Entertainment
Sony Just Bought a Supernatural Thriller That Over 20 Producers Were Desperately Fighting For — and the Plot Will Keep You Up at Night…
71 Minutes is the spec script Hollywood couldn’t stop chasing — a real-time race against sunrise, a mystery-shrouded premise, and one of the hottest writer-producer pairings in the game right now. Here’s everything we know.
When a spec script causes a feeding frenzy among over 20 production companies and multiple major studios simultaneously, you stop and pay attention. That’s exactly what happened with 71 Minutes — and Sony Pictures just walked away with the prize.
In what is shaping up to be one of the most talked-about acquisitions in Hollywood right now, Sony has secured the rights to 71 Minutes, an original supernatural thriller written by screenwriter Ian Shorr. And the man stepping in to produce it? None other than Jason Reitman — the director behind Ghostbusters: Afterlife, Juno, and Saturday Night.
The Premise That Sent Hollywood Into a Frenzy
So what’s in this script that had two dozen companies reaching for their chequebooks at the same time?
While many of the details are being kept under the tombstones, the project is described as a real-time thriller about a man who needs to elude his pursuers in a ticking clock scenario — and only has 71 minutes until the sun rises to do so. The Hollywood Reporter
That single sentence. That’s all it took. The clock ticking. The sunrise as the deadline. The pursuers lurking in the dark. It’s lean, it’s visceral, and it immediately raises one very obvious question that the internet has already started asking: is this a vampire movie?
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Could it be a vampire film, greenlit in the wake of another original genre piece, Sinners? Film Stories Nobody’s officially confirming anything yet — and that mystery is precisely what makes this project so electric.
Sony Beats Out 20+ Rivals to Land the Script
This wasn’t a quiet little acquisition. This was a war.
Shorr wrote 71 Minutes on spec, and the script immediately generated massive interest — with over 20 production companies, plus some studios, chasing the project before Sony Pictures acquired it. Yahoo!
That kind of market frenzy over an original, unproduced script is genuinely rare in today’s Hollywood, where IP-driven sequels and reboots dominate. The fact that a wholly original idea caused this level of stampede says something both about the quality of Shorr’s writing — and about an industry that, deep down, still craves something it hasn’t seen before.
Jason Reitman: The Producer Who Knows Ticking Clocks
Jason Reitman will produce the feature via his Ghost Corp banner along with the company’s Erica Mills. He is not attached to direct at this stage. The Hollywood Reporter

But here’s what makes Reitman such a natural fit for this project specifically: he’s done real-time storytelling before — and done it brilliantly. Reitman last directed Saturday Night, which recounted the making of the very first Saturday Night Live episode — and was also a ticking clock story. The Hollywood Reporter
The man understands what it means to build unbearable tension inside a compressed timeline. If anyone knows how to make 71 minutes feel like it could be your last, it’s him.
Reitman has also been keeping himself very busy in the genre space. He has been producing and developing the world of Ghostbusters, and was recently announced to be teaming with Gil Kenan for a live-action adaptation of Osamu Tezuka‘s Astro Boy. JoBlo The man has momentum — and 71 Minutes slots right into the streak.
The Writer Behind the Script: Ian Shorr Is Having a Moment
If you don’t know the name Ian Shorr yet, you will soon. This deal isn’t the only reason he’s making headlines right now.
Shorr is known for his sci-fi work, penning the Antoine Fuqua-directed Paramount+ feature Infinite, which starred Mark Wahlberg and Chiwetel Ejiofor. The Hollywood Reporter
But the 71 Minutes deal is happening at the exact same time as another major Shorr project. His other script — currently untitled — is now shooting as a Warner Bros. production starring Keanu Reeves with Tim Miller at the helm. The Hollywood Reporter
That untitled project — previously known as Shiver — has been described as having shades of Tom Cruise‘s Edge of Tomorrow and Blake Lively‘s The Shallows, and is due for release in 2027. Film Stories
Two massive projects. Two massive studios. Both at the same time. Ian Shorr is, without question, having his moment.
What This Means for Hollywood
There’s something quietly exciting about the way this deal happened. No franchise. No existing IP. No sequel number in the title. Just a writer, a blank page, a terrifying idea about a man racing the sunrise — and a script so good it started a bidding war.
