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Russell T. Davies Warns ‘We Are Absolutely Sliding Back’ on Queer Rights — and His New Show Has Something Urgent to Say About It…

At BFI Flare, the creator of Queer as Folk and It’s a Sin gave the most honest, fired-up talk of the year — revealing what Tip Toe is really about, why he loves Heated Rivalry but won’t let it take his crown, and what he really thinks about Trump, Elon Musk, and the state of the world.

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Russell T. Davies Says World Is 'Sliding Back' on Queer Rights — and His New Show 'Tip Toe' Is His Answer | Daily Global Diary
Russell T. Davies speaks at the BFI Flare Screen Talk at BFI Southbank, London, March 2026 — discussing his new Channel 4 drama Tip Toe*, the state of global queer rights, and why* Queer as Folk was already running. © 2026 BFI. All Rights Reserved.

There are few people in British television who speak with the kind of authority — and the kind of fury — that Russell T. Davies does. And on Monday, at the BFI Flare: London LGBTQIA+ Film Festival, he didn’t hold back a single word.

Speaking at a Screen Talk session at the BFI Southbank in London, the man behind Queer as Folk, It’s a Sin, and Doctor Who laid out his vision, his fears, and his fire — all in one extraordinary afternoon.

“We Are Absolutely Sliding Back”

The room went quiet when Davies addressed the question everyone in that audience was already thinking about.

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Davies was direct about the state of queer rights: “We are absolutely sliding back. Undoubtedly. And that is terrifying.” He added that trans stories are being weaponised to incite negative emotions — and he warned about the current and future state of the world: “I think we are on the precipice of something. The whole world is on the precipice of something much worse.” The Hollywood Reporter

He didn’t shy away from naming names either. He discussed the backlash on queer rights around the world, referencing US President Donald Trump, Elon Musk, and ICE. The Hollywood Reporter These aren’t abstract political talking points for Davies — they’re the fuel behind his newest drama.

‘Tip Toe’: The Show He Had to Write

Davies said of Tip Toe: “This is a show I had to write because the world is getting stranger, tougher and darker, and frankly, the fight is on.” Deadline

The five-part miniseries is, in Davies’ own words, “a bit like Years and Years meets Queer as Folk” — set in Manchester and following a gay bar owner while also confronting rising far-right politics and threats to LGBT rights. Variety

The cast is formidable. Alan Cumming and David Morrissey star as Leo and Clive — two men who have lived next door to each other in Manchester for almost 15 years. Just as life should be settling down, the world around them grows more tense. Words become weapons, opinions become radicalised, and two neighbours gradually become deadly enemies. Deadline

At BFI Flare, Davies screened an exclusive six-minute clip. In it, Cumming’s character Leo is seen talking to his friend Melba — an aging drag queen played by Paul Rhys — about the state of the world. Variety The dialogue was pointed and contemporary. One character tells another: “The president of America has given these men permission to attack us. Leo, you’re queer in 2026 — you’re a political act.” The Hollywood Reporter

That line alone drew gasps.

Showing the Conservative Heart — Not Just the Villain

What makes Davies different from many political dramatists is his refusal to reduce his characters to cardboard cut-outs. Even when he’s writing about people who hold views he fundamentally disagrees with.

Asked how the show portrays conservatives through the lens of Morrissey’s character, Davies said his interest was to zoom in on the “hearts and humanity” of people. Morrissey plays an electrician who runs his own business — and Davies explained: “That’s always going to be a Tory voter, and with good reasons. Actually, in the past, the Conservative Party used to be a decent party. The Conservative Party of 30 years ago would protect small business owners, and that’s naturally the world he was brought up in. I hope we see their hearts and their humanity and why they think what they think, and the ridiculous pressures they are under.” The Hollywood Reporter

That’s the kind of writing that cuts through. Not propaganda — portraiture.

‘Queer as Folk’ Still Walked So Nobody Else Could Run

Davies was also asked about the current darling of queer television — the breakout hockey drama Heated Rivalry — and his answer was vintage Davies: warm, funny, and just a little bit combative.

“I love it and Heated Rivalry creator Jacob Tierney is a brilliant man,” he said. “Yet, to be absolutely honest, when people sit there going, ‘Oh, it’s such a revolutionary gay show,’ I’m going: ‘Hello!’ People on my Instagram page say: ‘Queer as Folk walked, so Heated Rivalry could run.’ I thought we were f—ing running from the start.” Time Out

He’s not wrong. But Davies was also generous: “Heated Rivalry does prove that the audience is there and the market is there. And actually, it is unique in the way that it’s become an international hit.” The Hollywood Reporter

That’s the thing about Davies — he’s got enough confidence in his own legacy to praise someone else’s work without feeling threatened by it.

