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Steven Knight Finally Reveals the Tom Hardy Twist He Scrapped From ‘Peaky Blinders: The Immortal Man’ — ‘I Had an Idea Which I Haven’t Really Spoken About…’

Fans spent months wondering whether Alfie Solomons would return for Tommy Shelby’s final chapter. Now the creator of Peaky Blinders is opening up about what almost happened — and why he walked away from it.

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Steven Knight Reveals Scrapped Tom Hardy Twist in 'Peaky Blinders: The Immortal Man' — 'I Had an Idea…' | Daily Global Diary
Writer and creator Steven Knight and Oscar-winner Cillian Murphy on the set of Peaky Blinders: The Immortal Man*, now streaming on Netflix. Knight has revealed he had a scrapped idea involving Tom Hardy's beloved character Alfie Solomons that he ultimately chose not to pursue. © 2026 Netflix / Robert Viglasky.*

For months before Peaky Blinders: The Immortal Man hit Netflix, the question driving every fan conversation was the same: is Tom Hardy in it?

The answer, as it turned out, was no. But what Steven Knight has now revealed is that it very nearly wasn’t that simple.

The Twist That Almost Was

In a candid new interview, the creator and writer of Peaky Blinders has broken his silence on a scrapped storyline involving Tom Hardy‘s beloved character — the Camden Town gang lord Alfie Solomons — and what he had once planned for the film before ultimately deciding against it.

“I didn’t do it in the end, but I had an idea, which I haven’t really spoken about,” The Hollywood Reporter Knight revealed — offering just enough to drive fans absolutely wild while keeping the actual details under wraps. Classic Peaky Blinders energy, even off-screen.

It’s the kind of admission that opens a door just a crack — enough to let your imagination run through it completely.

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Why Alfie Solomons Wasn’t in the Film

Peaky Blinders produced a litany of memorable characters throughout its six seasons, and chief among the fan favourites was Tom Hardy’s Alfie Solomons — the Camden Town gang leader and eternal frenemy of Cillian Murphy‘s Tommy Shelby. Their fictional relationship was so combustible that Tommy actually killed Alfie at the end of Season 4 — at least until Hardy lobbied Knight to keep him around for Seasons 5 and 6. The Hollywood Reporter

Yes — Tom Hardy essentially saved his own character through sheer persistence. He kept texting Knight, saying, “Alfie’s not dead.” So back he came. The Hollywood Reporter You genuinely cannot make this up.

For a colorful rogue who even managed to come back from the dead in a last-minute story choice, Alfie’s return in a movie literally titled “The Immortal Man” would’ve added a dark sense of irony. It’s easy to imagine a scenario where, late in the film and out of options, Tommy calls upon his old pal to help him out of a jam one last time — or stab him in the back, for old time’s sake. /Film

But ultimately, Knight made a different call. Knight stated: “For the film, I had to be laser-focused and it has to be on Tommy. So the story determined who would be in the film, really.” Soapcentral

Knight also acknowledged that adding characters like Alfie, Lizzie, or even Grace in dream sequences might have made The Immortal Man harder to follow for new viewers — since the movie was designed to stand alone and work even for people who had never watched Peaky Blinders. Soapcentral

What the Film Is Actually About

For those who haven’t yet watched, The Immortal Man is everything long-time fans hoped for — and more.

The story picks up in 1940, six years after the end of the mothership series. Tommy has secluded himself in his dilapidated countryside mansion to simmer in guilt and write his memoir, all while his estranged son, Duke Shelby (Barry Keoghan), runs the Peaky Blinders with reckless abandon. The nihilistic Duke is soon recruited by Nazi Germany to crash the British economy through the distribution of counterfeit currency — and effectively decide World War II for the German Reich. The Hollywood Reporter

Steven Knight Reveals Scrapped Tom Hardy Twist in 'Peaky Blinders: The Immortal Man' — 'I Had an Idea…' | Daily Global Diary


Thus, Tommy’s sister, Ada (Sophie Rundle), and Kaulo Chiriklo (Rebecca Ferguson), the twin sister of Duke’s mother, separately implore Tommy to save his son — and Gypsy people — by extension saving Britain itself. The Hollywood Reporter

The film premiered at Symphony Hall, Birmingham on 2 March 2026, released in select cinemas on 6 March 2026, and released globally on Netflix on 20 March 2026. On the review aggregator website Rotten Tomatoes, 92% of 79 critics’ reviews are positive.