The detail that might encourage any budding screenwriters out there: 71 Minutes was written entirely on spec. Film Stories Shorr didn’t have a studio assignment. He didn’t have a guaranteed deal. He just wrote something great, threw it into the arena, and watched Hollywood fight over it.
That’s the dream. And right now, it’s very much alive.
No director has been attached yet, no cast announced, no release date confirmed. But with Sony Pictures behind it and Jason Reitman producing, 71 Minutes is already one of the most anticipated projects in development. Whatever is hiding in the dark before that sunrise — we’re already afraid of it.
Entertainment
‘Avatar Aang: The Last Airbender’ Review: Beautifully Animated, Emotionally Inconsistent
The latest chapter in the Avatar universe captivates with its artistry, even as its storytelling misses key opportunities.
Few animated franchises have earned the enduring admiration enjoyed by Avatar: The Last Airbender. Its rich world-building, unforgettable characters and emotional storytelling made it a modern classic, setting an exceptionally high standard for every new chapter that followed.
That legacy continues with Avatar Aang: The Last Airbender, an animated feature that revisits the world fans have loved for years. While the film impresses with spectacular visuals and ambitious action sequences, its storytelling doesn’t always match the artistic brilliance on display.
From the opening moments, the movie showcases remarkable animation, bringing the Four Nations to life with vibrant colors, fluid movement and cinematic scale. The elemental bending sequences are particularly striking, combining technical precision with imaginative choreography that feels worthy of the franchise’s reputation.
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Visually, the film rarely misses a beat.
However, as the story unfolds, the screenplay struggles to maintain the emotional depth that defined the original television series. Character development often feels rushed, while key emotional moments arrive without the narrative buildup needed to leave a lasting impact.
Returning voice actors, including Eric Nam and Steven Yeun, deliver committed performances that bring warmth and sincerity to their characters. They are joined by an impressive ensemble featuring Dave Bautista, Taika Waititi, Geraldine Viswanathan and Academy Award winner Ke Huy Quan, adding significant star power to the production.
Despite the talented cast, the film occasionally prioritizes spectacle over substance. Large-scale action scenes are visually captivating, but they sometimes come at the expense of quieter moments that once gave the franchise its emotional resonance.

Fans of the original series may also notice that the balance between humor, philosophy and personal growth feels less refined than before. The television series excelled at allowing its characters to evolve naturally over time, whereas the film’s faster pace leaves some relationships feeling underexplored.
Still, there is plenty for longtime followers to appreciate. Familiar locations, references to beloved characters and beautifully crafted world-building reinforce why the Avatar universe continues to captivate audiences across generations.
For newcomers, the movie offers an accessible introduction to one of animation’s most celebrated fantasy worlds. Its visual achievements alone make it a worthwhile theatrical experience, even if the narrative occasionally struggles to maintain momentum.
Ultimately, Avatar Aang: The Last Airbender is a film of contrasts. It succeeds as a technical showcase filled with breathtaking animation and memorable voice performances, yet falls short of fully capturing the emotional storytelling that made the original series legendary.
For fans, the journey remains enjoyable—but it also serves as a reminder that even the most spectacular visuals cannot entirely replace the power of a deeply compelling story.
Entertainment
‘It’s Become a Tradition’: Kevin Feige Reveals Adam Driver Has Turned Down Multiple Marvel Roles…
‘It’s Become a Tradition’: Kevin Feige Reveals Adam Driver Has Turned Down Multiple Marvel Roles…
For years, fans have imagined Adam Driver stepping into the Marvel Cinematic Universe (MCU). His name has frequently surfaced in casting rumors for some of Marvel’s biggest characters, but according to Kevin Feige, those discussions have never led to a deal.
Speaking candidly about the long-running speculation, the Marvel Studios president joked that Driver’s repeated decisions to decline Marvel roles have become something of a “tradition.” The light-hearted remark highlights just how often the Oscar-nominated actor has been considered for projects within the superhero franchise.
Although Feige did not reveal which specific characters Driver was offered, the actor has long been viewed by fans as an ideal choice for several complex Marvel villains and antiheroes. His commanding screen presence and emotionally layered performances have made him a popular name in fan-casting discussions across social media.
