter, it’s worth being precise about what Cannon got right, what he oversimplified, and what historians actually say.
Cannon is correct that Democrats in the Reconstruction-era South had strong ties to the Ku Klux Klan and opposed racial equality through the 1950s. However, Democrats did not found the KKK — despite an oft-repeated claim to the contrary.
According to PolitiFact, which has previously examined this claim, the white supremacist group was founded as a social fraternity by Confederate veterans in Pulaski, Tennessee, and quickly became a violent organization — but it was more of a grassroots movement than a party-sponsored one.
And then there’s the historical wrinkle that Cannon’s framing leaves out entirely: in the 1960s, Southern Democrats — known as “Dixiecrats” — largely left the Democratic Party, realigning politically in ways that fundamentally shifted both parties’ identities. The Republican Party of Abraham Lincoln and the Republican Party of today are not the same political animal, a point that historians make consistently and that Cannon’s argument skips over.
As Lizzo noted months ago in a since-deleted video, anticipating exactly this kind of moment: “You’re about to see an influx of people who see that it is more profitable and more beneficial to join that side. You’re gonna see it. It’s already started, and it’s gonna continue.”
She wasn’t wrong.
A Growing Pattern Among Black Celebrities
Cannon’s comments don’t exist in a vacuum. He joins a growing — and loudly discussed — group of Black celebrities including Rose and Nicki Minaj who have been openly supporting Trump, creating a visible and contentious shift in the cultural conversation about Black political identity in America.
Whether this represents a genuine ideological realignment, a reaction against the Democratic Party’s perceived failures, or something more complicated and personal — it’s clearly not a blip. It’s a pattern. And Nick Cannon, whether intentionally or not, just made himself one of its loudest voices.
The question now isn’t just whether he’s right about history. It’s whether this moment marks something bigger about where Black America’s political conversation is actually heading — and who gets to shape that narrative next.
Entertainment
‘Avatar Aang: The Last Airbender’ Review: Beautifully Animated, Emotionally Inconsistent
The latest chapter in the Avatar universe captivates with its artistry, even as its storytelling misses key opportunities.
Few animated franchises have earned the enduring admiration enjoyed by Avatar: The Last Airbender. Its rich world-building, unforgettable characters and emotional storytelling made it a modern classic, setting an exceptionally high standard for every new chapter that followed.
That legacy continues with Avatar Aang: The Last Airbender, an animated feature that revisits the world fans have loved for years. While the film impresses with spectacular visuals and ambitious action sequences, its storytelling doesn’t always match the artistic brilliance on display.
From the opening moments, the movie showcases remarkable animation, bringing the Four Nations to life with vibrant colors, fluid movement and cinematic scale. The elemental bending sequences are particularly striking, combining technical precision with imaginative choreography that feels worthy of the franchise’s reputation.
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Visually, the film rarely misses a beat.
However, as the story unfolds, the screenplay struggles to maintain the emotional depth that defined the original television series. Character development often feels rushed, while key emotional moments arrive without the narrative buildup needed to leave a lasting impact.
Returning voice actors, including Eric Nam and Steven Yeun, deliver committed performances that bring warmth and sincerity to their characters. They are joined by an impressive ensemble featuring Dave Bautista, Taika Waititi, Geraldine Viswanathan and Academy Award winner Ke Huy Quan, adding significant star power to the production.
Despite the talented cast, the film occasionally prioritizes spectacle over substance. Large-scale action scenes are visually captivating, but they sometimes come at the expense of quieter moments that once gave the franchise its emotional resonance.

