Entertainment
Dan Levy Was Quietly Planning a Schitt’s Creek Sequel Then January 30th Happened and Changed Everything…
He stood outside Rose Apothecary, wiped his tears, and said three words that crushed every revival dream fans were holding onto: “No. Not now.”
There are moments in television history that feel genuinely irreplaceable. Not because of ratings, or awards, or cultural impact — but because of the people who made them. And for Dan Levy, standing on the quiet streets of Goodwood, Ontario last week, the weight of one particular absence made it impossible to imagine going back.
The Emmy-winning co-creator of Schitt’s Creek sat down with CBS News Sunday Morning host Anthony Mason on April 4, 2026 — and what started as a promotional appearance for his new Netflix series quietly turned into one of the most emotionally honest conversations about grief, legacy, and letting go that television has seen in a long time.
Because here’s what we didn’t know until now: Dan Levy was thinking about a sequel. It was real. It was in his head. And then Catherine O’Hara died — and the door closed forever.
Back to Where It All Began
During the interview, Levy visited Goodwood — the small town in Ontario, Canada, where Schitt’s Creek was filmed — for the first time since the sitcom wrapped in 2020. The Hollywood Reporter
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He walked those streets again. He stood outside the storefront that once served as Rose Apothecary — the fictional artisan boutique owned by his character David Rose. The real store now sells Schitt’s Creek merchandise. And somewhere inside, there is a condolence book. Dedicated entirely to Catherine O’Hara.
When Mason asked directly — is there any chance for a sequel? — Levy’s answer came quietly, but with complete certainty.
“No. Not now. You can’t,” E! N he said.
Three words. That’s all it took.
“It’s tough. It’s tough being back he added, turning his body toward the store that used to be Rose Apothecary and wiping his eyes. “I didn’t think that I’d have quite an emotional reaction.”
The Sequel That Almost Was
What makes this interview land so differently from standard celebrity press is what Levy admitted next. This wasn’t just grief talking. There had actually been thoughts. Real ones.
“Yeah, I was thinking about it,” he told Mason, his voice catching slightly before he composed himself.
A sequel to one of the most beloved comedies of its generation. A continuation of the Rose family story. The sequel would have included O’Hara, who starred in the original as David’s mom, Moira Rose.
And of course it would have. Because Schitt’s Creek without Moira Rose isn’t Schitt’s Creek. It’s just a town with a funny name.
Asked what exactly he was feeling standing there, Dan’s voice wavered: “Just a lot of memories… a lot of memories with Catherine. It’s what you have to hold on to — is the memories of it all.”
When Mason noted she left behind an incredible clip reel, Levy smiled through the emotion and added something that captured O’Hara perfectly: “Listen, for someone who was not on the internet, she knew how to meme.”
That single line says everything. A woman who never lived online somehow became one of the most GIF-ed, screenshot-ed, shared presences on the entire internet — through nothing but pure, extraordinary talent.
Who Was Catherine O’Hara?
For younger readers who may have discovered her through Schitt’s Creek alone, it’s worth pausing here. Because Catherine O’Hara was not simply a television actress. She was, by any measure, one of the greatest comedy performers of her generation.
O’Hara was a comedy icon with 10 Emmy nominations and two wins — one for best actress in a comedy series for Schitt’s Creek and another for her writing on SCTV Network
Highlights of her five-decade career in Hollywood include starring roles in films like Best in Show, Home Alone, Beetlejuice, and After Hours. She also appeared in TV shows like The Studio, The Last of Us, Central Park, and The Last Kids on Earth.
She died on January 30 at age 71 from a pulmonary embolism, with rectal cancer as the underlying cause.
And even in death, her talent kept being recognized. In March, O’Hara posthumously won an Actor Award for outstanding performance by a female actor in a comedy series for her work on The Studio. Co-star Seth Rogen raved about her when he accepted it on her behalf, saying: “Something that I’ve just been marveling at over the last few weeks was really her ability to be generous and kind and gracious while never, ever minimizing her own talents.”

She was still winning awards after she was gone. That’s the kind of career she had.
A Family Grieves — On and Off Screen
The outpouring from the Schitt’s Creek cast has been consistent, heartfelt, and deeply personal — because for this particular group of actors, the show wasn’t just a job. It was six years of family.
Dan Levy said it best in the tribute he posted on January 30th: “What a gift to have gotten to dance in the warm glow of Catherine O’Hara’s brilliance for all those years. Having spent over 50 years collaborating with my Dad, Catherine was extended family before she ever played my family. It’s hard to imagine a world without her in it.”
His father, the legendary Eugene Levy — who co-created Schitt’s Creek with Dan and played family patriarch Johnny Rose — was equally devastated. “Words seem inadequate to express the loss I feel today. I had the honour of knowing and working with the great Catherine O’Hara for over fifty years. From our beginnings on the Second City stage, to SCTV, to the movies we did with Chris Guest, to our six glorious years on Schitt’s Creek, I cherished our working relationship, but most of all our friendship. And I will miss her,” The Hollywood Reporter he wrote.