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Driver, however, has consistently charted a different path.
Rather than joining another sprawling superhero universe, he has focused on filmmaker-driven projects, collaborating with some of cinema’s most respected directors. Over the years, he has worked with acclaimed names including Martin Scorsese, Ridley Scott, Noah Baumbach, Leos Carax and Michael Mann, building a filmography known more for artistic range than franchise commitments.
That doesn’t mean Driver is unfamiliar with blockbuster success.
The actor became a global star through Star Wars, where he portrayed the conflicted villain Kylo Ren in Disney’s sequel trilogy. His performance earned widespread praise and proved his ability to anchor one of the world’s biggest entertainment franchises.

Because of that experience, many believed a move to Marvel was only a matter of time. Yet Feige’s latest comments suggest Driver has remained consistent in politely passing on every opportunity that has come his way.
Marvel Studios, meanwhile, continues expanding its cinematic universe with new heroes, villains and multiverse storylines, regularly attracting some of Hollywood’s biggest names. Even so, Driver’s absence has become one of the franchise’s longest-running casting mysteries.
Whether that changes in the future remains uncertain. Feige’s humorous comments leave the door open, but for now, Driver appears content pursuing projects that align with his personal creative interests rather than joining another interconnected superhero saga.
As Marvel continues searching for the next generation of iconic characters, one question still lingers among fans: will Adam Driver eventually accept the call—or will saying “no” remain part of the tradition?
Entertainment
Locarno to Honor James Gray With Career Leopard: Why the Festival Calls Him ‘The Last Great Novelist of American Cinema’…
Acclaimed filmmaker James Gray will receive the prestigious Career Leopard award at the Locarno Film Festival, celebrating a body of work praised for its literary depth, emotional storytelling, and timeless cinematic vision.
One of contemporary cinema’s most respected storytellers is set to receive one of the industry’s highest honors. James Gray, the acclaimed American filmmaker behind a string of critically celebrated dramas, will be presented with the Career Leopard at the Locarno Film Festival in recognition of his remarkable contribution to world cinema.
The announcement places Gray among an elite group of filmmakers whose artistic achievements have left a lasting impact on international filmmaking. The Career Leopard is one of the festival’s most prestigious lifetime achievement honors, awarded to directors whose work has significantly shaped the language of cinema.
Explaining the decision, Giona A. Nazzaro, Artistic Director of the Locarno Film Festival, described Gray as “the last great novelist of American cinema.” He praised the filmmaker’s ability to weave emotionally rich narratives that draw inspiration from the Jewish diaspora, classic film noir, and literary traditions spanning Russian and North American literature.
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Throughout his career, James Gray has earned widespread recognition for creating deeply personal stories centered on family, identity, ambition, loyalty, and moral conflict. His films often blend intimate character studies with sweeping emotional themes, resulting in works that resonate long after the credits roll.
Among his best-known films are The Yards, We Own the Night, Two Lovers, The Lost City of Z, and Ad Astra. Across these productions, Gray has developed a signature style that favors nuanced performances, layered storytelling, and emotionally grounded narratives over spectacle.

The Locarno Film Festival, held annually in Switzerland, is regarded as one of the world’s oldest and most influential film festivals. It has built a reputation for championing visionary filmmakers, independent cinema, and artistic innovation while honoring directors whose work continues to shape global filmmaking.
Gray’s recognition reflects not only his achievements in American cinema but also his influence on filmmakers and audiences worldwide. His work has consistently explored universal themes through deeply human stories, earning praise from critics and film enthusiasts alike.
For many in the industry, the Career Leopard acknowledges a filmmaker whose commitment to thoughtful storytelling has remained unwavering in an era increasingly dominated by franchise blockbusters and large-scale commercial productions. His films continue to demonstrate that character-driven narratives can leave an enduring cultural impact.
As James Gray prepares to receive the honor in Locarno, the award serves as both a celebration of his past achievements and recognition of a filmmaker whose influence continues to inspire new generations of directors.
Daily Global Diary will continue covering major announcements from the international film festival circuit as the awards season unfolds.
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