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Steven Knight Finally Reveals the Tom Hardy Twist He Scrapped From ‘Peaky Blinders: The Immortal Man’ — ‘I Had an Idea Which I Haven’t Really Spoken About…’

Fans spent months wondering whether Alfie Solomons would return for Tommy Shelby’s final chapter. Now the creator of Peaky Blinders is opening up about what almost happened — and why he walked away from it.

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Steven Knight Reveals Scrapped Tom Hardy Twist in 'Peaky Blinders: The Immortal Man' — 'I Had an Idea…' | Daily Global Diary
Writer and creator Steven Knight and Oscar-winner Cillian Murphy on the set of Peaky Blinders: The Immortal Man*, now streaming on Netflix. Knight has revealed he had a scrapped idea involving Tom Hardy's beloved character Alfie Solomons that he ultimately chose not to pursue. © 2026 Netflix / Robert Viglasky.*

For months before Peaky Blinders: The Immortal Man hit Netflix, the question driving every fan conversation was the same: is Tom Hardy in it?

The answer, as it turned out, was no. But what Steven Knight has now revealed is that it very nearly wasn’t that simple.

The Twist That Almost Was

In a candid new interview, the creator and writer of Peaky Blinders has broken his silence on a scrapped storyline involving Tom Hardy‘s beloved character — the Camden Town gang lord Alfie Solomons — and what he had once planned for the film before ultimately deciding against it.

“I didn’t do it in the end, but I had an idea, which I haven’t really spoken about,” The Hollywood Reporter Knight revealed — offering just enough to drive fans absolutely wild while keeping the actual details under wraps. Classic Peaky Blinders energy, even off-screen.

It’s the kind of admission that opens a door just a crack — enough to let your imagination run through it completely.

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Why Alfie Solomons Wasn’t in the Film

Peaky Blinders produced a litany of memorable characters throughout its six seasons, and chief among the fan favourites was Tom Hardy’s Alfie Solomons — the Camden Town gang leader and eternal frenemy of Cillian Murphy‘s Tommy Shelby. Their fictional relationship was so combustible that Tommy actually killed Alfie at the end of Season 4 — at least until Hardy lobbied Knight to keep him around for Seasons 5 and 6. The Hollywood Reporter

Yes — Tom Hardy essentially saved his own character through sheer persistence. He kept texting Knight, saying, “Alfie’s not dead.” So back he came. The Hollywood Reporter You genuinely cannot make this up.

For a colorful rogue who even managed to come back from the dead in a last-minute story choice, Alfie’s return in a movie literally titled “The Immortal Man” would’ve added a dark sense of irony. It’s easy to imagine a scenario where, late in the film and out of options, Tommy calls upon his old pal to help him out of a jam one last time — or stab him in the back, for old time’s sake. /Film

But ultimately, Knight made a different call. Knight stated: “For the film, I had to be laser-focused and it has to be on Tommy. So the story determined who would be in the film, really.” Soapcentral

Knight also acknowledged that adding characters like Alfie, Lizzie, or even Grace in dream sequences might have made The Immortal Man harder to follow for new viewers — since the movie was designed to stand alone and work even for people who had never watched Peaky Blinders. Soapcentral

What the Film Is Actually About

For those who haven’t yet watched, The Immortal Man is everything long-time fans hoped for — and more.

The story picks up in 1940, six years after the end of the mothership series. Tommy has secluded himself in his dilapidated countryside mansion to simmer in guilt and write his memoir, all while his estranged son, Duke Shelby (Barry Keoghan), runs the Peaky Blinders with reckless abandon. The nihilistic Duke is soon recruited by Nazi Germany to crash the British economy through the distribution of counterfeit currency — and effectively decide World War II for the German Reich. The Hollywood Reporter

Steven Knight Reveals Scrapped Tom Hardy Twist in 'Peaky Blinders: The Immortal Man' — 'I Had an Idea…' | Daily Global Diary


Thus, Tommy’s sister, Ada (Sophie Rundle), and Kaulo Chiriklo (Rebecca Ferguson), the twin sister of Duke’s mother, separately implore Tommy to save his son — and Gypsy people — by extension saving Britain itself. The Hollywood Reporter

The film premiered at Symphony Hall, Birmingham on 2 March 2026, released in select cinemas on 6 March 2026, and released globally on Netflix on 20 March 2026. On the review aggregator website Rotten Tomatoes, 92% of 79 critics’ reviews are positive.

An Alfie Spinoff? Knight Has Thoughts on That Too

With Alfie absent from Tommy’s final chapter, fans naturally started asking the next obvious question: what about a spinoff series for Alfie Solomons?

