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Gen Z Is Buying Ice Cream Like It’s 1999 Again What’s Behind the Shocking Frozen Dessert Comeback in 2025

As inflation chills out, a surprising trend is heating up: the rise of premium frozen treats — and this time, it’s not just about scoopsit’s about status.

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Premium scoops, global flavors, and TikTok-worthy sundaes — America is falling in love with ice cream all over again.
Premium scoops, global flavors, and TikTok-worthy sundaes — America is falling in love with ice cream all over again.

July 2025 has one message for America: ice cream is not just dessert it’s a lifestyle. With inflation finally easing, consumers are venturing back into scoop shops, sundae counters and frozen aisles with newfound enthusiasm. But there’s a twist. This isn’t your typical summer indulgence — it’s a reflection of how post-pandemic comfort culture, premiumization, and Gen Z’s influence are rewriting the frozen dessert playbook.

According to industry insiders, we’re witnessing what could be called the “Summer of Scoop Status a movement where ice cream is becoming both social currency and nostalgic therapy.

Why Ice Cream Now

Following years of price anxiety and cautious spending, Americans — especially younger generations — are reclaiming joy through sweet, icy treats. The return to away-from-home frozen treating (think ice cream parlors, gelato bars, food trucks) is now in full swing, with many citing the experience as equally important as the product.

Consumers are no longer just grabbing a tub of vanilla and heading home notes Mintel’s senior analyst on food trends. They’re chasing craft gelatos Instagrammable sundaes, and Japanese mochi balls — and they’re willing to pay more for it.

Premium scoops, global flavors, and TikTok-worthy sundaes — America is falling in love with ice cream all over again.



The Premiumization Wave: Not Just Ice Cream But Ice Cream 2.0

Enter the age of premium frozen desserts. Brands like Van Leeuwen, Jeni’s Splendid Ice Creams, and even Haagen-Dazs are reimagining the frozen aisle with ingredients like Ecuadorian dark chocolate California-grown pistachios, and vegan oat milk bases. Consumers want indulgence, yes—but they also want clean labels, sustainable sourcing, and gourmet craftsmanship.

Meanwhile, global influences are also making waves. From Korean bingsu and Taiwanese snow ice to Indian kulfi, international textures and flavors are entering American freezers, thanks in part to social media food influencers bringing the world’s desserts to U.S. screens.

What’s Changing at Home? Expectations. Big Time.

With the return of out-of-home treating, the bar for at-home indulgence has skyrocketed. Gone are the days when a basic pint of Neapolitan sufficed. Today’s consumer expects multi-layered parfaits, filled cones, and hand-packed pints with swirls, inclusions, and surprise cores.

Even classic grocery brands like Ben & Jerry’s and Blue Bell are upping their game, offering bold new limited-edition flavors and collaborations with musicians, movies, and creators.

What Gen Z Wants, the Market Delivers

Gen Z’s love affair with self-expression and sensory exploration is fueling the trend. They’re seeking unique formats — think rolled ice cream, freeze-dried ice cream bites, and plant-based frozen novelties — all served with a side of nostalgia and a dash of aesthetic.

According to NielsenIQ, frozen dessert sales surged 11% year-over-year in Q2 2025 with the 18–34 age group leading the charge. It’s not just about cooling off says one Gen Z TikToker in a viral post. It’s about treating yourself without guilt.

Scoop Shops Reimagined: Experience Is Everything

Small-format ice cream parlors are embracing the vibe of third-wave coffee shops, complete with mood lighting, artisanal touches, and live music. Cities like Austin Portland, and Brooklyn are witnessing a revival of late-night scoop sessions — and lines stretching around the block.

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Technology News

Inside the Mind of the Man Who Trusts Dogs to Lead Movies

From AI labs to film sets, BARK innovation chief Mikkel Holm has a radical idea — what if dogs weren’t just stars, but storytellers?

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Meet the Man Who Thinks Dogs Should Be Film Directors | Daily Global Diary

In an era where artificial intelligence is already writing scripts, composing music, and generating entire films, one creative mind is asking a question that feels equal parts absurd and oddly profound: Why shouldn’t dogs be directors?

That mind belongs to Mikkel Holm, the Chief AI & Innovation Officer at BARK, the pet brand best known for turning dog culture into a billion-dollar business. Holm isn’t pitching a gimmick. He’s questioning how creativity itself is defined — and who gets to own it.

From Fetch to Final Cut

Holm’s thinking sits at the crossroads of AI, storytelling, and animal behavior. With generative tools becoming more intuitive, he believes creativity no longer needs to start with a human idea. A dog’s reactions — what excites them, what scares them, what keeps their attention — could become the raw data that shapes narratives.

“Dogs already tell us what they like,” Holm has suggested in industry conversations. “We just haven’t been listening in a cinematic way.”