Annie Murphy, who played the impossibly lovable Alexis Rose on the show, described O’Hara’s laugh as something that “challenged anyone who heard it to join in, and be as delighted as she was.”
And when Dan appeared on The Tonight Show with Jimmy Fallon, he put it simply: “It’s like a collective loss. She was the greatest. She’s irreplaceable. I think the great comfort for me has just been to see how loved she was. The outpouring — everyone felt like they kind of knew her.”
Moving Forward — Without Looking Back
Despite the grief, Dan Levy is not standing still. He recently appeared alongside co-creator Rachel Sennott to promote their new Netflix comedy series Big Mistakes The Hollywood Reporter — a reminder that his creative engine keeps running, even when his heart is heavy.
But he is also clearly carrying something with him from those Goodwood streets. A reminder of what was. What could have been. And what will now never be.
“I wouldn’t let it in,” he said of comparisons to Schitt’s Creek and the pressure of living up to it. “I don’t think you can. And you really have to lock the door on that and almost accept the fact that if that is the big crown jewel, fabulous. How wonderful. Everything else has to be something that makes me feel good.”
Schitt’s Creek — which won nine Emmys during its run, including an outstanding comedy series win and an outstanding lead actress award for O’Hara, both in 2020 Variety — ended in 2020 after six seasons on CBC, before finding a massive second audience on Netflix.
It told the story of a wealthy family — the Roses — stripped of everything overnight, forced to rebuild not just their finances but their entire understanding of what mattered. It was funny. It was warm. It was, quietly, one of the kindest shows ever made.
And somewhere in a small town in Ontario, a condolence book sits in a store window. Filled with the names of strangers who loved a woman they never met — but felt, somehow, like they knew.
That’s the legacy of Catherine O’Hara. And that’s exactly why Dan Levy is right.
There will be no sequel. And you understand — completely, achingly — why.
Entertainment
‘Avatar Aang: The Last Airbender’ Review: Beautifully Animated, Emotionally Inconsistent
The latest chapter in the Avatar universe captivates with its artistry, even as its storytelling misses key opportunities.
Few animated franchises have earned the enduring admiration enjoyed by Avatar: The Last Airbender. Its rich world-building, unforgettable characters and emotional storytelling made it a modern classic, setting an exceptionally high standard for every new chapter that followed.
That legacy continues with Avatar Aang: The Last Airbender, an animated feature that revisits the world fans have loved for years. While the film impresses with spectacular visuals and ambitious action sequences, its storytelling doesn’t always match the artistic brilliance on display.
From the opening moments, the movie showcases remarkable animation, bringing the Four Nations to life with vibrant colors, fluid movement and cinematic scale. The elemental bending sequences are particularly striking, combining technical precision with imaginative choreography that feels worthy of the franchise’s reputation.
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Visually, the film rarely misses a beat.
However, as the story unfolds, the screenplay struggles to maintain the emotional depth that defined the original television series. Character development often feels rushed, while key emotional moments arrive without the narrative buildup needed to leave a lasting impact.
Returning voice actors, including Eric Nam and Steven Yeun, deliver committed performances that bring warmth and sincerity to their characters. They are joined by an impressive ensemble featuring Dave Bautista, Taika Waititi, Geraldine Viswanathan and Academy Award winner Ke Huy Quan, adding significant star power to the production.
Despite the talented cast, the film occasionally prioritizes spectacle over substance. Large-scale action scenes are visually captivating, but they sometimes come at the expense of quieter moments that once gave the franchise its emotional resonance.

Fans of the original series may also notice that the balance between humor, philosophy and personal growth feels less refined than before. The television series excelled at allowing its characters to evolve naturally over time, whereas the film’s faster pace leaves some relationships feeling underexplored.
Still, there is plenty for longtime followers to appreciate. Familiar locations, references to beloved characters and beautifully crafted world-building reinforce why the Avatar universe continues to captivate audiences across generations.
For newcomers, the movie offers an accessible introduction to one of animation’s most celebrated fantasy worlds. Its visual achievements alone make it a worthwhile theatrical experience, even if the narrative occasionally struggles to maintain momentum.
Ultimately, Avatar Aang: The Last Airbender is a film of contrasts. It succeeds as a technical showcase filled with breathtaking animation and memorable voice performances, yet falls short of fully capturing the emotional storytelling that made the original series legendary.
For fans, the journey remains enjoyable—but it also serves as a reminder that even the most spectacular visuals cannot entirely replace the power of a deeply compelling story.
