Entertainment
Dan Levy Breaks Down in Tears Revealing He Was ‘Thinking About’ a Schitt’s Creek Sequel Until Catherine O’Hara’s Death Changed Everything…
The Emmy-winning co-creator stood outside the iconic Rose Apothecary set and said two words the whole internet didn’t want to hear: “You can’t.”
There are some doors that, once closed, simply cannot be reopened. For Dan Levy, standing on the very street in Goodwood, Ontario where Schitt’s Creek was filmed, that truth hit harder than he ever expected — right in front of a camera, in real time.
In an emotional appearance on CBS News Sunday Morning that aired April 4, 2026, the Emmy-winning actor, writer, and co-creator of the beloved Canadian sitcom admitted something fans had long quietly hoped for: he was thinking about a sequel series. At one point, he was “thinking about” a follow-up to the hit CBC series.But then came January 30, 2026 — the day the world lost Catherine O’Hara — and those plans dissolved into grief.
When host Anthony Mason asked whether a sequel was still possible, Levy’s answer was quiet, devastated, and absolute. “No. Not now. You can’t he said. Three words. That’s all it took to crush every revival fantasy fans had been quietly nursing.
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Back to Where It All Began — And the Tears That Followed
During his interview, Levy visited Goodwood — the small town in Ontario, Canada, where Schitt’s Creek was filmed — for the first time since the sitcom wrapped in 2020. The Hollywood Reporter He stood outside the very storefront that served as Rose Apothecary, the artisan boutique owned by his character David Rose — a shop that, in real life, now sells Schitt’s Creek merchandise and houses a condolence book dedicated to O’Hara.
He choked up while discussing the possibility of a sequel, a little over two months after O’Hara died at 71. The emotion wasn’t performed. It was raw, unfiltered, and deeply human.
“It’s tough. It’s tough being back,” he said, turning his body toward the store and wiping his eyes. “I didn’t think that I’d have quite an emotional reaction
Asked what exactly he was feeling, his voice wavered before he said, “Just a lot of memories… lot of memories with Catherine.
The Woman Who Made Moira Rose Immortal
For anyone who has ever watched Schitt’s Creek, the character of Moira Rose — the eccentric, wig-obsessed, accent-shifting former soap opera actress — is impossible to forget. And that’s entirely because of Catherine O’Hara, who breathed impossible life into her.
O’Hara died on January 30 at age 71 from a pulmonary embolism, with rectal cancer as the underlying cause. Variety She played Levy’s mother on the Emmy-winning sitcom, making their bond both fictional and, by all accounts, profoundly real.
O’Hara was a comedy icon with 10 Emmy nominations and two wins — one for best actress in a comedy series for Schitt’s Creek and another for her writing on SCTV Network
And just when it seemed her career was approaching its final chapter, she kept defying expectations. In March, O’Hara posthumously won an Actor Award for outstanding performance by a female actor in a comedy series for her work on The Studio. Co-star Seth Rogen raved about her when he accepted it on her behalf
Her legacy wasn’t fading. It was growing. Right up until the end.

A Family Mourns Together
The grief within the Schitt’s Creek family has been as public as it has been heartfelt.
Levy said at the time of her death, “What a gift to have gotten to dance in the warm glow of Catherine O’Hara’s brilliance for all those years.” He added something that tells you everything about what she meant to them beyond the set: “Having spent over 50 years collaborating with my Dad, Catherine was extended family before she ever played my family. It’s hard to imagine a world without her in it.
His father, the legendary Eugene Levy — co-creator of the show and Dan’s real-life dad — also spoke with quiet devastation. “Words seem inadequate to express the loss I feel today. I had the honour of knowing and working with the great Catherine O’Hara for over fifty years. From our beginnings on the Second City stage, to SCTV, to the movies we did with Chris Guest, to our six glorious years on Schitt’s Creek, I cherished our working relationship, but most of all our friendship. And I will miss her.”
Annie Murphy, who played Alexis Rose, O’Hara’s on-screen daughter, also paid tribute, describing her laugh as “a perpetual Yes, And… It challenged anyone who heard it to join in, and be as delighted as she was.”
“She Knew How to Meme”
In a rare moment of lightness through tears, Levy shared a small, perfect detail about O’Hara that somehow says everything. When Mason noted she left behind “an incredible clip reel,” Levy echoed warmly, “Listen, for someone who was not on the internet, she knew how to meme.”