Russell T. Davies Says World Is 'Sliding Back' on Queer Rights — and His New Show 'Tip Toe' Is His Answer | Daily Global Diary


His Take on SNL UK? Delightfully Honest

Davies also weighed in on the week’s other big TV talking point — the debut of Saturday Night Live UK on Sky One, hosted by Tina Fey. His verdict? Characteristically unvarnished — and worth reading between the lines.

The Man Behind the Legacy

It’s worth stepping back and remembering just who this man is. Davies introduced openly queer characters and storylines to Doctor Who, bringing LGBTQIA+ experiences into mainstream television with unprecedented visibility and nuance. He created Queer as Folk (1999), Cucumber (2015), It’s a Sin (2021), as well as A Very English Scandal (2018) and the dystopian Years and Years (2019). BFI

Channel 4’s Director of Drama Ollie Madden described Davies as “one of the greatest writers of our time, and the man behind some of our most era-defining hits.” Channel 4

Tip Toe launches on Channel 4 in June 2026. If Monday’s BFI Flare talk is any indication, it’s going to hit like a sledgehammer wrapped in wit.

The world may be sliding back. But Russell T. Davies is not going quietly.

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Hollywood Stars or Dancing Chaos? Marek Eben Opens Up on Hosting KVIFF Ceremonies: ‘Which One Is More Stressful… I Still Can’t Decide’

Ahead of Karlovy Vary’s landmark edition, Czech TV icon Marek Eben reflects on decades of hosting, celebrity encounters, and unforgettable festival moments.

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Marek Eben reflects on decades of hosting the Karlovy Vary Film Festival as Hollywood stars and live TV challenges shape his career.

As the Karlovy Vary International Film Festival prepares for its highly anticipated 60th edition, Czech television presenter, musician, and long-time host Marek Eben has opened up about his unique journey inside one of Europe’s most prestigious film events.

Known for his calm stage presence and sharp wit, Eben has become the face of KVIFF ceremonies — welcoming Hollywood legends, global filmmakers, and international guests year after year. But when asked about the most stressful part of his career, his answer comes with a smile and a surprising comparison.

Between hosting glamorous red-carpet ceremonies and presenting the popular Czech show “Dancing With the Stars”, Eben admits the stress levels are not as predictable as one might think.

ALSO READ : Sen. Elizabeth Warren Calls It a ‘Cesspool of Corruption’ — Here’s Why Senators Are Now Fighting Back Against the DOJ’s Live Nation Deal That Left Every Fan Betrayed…

“HOLLYWOOD LEGENDS OR LIVE TELEVISION CHAOS?”

Reflecting on his long career, Eben recalled how he once had the chance to meet legendary actor Gregory Peck during the festival’s earlier years — a moment he still describes as surreal.

Over time, KVIFF has hosted some of the biggest names in global cinema, turning Karlovy Vary into a summer hub for film lovers, critics, and A-list talent.

Yet despite the glamour, Eben suggests that live television may still hold the edge when it comes to pressure. Hosting unpredictable performances, live audiences, and tight production timing often creates a different kind of intensity compared to film festival ceremonies.

A FESTIVAL WITH GLOBAL REACH

The Karlovy Vary festival has grown significantly over the decades, evolving into a cultural landmark that bridges Eastern European cinema with Hollywood and international filmmaking.

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This year’s edition marks a milestone — 60 editions across 80 years — reinforcing its legacy as one of Europe’s most respected film festivals.

Eben’s role as host has helped maintain the festival’s identity, balancing sophistication with warmth and humor.

DREAM INTERVIEWS AND UNFULFILLED WISHES

Looking ahead, Eben also shared that there are still a few names he would love to interview — though he keeps them closely guarded. His curiosity reflects the spirit of the festival itself, where unexpected conversations often become the most memorable moments.

From red carpets to live television chaos, Eben’s career highlights the unpredictable nature of entertainment — where elegance and stress often coexist behind the scenes.

As Karlovy Vary prepares for another star-studded year, one thing remains clear: whether it’s Hollywood icons or live dance floors, Marek Eben continues to navigate both worlds with remarkable ease.

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‘A Lion at My Back’: Teenage Asylum Seeker & Cypriot Woman Form Unlikely Bond in Karlovy Vary Drama That’s Turning Heads…

Tonia Mishiali’s new film explores how family can emerge in unexpected places as it premieres in the Crystal Globe competition at Karlovy Vary Film Festival.

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A teenage asylum seeker and a Cypriot woman form an unexpected emotional bond in Tonia Mishiali’s new film premiering at Karlovy Vary Film Festival.

A deeply emotional and quietly powerful story is set to take center stage at this year’s Karlovy Vary International Film Festival, where Cypriot filmmaker Tonia Mishiali returns with her second feature film, “The Lion at My Back.”

