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Paul Rudd and Nick Jonas Together in One Film Sounds Too Good and ‘Power Ballad’ Somehow Makes It Even Better Than You Expected…

John Carney’s latest musical dramedy pairs a washed-up wedding singer with a fallen pop star, and the result is the kind of warm, funny, deeply felt crowd-pleaser that reminds you why you fell in love with movies in the first place

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Power Ballad' Review: Paul Rudd and Nick Jonas Strike a Beautiful Chord in John Carney's Best Film in Years
Paul Rudd and Nick Jonas star in Power Ballad, John Carney's musical dramedy about two men — one a forgotten wedding singer, the other a faded pop star — who find something unexpected in each other's company.

Some films arrive with a premise so effortlessly appealing that the only real question is whether the execution can match the idea. Power Ballad answers that question decisively, and then goes a little further than you expected it to.

Directed by John Carney — the Irish filmmaker who has quietly built one of the most consistent bodies of work in contemporary cinema through Once, Begin Again, and Sing Street — Power Ballad is the kind of movie that doesn’t reinvent the wheel so much as remind you why the wheel was worth inventing. It’s warm without being saccharine, funny without undercutting its emotional core, and anchored by two lead performances that genuinely surprise.

The Setup That Works Better Than It Should

Paul Rudd plays a washed-up wedding singer — a man living in the long shadow of a talent that never quite broke through, still performing covers at receptions for people who are too caught up in their own happiness to really listen. It’s a character type that could tip easily into self-pity, but Rudd, being Rudd, makes him disarmingly likeable from the first scene. There’s a specific skill this actor has — the ability to play losers without making you feel superior to them — and it’s deployed beautifully here. Follow Paul Rudd on Wikipedia and on X for the latest updates.

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Nick Jonas plays the other half of this equation: a former boy band star navigating the particular humiliation of post-fame life, where the world still recognises your face but no longer cares about your music. It’s a role that requires a certain self-awareness — the willingness to lean into the joke without making it only a joke — and Jonas handles it with considerably more grace and depth than most people would have predicted. His musical background, of course, doesn’t hurt. But the performance is more than competence; there are moments in Power Ballad where Jonas does something quietly devastating, and you realise the casting was a genuine creative decision, not just a piece of clever marketing. Keep up with Nick Jonas on X and

The Chance Encounter That Changes Everything

The film’s central relationship begins, as the best ones often do, in slightly awkward circumstances. A chance encounter — the specifics of which are best left for the audience to discover — throws these two men together in a way that neither of them wanted and both of them needed. What follows is, at its bones, a classic odd-couple story about two people at different stages of the same fundamental crisis: what do you do when the thing that defined you no longer belongs to you?

Carney has always been interested in this question. His films return repeatedly to the idea of music as emotional currency — the way a song can carry the weight of everything a person can’t say out loud. Power Ballad fits squarely in that tradition, but it brings a more explicitly comedic energy than his earlier work. The laughs are genuine and frequent, but they never feel like they’re protecting the film from having to deal with harder things. If anything, the humour makes the harder moments land heavier.

John Carney Does It Again

There’s a temptation to take John Carney for granted at this point. He makes films that feel inevitable in retrospect — of course Once was that moving, of course Sing Street was that joyful — but the consistency of his output is actually extraordinary. Power Ballad doesn’t break new ground for him, and it doesn’t need to. What it does is demonstrate, again, that he understands music and human longing in a way that very few filmmakers working today can match. Follow Carney’s work and projects on

Power Ballad' Review: Paul Rudd and Nick Jonas Strike a Beautiful Chord in John Carney's Best Film in Years


The film’s original songs — and there are several — are the kind that get lodged in your head for days. One in particular, a duet between Rudd and Jonas that arrives in the film’s third act, is the sort of movie moment people will be talking about long after they’ve forgotten the plot details. It’s a scene that earns its emotional payoff through everything that came before it, and when it arrives, it doesn’t feel manipulative. It feels like a natural conclusion to two characters finding, through music, something they’d both stopped believing was still available to them.

What the Critics Are Saying

Early reception for Power Ballad has been strongly positive, with particular praise directed at the chemistry between its two leads. The pairing of Rudd and Jonas sounds, on paper, like a studio pitch meeting gone unusually well — and perhaps it was — but on screen it functions as something richer than a concept. These two actors found something real in the dynamic, and Carney, true to form, captured it without over-explaining it.