That says it all. A woman who didn’t live online but somehow became one of the most shared, screenshotted, GIF-ed presences on the internet — through sheer force of talent and absurdity and heart.
What Comes Next for Levy
Despite the heartbreak, Dan Levy is not disappearing. He recently appeared to promote his new Netflix comedy series Big Mistakes, co-created with Rachel Sennott. The Hollywood Reporter He’s moving forward, carrying O’Hara’s memory with him — not as a shadow, but as a standard.
On The Tonight Show, Levy told Jimmy Fallon, “It’s like a collective loss. She was the greatest. She’s irreplaceable. I think the great comfort for me has just been to see how loved she was. The outpouring — everyone felt like they kind of knew her.
And perhaps that’s the most fitting tribute of all. Not a sequel. Not a revival. Just the honest, aching acknowledgment that some stories end exactly when they should — and that the people who made them magic can never, ever be replaced.
Schitt’s Creek ran from 2015 to 2020 on CBC and won nine Emmys during its run, including an outstanding comedy series win and an outstanding lead actress award for O’Hara, both in 2020. Variety
There will be no sequel. And after hearing Dan Levy speak, you understand — with a lump in your throat — exactly why.
Entertainment
‘Avatar Aang: The Last Airbender’ Review: Beautifully Animated, Emotionally Inconsistent
The latest chapter in the Avatar universe captivates with its artistry, even as its storytelling misses key opportunities.
Few animated franchises have earned the enduring admiration enjoyed by Avatar: The Last Airbender. Its rich world-building, unforgettable characters and emotional storytelling made it a modern classic, setting an exceptionally high standard for every new chapter that followed.
That legacy continues with Avatar Aang: The Last Airbender, an animated feature that revisits the world fans have loved for years. While the film impresses with spectacular visuals and ambitious action sequences, its storytelling doesn’t always match the artistic brilliance on display.
From the opening moments, the movie showcases remarkable animation, bringing the Four Nations to life with vibrant colors, fluid movement and cinematic scale. The elemental bending sequences are particularly striking, combining technical precision with imaginative choreography that feels worthy of the franchise’s reputation.
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Visually, the film rarely misses a beat.
However, as the story unfolds, the screenplay struggles to maintain the emotional depth that defined the original television series. Character development often feels rushed, while key emotional moments arrive without the narrative buildup needed to leave a lasting impact.
Returning voice actors, including Eric Nam and Steven Yeun, deliver committed performances that bring warmth and sincerity to their characters. They are joined by an impressive ensemble featuring Dave Bautista, Taika Waititi, Geraldine Viswanathan and Academy Award winner Ke Huy Quan, adding significant star power to the production.
Despite the talented cast, the film occasionally prioritizes spectacle over substance. Large-scale action scenes are visually captivating, but they sometimes come at the expense of quieter moments that once gave the franchise its emotional resonance.

Fans of the original series may also notice that the balance between humor, philosophy and personal growth feels less refined than before. The television series excelled at allowing its characters to evolve naturally over time, whereas the film’s faster pace leaves some relationships feeling underexplored.
Still, there is plenty for longtime followers to appreciate. Familiar locations, references to beloved characters and beautifully crafted world-building reinforce why the Avatar universe continues to captivate audiences across generations.
For newcomers, the movie offers an accessible introduction to one of animation’s most celebrated fantasy worlds. Its visual achievements alone make it a worthwhile theatrical experience, even if the narrative occasionally struggles to maintain momentum.
Ultimately, Avatar Aang: The Last Airbender is a film of contrasts. It succeeds as a technical showcase filled with breathtaking animation and memorable voice performances, yet falls short of fully capturing the emotional storytelling that made the original series legendary.
For fans, the journey remains enjoyable—but it also serves as a reminder that even the most spectacular visuals cannot entirely replace the power of a deeply compelling story.
Entertainment
‘It’s Become a Tradition’: Kevin Feige Reveals Adam Driver Has Turned Down Multiple Marvel Roles…
‘It’s Become a Tradition’: Kevin Feige Reveals Adam Driver Has Turned Down Multiple Marvel Roles…
For years, fans have imagined Adam Driver stepping into the Marvel Cinematic Universe (MCU). His name has frequently surfaced in casting rumors for some of Marvel’s biggest characters, but according to Kevin Feige, those discussions have never led to a deal.
Speaking candidly about the long-running speculation, the Marvel Studios president joked that Driver’s repeated decisions to decline Marvel roles have become something of a “tradition.” The light-hearted remark highlights just how often the Oscar-nominated actor has been considered for projects within the superhero franchise.
