Entertainment
Jennifer Lawrence Confesses to Viola Davis: ‘I Lose Control Over My Craft When I Do Press’… Fans React to Her Honest Admission
In a candid conversation, the Oscar-winning actress opened up about her complicated relationship with fame, her old interviews — and why Ariana Grande’s SNL impression hit a little too close to home.
In a rare moment of raw honesty, Jennifer Lawrence has opened up about her uneasy relationship with fame and press interviews — revealing that publicity, while a natural part of Hollywood, often makes her feel like she’s losing control of her craft.
During an intimate interview with The New Yorker, the Die My Love actress reflected on how she once confessed to fellow Oscar winner Viola Davis, “Every time I do an interview, I think, ‘I can’t do this to myself again.’ I feel like I lose so much control over my craft when I have to do press for a movie.”
That striking confession sheds light on the emotional cost of celebrity — especially for someone who’s long been known for her authenticity.
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From Hollywood’s Sweetheart to Self-Aware Artist
Once hailed as “America’s Cool Girl,” Lawrence’s offbeat humor and relatable personality made her a fan favorite during her early rise to fame. But the same charm that won audiences over eventually became, in her own words, a “defense mechanism.”
Looking back on her early interviews, she admitted:
“Oh, no. So hyper. So embarrassing.”
She even acknowledged the criticism that her once-beloved quirkiness began to feel “faux” to some fans. “Well, it is, or it was, my genuine personality,” she told The New Yorker. “But it was also a defense mechanism, to just be, like, ‘I’m not like that! I poop my pants every day!’”
Her self-deprecating candor has always been part of her brand — but now, it seems, Lawrence has found new clarity about where her humor came from.

Why the Press Feels Like ‘Losing Control’
For an actress who’s spent her career oscillating between blockbuster franchises and art-house dramas, press obligations are an inevitable — but draining — part of the job.
Lawrence’s remark to Viola Davis speaks volumes about the delicate balance artists must maintain between their private and public selves. In an age where every soundbite becomes a headline, even the most genuine moments risk being taken out of context.
The Hunger Games star, who earned an Academy Award at just 22 for Silver Linings Playbook, has long been candid about her discomfort with fame. In previous interviews, she’s spoken about the loss of privacy and how the relentless media cycle left her craving normalcy.
“When I’m acting, I’m in control. When I’m doing press, I’m not,” she explained.
The Ariana Grande Moment That Made Her Cringe
While discussing her media persona, Lawrence also brought up a surprising pop-culture reference — Ariana Grande’s 2016 Saturday Night Live skit, in which the singer hilariously impersonated her.
“I look at those interviews, and that person is annoying,” Lawrence said with a laugh. “I get why seeing that person everywhere would be annoying. Ariana Grande’s impression of me on SNL was spot-on.”
That particular SNL sketch became a viral moment, and fans have since resurfaced it online, calling it “prophetic” now that Lawrence herself admits it was accurate.
Social Media Reacts: ‘Jennifer Lawrence Just Said What Every Actor Feels’
Fans flooded X (formerly Twitter) and Instagram after the interview, applauding her for her honesty.
One fan wrote, “Jennifer Lawrence just said what every actor feels but never admits — the press tour kills authenticity.”
Another commented, “Ariana Grande’s impression being called ‘spot-on’ by Jennifer herself is legendary. Full circle moment.”
Even journalists chimed in, acknowledging how Lawrence’s relationship with fame has evolved from “effortlessly relatable” to “deeply reflective.”
A Career Defined by Contradiction and Confidence
From The Hunger Games to Don’t Look Up, Lawrence has been both a megastar and a reluctant celebrity. While others might shy away from self-criticism, she leans into it — proving, once again, that her appeal lies in her willingness to be imperfect.
She’s currently starring in Die My Love, directed by Lynne Ramsay, and early critics say it may mark her most emotionally raw performance since mother!
By confronting her complicated relationship with the press, Lawrence seems to have found what she was missing — control.
“I used to think interviews were part of acting,” she reflected. “Now I know they’re just noise. My work speaks for me.”
Entertainment
Hollywood Is Quietly Rewriting the Rules for 2026 and Beyond — The Shift Nobody Is Talking About
From AI-shaped blockbusters to streaming shakeups and surprise box-office kings, educated guesses reveal what the film industry will really be talking about next year
If you spend enough time around studio lots, talent agencies, and post-production houses, you start to notice a pattern: Hollywood rarely changes overnight—but when it does, it moves fast. As 2026 approaches, the entertainment industry is buzzing with cautious optimism, creative anxiety, and a renewed hunger for hits that feel human again.