An Alfie Spinoff? Knight Has Thoughts on That Too

With Alfie absent from Tommy’s final chapter, fans naturally started asking the next obvious question: what about a spinoff series for Alfie Solomons?

Knight was direct: “No, I never have. I don’t think it would work. He’s so good, and he’s been so great with Alfie.” He added that he and Hardy have worked on Taboo together, and that they are talking about doing another Taboo — and he hopes that happens. The Hollywood Reporter

So while Alfie Solomons may have fired his last shot in the Peaky Blinders universe for now, Tom Hardy and Steven Knight are far from done with each other.

What’s Next for the Peaky Blinders Universe

The story of Birmingham’s most dangerous family is far from over. A sequel series to Peaky Blinders is in development from Netflix and the BBC. The untitled series, which consists of two six-episode seasons, will pick up after the events of The Immortal Man and follow the next generation of the Shelby family in Birmingham in 1953. Filming on the show began in March 2026. NME

And as for Knight himself — the man doesn’t slow down. Having finished bringing Peaky Blinders to feature-length form, Knight is currently writing the James Bond 26 script for Amazon. IMDb

By order of the Peaky Blinders — the next chapter is already being written.

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‘Avatar Aang: The Last Airbender’ Review: Beautifully Animated, Emotionally Inconsistent

The latest chapter in the Avatar universe captivates with its artistry, even as its storytelling misses key opportunities.

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Few animated franchises have earned the enduring admiration enjoyed by Avatar: The Last Airbender. Its rich world-building, unforgettable characters and emotional storytelling made it a modern classic, setting an exceptionally high standard for every new chapter that followed.

That legacy continues with Avatar Aang: The Last Airbender, an animated feature that revisits the world fans have loved for years. While the film impresses with spectacular visuals and ambitious action sequences, its storytelling doesn’t always match the artistic brilliance on display.

From the opening moments, the movie showcases remarkable animation, bringing the Four Nations to life with vibrant colors, fluid movement and cinematic scale. The elemental bending sequences are particularly striking, combining technical precision with imaginative choreography that feels worthy of the franchise’s reputation.

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Visually, the film rarely misses a beat.

However, as the story unfolds, the screenplay struggles to maintain the emotional depth that defined the original television series. Character development often feels rushed, while key emotional moments arrive without the narrative buildup needed to leave a lasting impact.

Returning voice actors, including Eric Nam and Steven Yeun, deliver committed performances that bring warmth and sincerity to their characters. They are joined by an impressive ensemble featuring Dave Bautista, Taika Waititi, Geraldine Viswanathan and Academy Award winner Ke Huy Quan, adding significant star power to the production.

Despite the talented cast, the film occasionally prioritizes spectacle over substance. Large-scale action scenes are visually captivating, but they sometimes come at the expense of quieter moments that once gave the franchise its emotional resonance.

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Fans of the original series may also notice that the balance between humor, philosophy and personal growth feels less refined than before. The television series excelled at allowing its characters to evolve naturally over time, whereas the film’s faster pace leaves some relationships feeling underexplored.

Still, there is plenty for longtime followers to appreciate. Familiar locations, references to beloved characters and beautifully crafted world-building reinforce why the Avatar universe continues to captivate audiences across generations.

For newcomers, the movie offers an accessible introduction to one of animation’s most celebrated fantasy worlds. Its visual achievements alone make it a worthwhile theatrical experience, even if the narrative occasionally struggles to maintain momentum.

Ultimately, Avatar Aang: The Last Airbender is a film of contrasts. It succeeds as a technical showcase filled with breathtaking animation and memorable voice performances, yet falls short of fully capturing the emotional storytelling that made the original series legendary.

For fans, the journey remains enjoyable—but it also serves as a reminder that even the most spectacular visuals cannot entirely replace the power of a deeply compelling story.

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‘It’s Become a Tradition’: Kevin Feige Reveals Adam Driver Has Turned Down Multiple Marvel Roles…

‘It’s Become a Tradition’: Kevin Feige Reveals Adam Driver Has Turned Down Multiple Marvel Roles…

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Adam Driver attends a film event as Marvel Studios president Kevin Feige reveals the actor has repeatedly declined opportunities to join the MCU.

For years, fans have imagined Adam Driver stepping into the Marvel Cinematic Universe (MCU). His name has frequently surfaced in casting rumors for some of Marvel’s biggest characters, but according to Kevin Feige, those discussions have never led to a deal.

Speaking candidly about the long-running speculation, the Marvel Studios president joked that Driver’s repeated decisions to decline Marvel roles have become something of a “tradition.” The light-hearted remark highlights just how often the Oscar-nominated actor has been considered for projects within the superhero franchise.