Although Feige did not reveal which specific characters Driver was offered, the actor has long been viewed by fans as an ideal choice for several complex Marvel villains and antiheroes. His commanding screen presence and emotionally layered performances have made him a popular name in fan-casting discussions across social media.
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Driver, however, has consistently charted a different path.
Rather than joining another sprawling superhero universe, he has focused on filmmaker-driven projects, collaborating with some of cinema’s most respected directors. Over the years, he has worked with acclaimed names including Martin Scorsese, Ridley Scott, Noah Baumbach, Leos Carax and Michael Mann, building a filmography known more for artistic range than franchise commitments.
That doesn’t mean Driver is unfamiliar with blockbuster success.
The actor became a global star through Star Wars, where he portrayed the conflicted villain Kylo Ren in Disney’s sequel trilogy. His performance earned widespread praise and proved his ability to anchor one of the world’s biggest entertainment franchises.

Because of that experience, many believed a move to Marvel was only a matter of time. Yet Feige’s latest comments suggest Driver has remained consistent in politely passing on every opportunity that has come his way.
Marvel Studios, meanwhile, continues expanding its cinematic universe with new heroes, villains and multiverse storylines, regularly attracting some of Hollywood’s biggest names. Even so, Driver’s absence has become one of the franchise’s longest-running casting mysteries.
Whether that changes in the future remains uncertain. Feige’s humorous comments leave the door open, but for now, Driver appears content pursuing projects that align with his personal creative interests rather than joining another interconnected superhero saga.
As Marvel continues searching for the next generation of iconic characters, one question still lingers among fans: will Adam Driver eventually accept the call—or will saying “no” remain part of the tradition?
Entertainment
Locarno to Honor James Gray With Career Leopard: Why the Festival Calls Him ‘The Last Great Novelist of American Cinema’…
Acclaimed filmmaker James Gray will receive the prestigious Career Leopard award at the Locarno Film Festival, celebrating a body of work praised for its literary depth, emotional storytelling, and timeless cinematic vision.
One of contemporary cinema’s most respected storytellers is set to receive one of the industry’s highest honors. James Gray, the acclaimed American filmmaker behind a string of critically celebrated dramas, will be presented with the Career Leopard at the Locarno Film Festival in recognition of his remarkable contribution to world cinema.
The announcement places Gray among an elite group of filmmakers whose artistic achievements have left a lasting impact on international filmmaking. The Career Leopard is one of the festival’s most prestigious lifetime achievement honors, awarded to directors whose work has significantly shaped the language of cinema.
Explaining the decision, Giona A. Nazzaro, Artistic Director of the Locarno Film Festival, described Gray as “the last great novelist of American cinema.” He praised the filmmaker’s ability to weave emotionally rich narratives that draw inspiration from the Jewish diaspora, classic film noir, and literary traditions spanning Russian and North American literature.
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Throughout his career, James Gray has earned widespread recognition for creating deeply personal stories centered on family, identity, ambition, loyalty, and moral conflict. His films often blend intimate character studies with sweeping emotional themes, resulting in works that resonate long after the credits roll.
Among his best-known films are The Yards, We Own the Night, Two Lovers, The Lost City of Z, and Ad Astra. Across these productions, Gray has developed a signature style that favors nuanced performances, layered storytelling, and emotionally grounded narratives over spectacle.

The Locarno Film Festival, held annually in Switzerland, is regarded as one of the world’s oldest and most influential film festivals. It has built a reputation for championing visionary filmmakers, independent cinema, and artistic innovation while honoring directors whose work continues to shape global filmmaking.
Gray’s recognition reflects not only his achievements in American cinema but also his influence on filmmakers and audiences worldwide. His work has consistently explored universal themes through deeply human stories, earning praise from critics and film enthusiasts alike.
For many in the industry, the Career Leopard acknowledges a filmmaker whose commitment to thoughtful storytelling has remained unwavering in an era increasingly dominated by franchise blockbusters and large-scale commercial productions. His films continue to demonstrate that character-driven narratives can leave an enduring cultural impact.
As James Gray prepares to receive the honor in Locarno, the award serves as both a celebration of his past achievements and recognition of a filmmaker whose influence continues to inspire new generations of directors.
Daily Global Diary will continue covering major announcements from the international film festival circuit as the awards season unfolds.
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