Fans of the original series may also notice that the balance between humor, philosophy and personal growth feels less refined than before. The television series excelled at allowing its characters to evolve naturally over time, whereas the film’s faster pace leaves some relationships feeling underexplored.
Still, there is plenty for longtime followers to appreciate. Familiar locations, references to beloved characters and beautifully crafted world-building reinforce why the Avatar universe continues to captivate audiences across generations.
For newcomers, the movie offers an accessible introduction to one of animation’s most celebrated fantasy worlds. Its visual achievements alone make it a worthwhile theatrical experience, even if the narrative occasionally struggles to maintain momentum.
Ultimately, Avatar Aang: The Last Airbender is a film of contrasts. It succeeds as a technical showcase filled with breathtaking animation and memorable voice performances, yet falls short of fully capturing the emotional storytelling that made the original series legendary.
For fans, the journey remains enjoyable—but it also serves as a reminder that even the most spectacular visuals cannot entirely replace the power of a deeply compelling story.
Entertainment
‘It’s Become a Tradition’: Kevin Feige Reveals Adam Driver Has Turned Down Multiple Marvel Roles…
‘It’s Become a Tradition’: Kevin Feige Reveals Adam Driver Has Turned Down Multiple Marvel Roles…
For years, fans have imagined Adam Driver stepping into the Marvel Cinematic Universe (MCU). His name has frequently surfaced in casting rumors for some of Marvel’s biggest characters, but according to Kevin Feige, those discussions have never led to a deal.
Speaking candidly about the long-running speculation, the Marvel Studios president joked that Driver’s repeated decisions to decline Marvel roles have become something of a “tradition.” The light-hearted remark highlights just how often the Oscar-nominated actor has been considered for projects within the superhero franchise.
Although Feige did not reveal which specific characters Driver was offered, the actor has long been viewed by fans as an ideal choice for several complex Marvel villains and antiheroes. His commanding screen presence and emotionally layered performances have made him a popular name in fan-casting discussions across social media.
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Driver, however, has consistently charted a different path.
Rather than joining another sprawling superhero universe, he has focused on filmmaker-driven projects, collaborating with some of cinema’s most respected directors. Over the years, he has worked with acclaimed names including Martin Scorsese, Ridley Scott, Noah Baumbach, Leos Carax and Michael Mann, building a filmography known more for artistic range than franchise commitments.
That doesn’t mean Driver is unfamiliar with blockbuster success.
The actor became a global star through Star Wars, where he portrayed the conflicted villain Kylo Ren in Disney’s sequel trilogy. His performance earned widespread praise and proved his ability to anchor one of the world’s biggest entertainment franchises.

Because of that experience, many believed a move to Marvel was only a matter of time. Yet Feige’s latest comments suggest Driver has remained consistent in politely passing on every opportunity that has come his way.
Marvel Studios, meanwhile, continues expanding its cinematic universe with new heroes, villains and multiverse storylines, regularly attracting some of Hollywood’s biggest names. Even so, Driver’s absence has become one of the franchise’s longest-running casting mysteries.
Whether that changes in the future remains uncertain. Feige’s humorous comments leave the door open, but for now, Driver appears content pursuing projects that align with his personal creative interests rather than joining another interconnected superhero saga.
As Marvel continues searching for the next generation of iconic characters, one question still lingers among fans: will Adam Driver eventually accept the call—or will saying “no” remain part of the tradition?
Entertainment
Locarno to Honor James Gray With Career Leopard: Why the Festival Calls Him ‘The Last Great Novelist of American Cinema’…
Acclaimed filmmaker James Gray will receive the prestigious Career Leopard award at the Locarno Film Festival, celebrating a body of work praised for its literary depth, emotional storytelling, and timeless cinematic vision.
One of contemporary cinema’s most respected storytellers is set to receive one of the industry’s highest honors. James Gray, the acclaimed American filmmaker behind a string of critically celebrated dramas, will be presented with the Career Leopard at the Locarno Film Festival in recognition of his remarkable contribution to world cinema.
The announcement places Gray among an elite group of filmmakers whose artistic achievements have left a lasting impact on international filmmaking. The Career Leopard is one of the festival’s most prestigious lifetime achievement honors, awarded to directors whose work has significantly shaped the language of cinema.
Explaining the decision, Giona A. Nazzaro, Artistic Director of the Locarno Film Festival, described Gray as “the last great novelist of American cinema.” He praised the filmmaker’s ability to weave emotionally rich narratives that draw inspiration from the Jewish diaspora, classic film noir, and literary traditions spanning Russian and North American literature.
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Throughout his career, James Gray has earned widespread recognition for creating deeply personal stories centered on family, identity, ambition, loyalty, and moral conflict. His films often blend intimate character studies with sweeping emotional themes, resulting in works that resonate long after the credits roll.
Among his best-known films are The Yards, We Own the Night, Two Lovers, The Lost City of Z, and Ad Astra. Across these productions, Gray has developed a signature style that favors nuanced performances, layered storytelling, and emotionally grounded narratives over spectacle.

The Locarno Film Festival, held annually in Switzerland, is regarded as one of the world’s oldest and most influential film festivals. It has built a reputation for championing visionary filmmakers, independent cinema, and artistic innovation while honoring directors whose work continues to shape global filmmaking.
Gray’s recognition reflects not only his achievements in American cinema but also his influence on filmmakers and audiences worldwide. His work has consistently explored universal themes through deeply human stories, earning praise from critics and film enthusiasts alike.
For many in the industry, the Career Leopard acknowledges a filmmaker whose commitment to thoughtful storytelling has remained unwavering in an era increasingly dominated by franchise blockbusters and large-scale commercial productions. His films continue to demonstrate that character-driven narratives can leave an enduring cultural impact.
As James Gray prepares to receive the honor in Locarno, the award serves as both a celebration of his past achievements and recognition of a filmmaker whose influence continues to inspire new generations of directors.
Daily Global Diary will continue covering major announcements from the international film festival circuit as the awards season unfolds.
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