Premiering in the prestigious Crystal Globe competition, the film has already begun drawing attention for its sensitive portrayal of an unexpected relationship between a teenage asylum seeker and a Cypriot woman in her 40s.

At its heart, the film explores how emotional bonds can form in the most unlikely circumstances — challenging traditional definitions of family, belonging, and survival.

A STORY ROOTED IN HUMAN CONNECTION

“The Lion at My Back” follows two individuals from vastly different worlds: a young asylum seeker navigating uncertainty and displacement, and a middle-aged Cypriot woman grappling with her own personal struggles.

Despite their differences, the two characters slowly build a fragile but meaningful connection, discovering shared vulnerabilities that transcend language, nationality, and age.

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The film’s premise highlights a growing theme in contemporary European cinema — the intersection of migration, identity, and human empathy.

MISHIALI’S CINEMATIC VOICE

Director Tonia Mishiali has been steadily gaining recognition for her intimate storytelling style, often focusing on emotional realism and socially relevant narratives.

Her latest work continues that trajectory, offering a grounded yet poetic examination of human relationships formed under pressure. The film’s narrative suggests that even in moments of displacement and isolation, connection can emerge in unexpected ways.

Festival programmers at Karlovy Vary have praised the film’s emotional depth and its ability to balance social commentary with personal storytelling.

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A FESTIVAL KNOWN FOR RISK-TAKING CINEMA

The Karlovy Vary International Film Festival, one of Europe’s most respected film events, has long been a platform for bold, independent voices in global cinema. The inclusion of Mishiali’s film in the Crystal Globe competition underscores its artistic ambition and thematic relevance.

Early reactions from festival insiders suggest that the film resonates strongly with contemporary global issues — particularly migration and human resilience.

FAMILY BEYOND BLOODLINES

At its core, “The Lion at My Back” suggests that family is not always defined by biology or tradition. Instead, it can emerge through shared experience, empathy, and survival.

As the film prepares for its world premiere, it stands as a reminder of cinema’s unique ability to reflect human complexity — and to find tenderness in unlikely places.

For audiences at Karlovy Vary, it may be one of the festival’s most quietly powerful entries.

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Virginie Efira to Be Honoured at Locarno… ‘Bold Yet Thoughtful’ Star Set for Prestigious Leopard Club Award

The Locarno Film Festival celebrates the acclaimed Belgian-French actress for her evolving cinematic voice, calling her “instinctive yet ironic” in a glowing tribute.

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Virginie Efira will be honoured at the Locarno Film Festival with the Leopard Club Award for her bold and evolving contribution to cinema.

Acclaimed actress Virginie Efira is set to receive one of European cinema’s most respected honours — the Leopard Club Award at the prestigious Locarno Film Festival in Switzerland.

The announcement has been met with widespread appreciation across the film industry, with festival organizers praising Efira for her distinctive artistic presence and evolving contribution to contemporary cinema.

Describing her body of work, the festival highlighted her as “bold yet thoughtful, instinctive yet ironic,” noting that she brings a fresh and constantly evolving perspective to modern filmmaking.

A CAREER DEFINED BY RANGE AND RISK

Over the years, Efira has built a reputation for choosing complex and emotionally layered roles, moving seamlessly between drama, romance, and psychological storytelling. Her performances have often been noted for their emotional authenticity and understated intensity.

ALSO READ : Sen. Elizabeth Warren Calls It a ‘Cesspool of Corruption’ — Here’s Why Senators Are Now Fighting Back Against the DOJ’s Live Nation Deal That Left Every Fan Betrayed…

From independent European films to internationally recognized productions, she has become one of the most versatile voices in modern French-language cinema.

Her work has also contributed to strengthening the global visibility of European storytelling, particularly through collaborations with acclaimed directors across France and Belgium.

LOCARNO’S TRIBUTE TO CINEMATIC EVOLUTION

The Locarno Film Festival, known for celebrating auteur-driven cinema and artistic experimentation, has a long tradition of honoring performers who redefine screen language.

This year’s Leopard Club Award selection reflects that tradition, with Efira recognized not just for her performances, but for her influence on contemporary cinematic expression.

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Festival curators emphasized that her presence on screen continues to “reinvent itself,” adapting to new storytelling styles while maintaining a strong emotional core.

EUROPEAN CINEMA’S CONTINUING GLOBAL INFLUENCE

Efira’s recognition comes at a time when European cinema is experiencing renewed global attention, particularly through streaming platforms and international co-productions.

Her award underscores how actors outside Hollywood continue to shape global film culture through originality and artistic risk-taking.

As anticipation builds for the ceremony, the honour places Virginie Efira among a select group of performers whose work transcends borders — both geographically and creatively.

For Locarno, it is not just an award. It is a celebration of an artist whose career continues to evolve with quiet power and striking consistency.

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