Knight was direct: “No, I never have. I don’t think it would work. He’s so good, and he’s been so great with Alfie.” He added that he and Hardy have worked on Taboo together, and that they are talking about doing another Taboo — and he hopes that happens. The Hollywood Reporter

So while Alfie Solomons may have fired his last shot in the Peaky Blinders universe for now, Tom Hardy and Steven Knight are far from done with each other.

What’s Next for the Peaky Blinders Universe

The story of Birmingham’s most dangerous family is far from over. A sequel series to Peaky Blinders is in development from Netflix and the BBC. The untitled series, which consists of two six-episode seasons, will pick up after the events of The Immortal Man and follow the next generation of the Shelby family in Birmingham in 1953. Filming on the show began in March 2026. NME

And as for Knight himself — the man doesn’t slow down. Having finished bringing Peaky Blinders to feature-length form, Knight is currently writing the James Bond 26 script for Amazon. IMDb

By order of the Peaky Blinders — the next chapter is already being written.

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Hollywood Stars or Dancing Chaos? Marek Eben Opens Up on Hosting KVIFF Ceremonies: ‘Which One Is More Stressful… I Still Can’t Decide’

Ahead of Karlovy Vary’s landmark edition, Czech TV icon Marek Eben reflects on decades of hosting, celebrity encounters, and unforgettable festival moments.

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Marek Eben reflects on decades of hosting the Karlovy Vary Film Festival as Hollywood stars and live TV challenges shape his career.

As the Karlovy Vary International Film Festival prepares for its highly anticipated 60th edition, Czech television presenter, musician, and long-time host Marek Eben has opened up about his unique journey inside one of Europe’s most prestigious film events.

Known for his calm stage presence and sharp wit, Eben has become the face of KVIFF ceremonies — welcoming Hollywood legends, global filmmakers, and international guests year after year. But when asked about the most stressful part of his career, his answer comes with a smile and a surprising comparison.

Between hosting glamorous red-carpet ceremonies and presenting the popular Czech show “Dancing With the Stars”, Eben admits the stress levels are not as predictable as one might think.

ALSO READ : Sen. Elizabeth Warren Calls It a ‘Cesspool of Corruption’ — Here’s Why Senators Are Now Fighting Back Against the DOJ’s Live Nation Deal That Left Every Fan Betrayed…

“HOLLYWOOD LEGENDS OR LIVE TELEVISION CHAOS?”

Reflecting on his long career, Eben recalled how he once had the chance to meet legendary actor Gregory Peck during the festival’s earlier years — a moment he still describes as surreal.

Over time, KVIFF has hosted some of the biggest names in global cinema, turning Karlovy Vary into a summer hub for film lovers, critics, and A-list talent.

Yet despite the glamour, Eben suggests that live television may still hold the edge when it comes to pressure. Hosting unpredictable performances, live audiences, and tight production timing often creates a different kind of intensity compared to film festival ceremonies.

A FESTIVAL WITH GLOBAL REACH

The Karlovy Vary festival has grown significantly over the decades, evolving into a cultural landmark that bridges Eastern European cinema with Hollywood and international filmmaking.

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This year’s edition marks a milestone — 60 editions across 80 years — reinforcing its legacy as one of Europe’s most respected film festivals.

Eben’s role as host has helped maintain the festival’s identity, balancing sophistication with warmth and humor.

DREAM INTERVIEWS AND UNFULFILLED WISHES

Looking ahead, Eben also shared that there are still a few names he would love to interview — though he keeps them closely guarded. His curiosity reflects the spirit of the festival itself, where unexpected conversations often become the most memorable moments.

From red carpets to live television chaos, Eben’s career highlights the unpredictable nature of entertainment — where elegance and stress often coexist behind the scenes.

As Karlovy Vary prepares for another star-studded year, one thing remains clear: whether it’s Hollywood icons or live dance floors, Marek Eben continues to navigate both worlds with remarkable ease.

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‘A Lion at My Back’: Teenage Asylum Seeker & Cypriot Woman Form Unlikely Bond in Karlovy Vary Drama That’s Turning Heads…

Tonia Mishiali’s new film explores how family can emerge in unexpected places as it premieres in the Crystal Globe competition at Karlovy Vary Film Festival.

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A teenage asylum seeker and a Cypriot woman form an unexpected emotional bond in Tonia Mishiali’s new film premiering at Karlovy Vary Film Festival.

A deeply emotional and quietly powerful story is set to take center stage at this year’s Karlovy Vary International Film Festival, where Cypriot filmmaker Tonia Mishiali returns with her second feature film, “The Lion at My Back.”

Premiering in the prestigious Crystal Globe competition, the film has already begun drawing attention for its sensitive portrayal of an unexpected relationship between a teenage asylum seeker and a Cypriot woman in her 40s.

At its heart, the film explores how emotional bonds can form in the most unlikely circumstances — challenging traditional definitions of family, belonging, and survival.