Entertainment
‘It’s Become a Tradition’: Kevin Feige Reveals Adam Driver Has Turned Down Multiple Marvel Roles…
‘It’s Become a Tradition’: Kevin Feige Reveals Adam Driver Has Turned Down Multiple Marvel Roles…
For years, fans have imagined Adam Driver stepping into the Marvel Cinematic Universe (MCU). His name has frequently surfaced in casting rumors for some of Marvel’s biggest characters, but according to Kevin Feige, those discussions have never led to a deal.
Speaking candidly about the long-running speculation, the Marvel Studios president joked that Driver’s repeated decisions to decline Marvel roles have become something of a “tradition.” The light-hearted remark highlights just how often the Oscar-nominated actor has been considered for projects within the superhero franchise.
Although Feige did not reveal which specific characters Driver was offered, the actor has long been viewed by fans as an ideal choice for several complex Marvel villains and antiheroes. His commanding screen presence and emotionally layered performances have made him a popular name in fan-casting discussions across social media.
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Driver, however, has consistently charted a different path.
Rather than joining another sprawling superhero universe, he has focused on filmmaker-driven projects, collaborating with some of cinema’s most respected directors. Over the years, he has worked with acclaimed names including Martin Scorsese, Ridley Scott, Noah Baumbach, Leos Carax and Michael Mann, building a filmography known more for artistic range than franchise commitments.
That doesn’t mean Driver is unfamiliar with blockbuster success.
The actor became a global star through Star Wars, where he portrayed the conflicted villain Kylo Ren in Disney’s sequel trilogy. His performance earned widespread praise and proved his ability to anchor one of the world’s biggest entertainment franchises.

Because of that experience, many believed a move to Marvel was only a matter of time. Yet Feige’s latest comments suggest Driver has remained consistent in politely passing on every opportunity that has come his way.
Marvel Studios, meanwhile, continues expanding its cinematic universe with new heroes, villains and multiverse storylines, regularly attracting some of Hollywood’s biggest names. Even so, Driver’s absence has become one of the franchise’s longest-running casting mysteries.
Whether that changes in the future remains uncertain. Feige’s humorous comments leave the door open, but for now, Driver appears content pursuing projects that align with his personal creative interests rather than joining another interconnected superhero saga.
As Marvel continues searching for the next generation of iconic characters, one question still lingers among fans: will Adam Driver eventually accept the call—or will saying “no” remain part of the tradition?
Entertainment
Locarno to Honor James Gray With Career Leopard: Why the Festival Calls Him ‘The Last Great Novelist of American Cinema’…
Acclaimed filmmaker James Gray will receive the prestigious Career Leopard award at the Locarno Film Festival, celebrating a body of work praised for its literary depth, emotional storytelling, and timeless cinematic vision.
One of contemporary cinema’s most respected storytellers is set to receive one of the industry’s highest honors. James Gray, the acclaimed American filmmaker behind a string of critically celebrated dramas, will be presented with the Career Leopard at the Locarno Film Festival in recognition of his remarkable contribution to world cinema.
The announcement places Gray among an elite group of filmmakers whose artistic achievements have left a lasting impact on international filmmaking. The Career Leopard is one of the festival’s most prestigious lifetime achievement honors, awarded to directors whose work has significantly shaped the language of cinema.
Explaining the decision, Giona A. Nazzaro, Artistic Director of the Locarno Film Festival, described Gray as “the last great novelist of American cinema.” He praised the filmmaker’s ability to weave emotionally rich narratives that draw inspiration from the Jewish diaspora, classic film noir, and literary traditions spanning Russian and North American literature.
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Throughout his career, James Gray has earned widespread recognition for creating deeply personal stories centered on family, identity, ambition, loyalty, and moral conflict. His films often blend intimate character studies with sweeping emotional themes, resulting in works that resonate long after the credits roll.
Among his best-known films are The Yards, We Own the Night, Two Lovers, The Lost City of Z, and Ad Astra. Across these productions, Gray has developed a signature style that favors nuanced performances, layered storytelling, and emotionally grounded narratives over spectacle.

The Locarno Film Festival, held annually in Switzerland, is regarded as one of the world’s oldest and most influential film festivals. It has built a reputation for championing visionary filmmakers, independent cinema, and artistic innovation while honoring directors whose work continues to shape global filmmaking.
Gray’s recognition reflects not only his achievements in American cinema but also his influence on filmmakers and audiences worldwide. His work has consistently explored universal themes through deeply human stories, earning praise from critics and film enthusiasts alike.
For many in the industry, the Career Leopard acknowledges a filmmaker whose commitment to thoughtful storytelling has remained unwavering in an era increasingly dominated by franchise blockbusters and large-scale commercial productions. His films continue to demonstrate that character-driven narratives can leave an enduring cultural impact.
As James Gray prepares to receive the honor in Locarno, the award serves as both a celebration of his past achievements and recognition of a filmmaker whose influence continues to inspire new generations of directors.
Daily Global Diary will continue covering major announcements from the international film festival circuit as the awards season unfolds.
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