ALSO READ : Younghoe Koo Explains Botched Field Goal After Slip: “The Ball Was Moving So I Pulled Up”

Using sensors, computer vision, and behavioral AI models, a dog’s gaze, movement, or excitement could guide editing decisions, pacing, or even story arcs. The result wouldn’t be about dogs — it would be cinema filtered through a non-human perspective.

The Birth of the First Park Chan-Woof?

Holm jokingly refers to the possibility of minting the next Park Chan-wook — except this auteur would wag instead of walk the red carpet. The joke lands because it highlights something serious: great directors don’t just tell stories, they feel them. And dogs, arguably, are pure instinct.

Unlike human creators shaped by trends, algorithms, or box-office anxiety, dogs respond honestly. They don’t care about three-act structures or Rotten Tomatoes scores. They react in real time — and Holm believes that authenticity is something modern storytelling desperately needs.

Meet the Man Who Thinks Dogs Should Be Directors 
The Chief AI & Innovation Officer of BARK, Mikkel Holm, has a few ideas for minting the next Park Chan-woof.


Why BARK Is the Perfect Place for This Idea

At BARK, data about canine behavior isn’t abstract. It’s central to the business. Millions of interactions — toys chewed, treats rejected, boxes loved — already inform product design. Translating that behavioral intelligence into creative output feels like a natural extension.

Holm’s role isn’t about replacing human creators. Instead, it’s about collaboration — humans setting the framework, AI translating signals, and dogs influencing the final creative choices in ways we’ve never seen before.

Is This Art or Absurdity?

Skeptics, of course, will laugh. Dogs as directors sounds like a headline built for clicks. But then again, so did AI-written novels, virtual influencers, and fully synthetic pop stars — until they weren’t jokes anymore.

Holm’s idea taps into a deeper cultural shift: creativity is no longer exclusively human. As tools evolve, authorship becomes shared — between humans, machines, and perhaps, one day, animals.

And if the result is strange, emotional, or unexpectedly beautiful? That might be the point.

A Future Where Creativity Isn’t Just Human

Cinema has always evolved with technology — from silent films to sound, black-and-white to color, analog to digital. Holm’s vision suggests the next leap might not be technical, but philosophical.

What happens when we stop asking who is allowed to create?

If the first dog-directed short film ever premieres at a festival someday, don’t be surprised if it doesn’t explain itself. Dogs, after all, have never felt the need to justify their instincts. Maybe storytellers shouldn’t either.

Continue Reading

Technology News

Inside the Vision of the Man Who Trusts Dogs to Tell Stories on the Big Screen

From AI labs to film sets, BARK innovation chief Mikkel Holm has a radical idea — what if dogs weren’t just stars, but storytellers?

Published

on

By

Meet the Man Who Thinks Dogs Should Be Film Directors | Daily Global Diary

In an era where artificial intelligence is already writing scripts, composing music, and generating entire films, one creative mind is asking a question that feels equal parts absurd and oddly profound: Why shouldn’t dogs be directors?

That mind belongs to Mikkel Holm, the Chief AI & Innovation Officer at BARK, the pet brand best known for turning dog culture into a billion-dollar business. Holm isn’t pitching a gimmick. He’s questioning how creativity itself is defined — and who gets to own it.

From Fetch to Final Cut

Holm’s thinking sits at the crossroads of AI, storytelling, and animal behavior. With generative tools becoming more intuitive, he believes creativity no longer needs to start with a human idea. A dog’s reactions — what excites them, what scares them, what keeps their attention — could become the raw data that shapes narratives.

“Dogs already tell us what they like,” Holm has suggested in industry conversations. “We just haven’t been listening in a cinematic way.”

ALSO READ : Younghoe Koo Explains Botched Field Goal After Slip: “The Ball Was Moving So I Pulled Up”

Using sensors, computer vision, and behavioral AI models, a dog’s gaze, movement, or excitement could guide editing decisions, pacing, or even story arcs. The result wouldn’t be about dogs — it would be cinema filtered through a non-human perspective.

The Birth of the First Park Chan-Woof?

Holm jokingly refers to the possibility of minting the next Park Chan-wook — except this auteur would wag instead of walk the red carpet. The joke lands because it highlights something serious: great directors don’t just tell stories, they feel them. And dogs, arguably, are pure instinct.

Unlike human creators shaped by trends, algorithms, or box-office anxiety, dogs respond honestly. They don’t care about three-act structures or Rotten Tomatoes scores. They react in real time — and Holm believes that authenticity is something modern storytelling desperately needs.

Meet the Man Who Thinks Dogs Should Be Directors 
The Chief AI & Innovation Officer of BARK, Mikkel Holm, has a few ideas for minting the next Park Chan-woof.


Why BARK Is the Perfect Place for This Idea

At BARK, data about canine behavior isn’t abstract. It’s central to the business. Millions of interactions — toys chewed, treats rejected, boxes loved — already inform product design. Translating that behavioral intelligence into creative output feels like a natural extension.