Hulu, which is backing the film’s distribution, has another genuine awards-conversation title on its hands, though Power Ballad seems less interested in trophies than in the simpler, harder achievement of making an audience feel something.

Why It Matters Right Now

There’s a reason crowd-pleasers matter — not as a lesser category of cinema, but as their own distinct art form. Making a film that a wide range of people can sit with and come out of feeling better than they went in is not easy. It requires honesty, restraint, and a genuine belief that the audience deserves something real rather than something merely efficient.

Power Ballad has all of that. It’s the rare film that delivers exactly what it promises and then quietly, without making a fuss about it, delivers a little more.

Entertainment

Juliette Binoche Reflects on Her Oscar Surprise and the Ambition She’s Ready to Pursue

The acclaimed French actress opens up about her unexpected Academy Award win, her upcoming international project, and the creative dream she’s determined to bring to life next.

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For more than four decades, Juliette Binoche has remained one of international cinema’s most admired performers, earning praise for her fearless choices and emotionally layered performances. Now, as she prepares to receive the prestigious Crystal Globe for Outstanding Artistic Contribution at the Karlovy Vary International Film Festival (KVIFF), the Oscar-winning actress is taking a rare look back at one of the most surprising moments of her career—and looking ahead to an exciting new challenge.

Speaking ahead of the festival honour, Binoche revisited the unforgettable night of the 1997 Academy Awards, where she won the Best Supporting Actress Oscar for her performance in The English Patient. While many awards pundits had predicted different outcomes, the French actress says she never entered the ceremony expecting to leave with Hollywood’s biggest prize.

Instead of focusing on competition, Binoche described the experience as overwhelming and deeply emotional, recalling how unexpected the recognition felt. Nearly three decades later, she says the award became less about validation and more about the opportunities it opened throughout her career.

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Since then, Binoche has continued to build one of the most respected filmographies in world cinema. From acclaimed European dramas to international productions, she has consistently embraced complex characters rather than predictable commercial roles. Her collaborations with celebrated filmmakers have helped establish her reputation as one of France’s defining cinematic voices.

The next chapter of her career could be just as ambitious.

Binoche confirmed she is attached to a new Turkish-French co-production, a project she describes as both culturally rich and emotionally resonant. While plot details remain under wraps, the collaboration reflects her long-standing interest in stories that bridge different cultures and perspectives.

Perhaps the biggest revelation, however, is that Binoche is seriously considering stepping behind the camera.

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For years, the actress has spoken about her desire to direct a fiction feature. That ambition, once a distant dream, now appears closer than ever. She revealed that she has been developing ideas and hopes to eventually bring her own storytelling vision to audiences, marking a significant evolution in her already remarkable career.

The announcement has generated excitement among film enthusiasts, many of whom have long believed Binoche’s artistic instincts could translate naturally into filmmaking.

Her upcoming recognition at KVIFF celebrates not only her past achievements but also her enduring influence on global cinema. The Crystal Globe is reserved for artists whose work has made a lasting contribution to the film industry, placing Binoche among an elite group of internationally recognised performers.

Beyond awards and accolades, Binoche’s career continues to be defined by curiosity and reinvention. Whether collaborating across borders or preparing for an entirely new creative role as a director, she shows little interest in slowing down.

As audiences celebrate her remarkable legacy, many will also be watching closely to see whether her long-awaited directorial debut finally becomes a reality.

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Entertainment

Jake Shears Takes on a Powerful New Role… ‘Tinderbox’ Will Bring a Tragic 1973 LGBTQ Story to the Big Screen

The Scissor Sisters frontman is stepping behind the scenes as a producer on Tinderbox, a film adaptation of Robert Fieseler’s acclaimed nonfiction book that revisits one of the deadliest attacks on the LGBTQ community in U.S. history.

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Jake Shears has joined Tinderbox as a producer, helping bring the story of the 1973 UpStairs Lounge tragedy to the screen through film and music.

Music and history are set to come together in an emotionally powerful new film project.

Jake Shears, best known as the lead vocalist of Scissor Sisters, is expanding his creative career by joining the production team behind Tinderbox, an upcoming feature film inspired by Robert Fieseler‘s acclaimed nonfiction book.