Although Feige did not reveal which specific characters Driver was offered, the actor has long been viewed by fans as an ideal choice for several complex Marvel villains and antiheroes. His commanding screen presence and emotionally layered performances have made him a popular name in fan-casting discussions across social media.

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Driver, however, has consistently charted a different path.

Rather than joining another sprawling superhero universe, he has focused on filmmaker-driven projects, collaborating with some of cinema’s most respected directors. Over the years, he has worked with acclaimed names including Martin Scorsese, Ridley Scott, Noah Baumbach, Leos Carax and Michael Mann, building a filmography known more for artistic range than franchise commitments.

That doesn’t mean Driver is unfamiliar with blockbuster success.

The actor became a global star through Star Wars, where he portrayed the conflicted villain Kylo Ren in Disney’s sequel trilogy. His performance earned widespread praise and proved his ability to anchor one of the world’s biggest entertainment franchises.

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Because of that experience, many believed a move to Marvel was only a matter of time. Yet Feige’s latest comments suggest Driver has remained consistent in politely passing on every opportunity that has come his way.

Marvel Studios, meanwhile, continues expanding its cinematic universe with new heroes, villains and multiverse storylines, regularly attracting some of Hollywood’s biggest names. Even so, Driver’s absence has become one of the franchise’s longest-running casting mysteries.

Whether that changes in the future remains uncertain. Feige’s humorous comments leave the door open, but for now, Driver appears content pursuing projects that align with his personal creative interests rather than joining another interconnected superhero saga.

As Marvel continues searching for the next generation of iconic characters, one question still lingers among fans: will Adam Driver eventually accept the call—or will saying “no” remain part of the tradition?

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Locarno to Honor James Gray With Career Leopard: Why the Festival Calls Him ‘The Last Great Novelist of American Cinema’…

Acclaimed filmmaker James Gray will receive the prestigious Career Leopard award at the Locarno Film Festival, celebrating a body of work praised for its literary depth, emotional storytelling, and timeless cinematic vision.

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Director James Gray will receive the prestigious Career Leopard award at the Locarno Film Festival in recognition of his lasting contribution to world cinema.

One of contemporary cinema’s most respected storytellers is set to receive one of the industry’s highest honors. James Gray, the acclaimed American filmmaker behind a string of critically celebrated dramas, will be presented with the Career Leopard at the Locarno Film Festival in recognition of his remarkable contribution to world cinema.

The announcement places Gray among an elite group of filmmakers whose artistic achievements have left a lasting impact on international filmmaking. The Career Leopard is one of the festival’s most prestigious lifetime achievement honors, awarded to directors whose work has significantly shaped the language of cinema.

Explaining the decision, Giona A. Nazzaro, Artistic Director of the Locarno Film Festival, described Gray as “the last great novelist of American cinema.” He praised the filmmaker’s ability to weave emotionally rich narratives that draw inspiration from the Jewish diaspora, classic film noir, and literary traditions spanning Russian and North American literature.

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Throughout his career, James Gray has earned widespread recognition for creating deeply personal stories centered on family, identity, ambition, loyalty, and moral conflict. His films often blend intimate character studies with sweeping emotional themes, resulting in works that resonate long after the credits roll.

Among his best-known films are The Yards, We Own the Night, Two Lovers, The Lost City of Z, and Ad Astra. Across these productions, Gray has developed a signature style that favors nuanced performances, layered storytelling, and emotionally grounded narratives over spectacle.

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The Locarno Film Festival, held annually in Switzerland, is regarded as one of the world’s oldest and most influential film festivals. It has built a reputation for championing visionary filmmakers, independent cinema, and artistic innovation while honoring directors whose work continues to shape global filmmaking.

Gray’s recognition reflects not only his achievements in American cinema but also his influence on filmmakers and audiences worldwide. His work has consistently explored universal themes through deeply human stories, earning praise from critics and film enthusiasts alike.

For many in the industry, the Career Leopard acknowledges a filmmaker whose commitment to thoughtful storytelling has remained unwavering in an era increasingly dominated by franchise blockbusters and large-scale commercial productions. His films continue to demonstrate that character-driven narratives can leave an enduring cultural impact.

As James Gray prepares to receive the honor in Locarno, the award serves as both a celebration of his past achievements and recognition of a filmmaker whose influence continues to inspire new generations of directors.

Daily Global Diary will continue covering major announcements from the international film festival circuit as the awards season unfolds.

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