Holm’s role isn’t about replacing human creators. Instead, it’s about collaboration — humans setting the framework, AI translating signals, and dogs influencing the final creative choices in ways we’ve never seen before.

Is This Art or Absurdity?

Skeptics, of course, will laugh. Dogs as directors sounds like a headline built for clicks. But then again, so did AI-written novels, virtual influencers, and fully synthetic pop stars — until they weren’t jokes anymore.

Holm’s idea taps into a deeper cultural shift: creativity is no longer exclusively human. As tools evolve, authorship becomes shared — between humans, machines, and perhaps, one day, animals.

And if the result is strange, emotional, or unexpectedly beautiful? That might be the point.

A Future Where Creativity Isn’t Just Human

Cinema has always evolved with technology — from silent films to sound, black-and-white to color, analog to digital. Holm’s vision suggests the next leap might not be technical, but philosophical.

What happens when we stop asking who is allowed to create?

If the first dog-directed short film ever premieres at a festival someday, don’t be surprised if it doesn’t explain itself. Dogs, after all, have never felt the need to justify their instincts. Maybe storytellers shouldn’t either.

Continue Reading

Technology News

Meet the Man Who Wants Dogs in the Director’s Chair and Thinks Cinema Needs a Bark Side

From AI labs to film sets, BARK innovation chief Mikkel Holm has a radical idea — what if dogs weren’t just stars, but storytellers?

Published

on

By

Meet the Man Who Thinks Dogs Should Be Film Directors | Daily Global Diary
A playful yet provocative idea: Can canine instincts and AI collaboration reshape the future of filmmaking?

In an era where artificial intelligence is already writing scripts, composing music, and generating entire films, one creative mind is asking a question that feels equal parts absurd and oddly profound: Why shouldn’t dogs be directors?

That mind belongs to Mikkel Holm, the Chief AI & Innovation Officer at BARK, the pet brand best known for turning dog culture into a billion-dollar business. Holm isn’t pitching a gimmick. He’s questioning how creativity itself is defined — and who gets to own it.

From Fetch to Final Cut

Holm’s thinking sits at the crossroads of AI, storytelling, and animal behavior. With generative tools becoming more intuitive, he believes creativity no longer needs to start with a human idea. A dog’s reactions — what excites them, what scares them, what keeps their attention — could become the raw data that shapes narratives.

“Dogs already tell us what they like,” Holm has suggested in industry conversations. “We just haven’t been listening in a cinematic way.”

ALSO READ : Younghoe Koo Explains Botched Field Goal After Slip: “The Ball Was Moving So I Pulled Up”

Using sensors, computer vision, and behavioral AI models, a dog’s gaze, movement, or excitement could guide editing decisions, pacing, or even story arcs. The result wouldn’t be about dogs — it would be cinema filtered through a non-human perspective.

The Birth of the First Park Chan-Woof?

Holm jokingly refers to the possibility of minting the next Park Chan-wook — except this auteur would wag instead of walk the red carpet. The joke lands because it highlights something serious: great directors don’t just tell stories, they feel them. And dogs, arguably, are pure instinct.

Unlike human creators shaped by trends, algorithms, or box-office anxiety, dogs respond honestly. They don’t care about three-act structures or Rotten Tomatoes scores. They react in real time — and Holm believes that authenticity is something modern storytelling desperately needs.

Meet the Man Who Thinks Dogs Should Be Directors 
The Chief AI & Innovation Officer of BARK, Mikkel Holm, has a few ideas for minting the next Park Chan-woof.


Why BARK Is the Perfect Place for This Idea

At BARK, data about canine behavior isn’t abstract. It’s central to the business. Millions of interactions — toys chewed, treats rejected, boxes loved — already inform product design. Translating that behavioral intelligence into creative output feels like a natural extension.

Holm’s role isn’t about replacing human creators. Instead, it’s about collaboration — humans setting the framework, AI translating signals, and dogs influencing the final creative choices in ways we’ve never seen before.

Is This Art or Absurdity?

Skeptics, of course, will laugh. Dogs as directors sounds like a headline built for clicks. But then again, so did AI-written novels, virtual influencers, and fully synthetic pop stars — until they weren’t jokes anymore.

Holm’s idea taps into a deeper cultural shift: creativity is no longer exclusively human. As tools evolve, authorship becomes shared — between humans, machines, and perhaps, one day, animals.

And if the result is strange, emotional, or unexpectedly beautiful? That might be the point.

A Future Where Creativity Isn’t Just Human

Cinema has always evolved with technology — from silent films to sound, black-and-white to color, analog to digital. Holm’s vision suggests the next leap might not be technical, but philosophical.

What happens when we stop asking who is allowed to create?

If the first dog-directed short film ever premieres at a festival someday, don’t be surprised if it doesn’t explain itself. Dogs, after all, have never felt the need to justify their instincts. Maybe storytellers shouldn’t either.

Continue Reading
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