The project will revisit the tragic 1973 UpStairs Lounge fire in New Orleans, one of the deadliest attacks on the LGBTQ community in American history. The devastating blaze claimed the lives of 32 people and remains a significant, though often overlooked, chapter in the history of LGBTQ rights and public awareness.

Rather than presenting the story solely as a historical reconstruction, Tinderbox aims to explore the lives, resilience and humanity of those affected while examining the broader social climate of the era.

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The adaptation is being developed by filmmakers Colby Holt and Sam Probst, who are bringing Fieseler’s extensively researched work to the screen. Their goal is to create a film that not only honors the victims but also introduces a wider audience to an event that shaped conversations around equality, discrimination and remembrance.

Jake Shears’ involvement extends beyond producing. Music from his solo albums, Jake Shears and B-Sides, will also be incorporated into the film, adding a deeply personal artistic dimension to the storytelling. His contribution is expected to help shape the emotional atmosphere of the project while connecting contemporary audiences with the historical narrative.

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For Shears, the film represents another opportunity to use music and storytelling to preserve important moments from LGBTQ history. Throughout his career, he has been recognized not only for his success in music but also for supporting projects that celebrate identity, inclusion and cultural heritage.

Hollywood has increasingly embraced films based on real historical events, particularly stories that have remained underrepresented for decades. Tinderbox joins a growing list of productions seeking to highlight overlooked chapters of history through character-driven storytelling rather than sensationalism.

While casting and a release timeline have yet to be announced, the project has already attracted attention because of its meaningful subject matter and the creative team assembled behind it.

As development moves forward, Tinderbox has the potential to become more than a historical drama. By combining factual storytelling, emotional performances and Jake Shears’ musical contributions, the film aims to ensure that the lives lost in the 1973 tragedy are remembered by a new generation.

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Casey Wasserman Nears Deal as Providence Equity Partners Eyes Buyout of Wasserman

Casey Wasserman’s ownership plans have taken an unexpected turn, with the team’s existing financial backer emerging as the leading candidate to acquire the franchise, potentially reshaping the organization’s future.

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Casey Wasserman’s ownership plans have taken an unexpected turn, with the team’s existing financial backer emerging as the leading candidate to acquire the franchise, potentially reshaping the organization’s future.

The future ownership of Wasserman, one of the world’s leading sports, media, and entertainment agencies, may be heading toward an unexpected outcome.

According to reports, company founder Casey Wasserman is nearing an agreement that would see existing investor Providence Equity Partners acquire the business in a deal that could effectively end the ongoing auction process.

If completed, the transaction would mean the agency’s next owner is already one of its most significant financial backers.

A Sale Process Nearing Its End

The company has been exploring strategic options in recent months, attracting attention from investors interested in acquiring one of the industry’s most influential talent and sports management firms.

However, instead of a competitive sale to a new buyer, negotiations now appear to be centered on Providence Equity Partners, potentially simplifying the ownership transition.

While financial terms have not been publicly disclosed, reports suggest the discussions are progressing toward a conclusion.

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A Major Player in Sports and Entertainment

Founded by Casey Wasserman, the agency has grown into a global business representing athletes, entertainers, broadcasters, brands, and media properties.

Its operations span talent management, sports marketing, sponsorship consulting, live events, and media rights, making it one of the most recognizable names in the sports and entertainment business.

Over the years, Wasserman has expanded through acquisitions and international partnerships, strengthening its position in an increasingly competitive market.

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Why Providence Equity Matters

Providence Equity Partners is no stranger to the company.

As an existing investor, the private equity firm already has deep knowledge of Wasserman’s business model, leadership structure, and long-term strategy. That familiarity could make the transition smoother than a traditional acquisition involving an outside bidder.

Industry analysts often view transactions involving existing investors as less disruptive, particularly when the buyer is already involved in shaping the company’s direction.

What Happens Next?

Although neither side has announced a finalized agreement, the reported negotiations suggest the ownership process may soon reach its final stage.

If the deal moves forward, it would mark a significant milestone for Casey Wasserman, who has spent decades building the agency into a global force across sports, entertainment, and media.

For clients, employees, and industry partners, the focus will now shift to whether the ownership change brings strategic expansion while maintaining the company’s established leadership in talent representation and sports marketing.

With the reported buyout potentially bringing the auction to an early close, the deal could become one of the most closely watched transactions in the business of sports and entertainment this year.

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