A STORY ROOTED IN HUMAN CONNECTION

“The Lion at My Back” follows two individuals from vastly different worlds: a young asylum seeker navigating uncertainty and displacement, and a middle-aged Cypriot woman grappling with her own personal struggles.

Despite their differences, the two characters slowly build a fragile but meaningful connection, discovering shared vulnerabilities that transcend language, nationality, and age.

ALSO READ : Sen. Elizabeth Warren Calls It a ‘Cesspool of Corruption’ — Here’s Why Senators Are Now Fighting Back Against the DOJ’s Live Nation Deal That Left Every Fan Betrayed…

The film’s premise highlights a growing theme in contemporary European cinema — the intersection of migration, identity, and human empathy.

MISHIALI’S CINEMATIC VOICE

Director Tonia Mishiali has been steadily gaining recognition for her intimate storytelling style, often focusing on emotional realism and socially relevant narratives.

Her latest work continues that trajectory, offering a grounded yet poetic examination of human relationships formed under pressure. The film’s narrative suggests that even in moments of displacement and isolation, connection can emerge in unexpected ways.

Festival programmers at Karlovy Vary have praised the film’s emotional depth and its ability to balance social commentary with personal storytelling.

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A FESTIVAL KNOWN FOR RISK-TAKING CINEMA

The Karlovy Vary International Film Festival, one of Europe’s most respected film events, has long been a platform for bold, independent voices in global cinema. The inclusion of Mishiali’s film in the Crystal Globe competition underscores its artistic ambition and thematic relevance.

Early reactions from festival insiders suggest that the film resonates strongly with contemporary global issues — particularly migration and human resilience.

FAMILY BEYOND BLOODLINES

At its core, “The Lion at My Back” suggests that family is not always defined by biology or tradition. Instead, it can emerge through shared experience, empathy, and survival.

As the film prepares for its world premiere, it stands as a reminder of cinema’s unique ability to reflect human complexity — and to find tenderness in unlikely places.

For audiences at Karlovy Vary, it may be one of the festival’s most quietly powerful entries.

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Virginie Efira to Be Honoured at Locarno… ‘Bold Yet Thoughtful’ Star Set for Prestigious Leopard Club Award

The Locarno Film Festival celebrates the acclaimed Belgian-French actress for her evolving cinematic voice, calling her “instinctive yet ironic” in a glowing tribute.

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Virginie Efira will be honoured at the Locarno Film Festival with the Leopard Club Award for her bold and evolving contribution to cinema.

Acclaimed actress Virginie Efira is set to receive one of European cinema’s most respected honours — the Leopard Club Award at the prestigious Locarno Film Festival in Switzerland.

The announcement has been met with widespread appreciation across the film industry, with festival organizers praising Efira for her distinctive artistic presence and evolving contribution to contemporary cinema.

Describing her body of work, the festival highlighted her as “bold yet thoughtful, instinctive yet ironic,” noting that she brings a fresh and constantly evolving perspective to modern filmmaking.

A CAREER DEFINED BY RANGE AND RISK

Over the years, Efira has built a reputation for choosing complex and emotionally layered roles, moving seamlessly between drama, romance, and psychological storytelling. Her performances have often been noted for their emotional authenticity and understated intensity.

ALSO READ : Sen. Elizabeth Warren Calls It a ‘Cesspool of Corruption’ — Here’s Why Senators Are Now Fighting Back Against the DOJ’s Live Nation Deal That Left Every Fan Betrayed…

From independent European films to internationally recognized productions, she has become one of the most versatile voices in modern French-language cinema.

Her work has also contributed to strengthening the global visibility of European storytelling, particularly through collaborations with acclaimed directors across France and Belgium.

LOCARNO’S TRIBUTE TO CINEMATIC EVOLUTION

The Locarno Film Festival, known for celebrating auteur-driven cinema and artistic experimentation, has a long tradition of honoring performers who redefine screen language.

This year’s Leopard Club Award selection reflects that tradition, with Efira recognized not just for her performances, but for her influence on contemporary cinematic expression.

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Festival curators emphasized that her presence on screen continues to “reinvent itself,” adapting to new storytelling styles while maintaining a strong emotional core.

EUROPEAN CINEMA’S CONTINUING GLOBAL INFLUENCE

Efira’s recognition comes at a time when European cinema is experiencing renewed global attention, particularly through streaming platforms and international co-productions.

Her award underscores how actors outside Hollywood continue to shape global film culture through originality and artistic risk-taking.

As anticipation builds for the ceremony, the honour places Virginie Efira among a select group of performers whose work transcends borders — both geographically and creatively.

For Locarno, it is not just an award. It is a celebration of an artist whose career continues to evolve with quiet power and striking consistency.

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