This isn’t about crystal balls or hype cycles. These are educated guesses—built on insider chatter, financial math, and the subtle signals studios never announce publicly. Here’s what Hollywood insiders are already bracing for in the next 12 months.
The Box Office Isn’t Dead—But It’s Picky
The loudest myth of the past five years—that cinemas are finished—has quietly collapsed. What has changed is audience patience.
In 2026, theaters won’t reward “content.” They’ll reward events.
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Studios like Warner Bros. Pictures, Universal Pictures, and Disney are doubling down on fewer releases—but with bigger cultural footprints. Expect:
- Fewer mid-budget films in wide theatrical release
- Bigger opening weekends driven by fandoms
- Longer theatrical windows for proven franchises
Audiences in 2026 will show up—but only when the movie gives them a reason to leave their couches.
Streaming Will Finally Admit a Hard Truth
The “streaming wars” phase is over. The survival phase has begun.
Platforms like Netflix, Amazon Prime Video, and Apple TV Plus have learned an expensive lesson: endless content does not equal endless growth.
In 2026, expect:
- Fewer originals, higher quality thresholds
- Shorter episode orders (6–8 episodes, not 12–15)
- Aggressive cancellation of underperforming shows
- More theatrical-to-streaming hybrids
Executives won’t say it publicly, but the era of “greenlight first, think later” is over.
AI Won’t Replace Creators—but It Will Change Who Gets Hired
Artificial intelligence is no longer a sci-fi headline—it’s a line item in production budgets.
Studios are already using AI for previs, localization, VFX cleanup, and script analysis. In 2026, that use will expand—but not without pushback from talent guilds shaped by the influence of figures like Christopher Nolan, Greta Gerwig, and Jordan Peele.
What changes isn’t creativity—it’s efficiency.
Writers who can work with AI tools will be hired faster. Editors who adapt will stay booked. The fear isn’t replacement—it’s irrelevance.
Franchises Will Shrink—But Get Smarter
Hollywood isn’t done with franchises. It’s done with bloated ones.
In 2026, studios will:

Scale back shared universes- Focus on standalone stories within franchises
- Prioritize character-driven arcs over lore overload
Even superhero brands are shifting tone, influenced by audience fatigue and the selective success of recent releases.
The future franchise model looks less like homework—and more like storytelling again.
Movie Stars Are Making a Quiet Comeback
For years, Hollywood claimed stars didn’t matter anymore. Algorithms mattered. IP mattered.
Then ticket sales told a different story.
In 2026, recognizable faces will once again anchor marketing campaigns. Names like Leonardo DiCaprio, Margot Robbie, and Denzel Washington still move audiences—and studios are taking notes.
The difference? Stars won’t just sell films. They’ll help shape them creatively.
Award Season Will Tilt Toward Global Stories
Hollywood’s center of gravity is slowly shifting outward.
With global box office revenues playing a bigger role, films influenced by international storytelling styles—particularly from Asia, Europe, and Latin America—will dominate award conversations.
Festivals like Cannes and Venice are already shaping Oscar narratives months in advance, and 2026 will only deepen that trend.
The Real Prediction No One Is Saying Out Loud
Hollywood’s biggest challenge in 2026 isn’t technology, streaming, or box office math.
It’s trust.
Audiences want stories that feel honest. Artists want protection. Studios want sustainability. The industry is quietly trying to balance all three—and 2026 may be the year we finally see whether that balance is possible.
Entertainment
Jared Leto’s ‘Tron: Ares’ Locks Its Streaming Date — and Fans Won’t Have to Wait Long
The long-awaited Tron sequel starring Jared Leto is set to arrive on streaming, reuniting Jeff Bridges with the digital universe as Greta Lee and Evan Peters join the Grid.
For years, Tron fans have lived on hope, neon nostalgia, and rumors. Now, the wait is officially ending. Jared Leto’s ambitious sci-fi sequel Tron: Ares has finally locked in its streaming debut, giving the cult franchise its most high-profile revival yet.
Set within the iconic digital universe first introduced in 1982, Tron: Ares pushes the franchise into darker, more contemporary territory. The film stars Leto as Ares, a powerful program sent from the digital world into the real one — a storyline that flips the original Tron premise on its head and raises unsettling questions about technology, identity, and control.
A Star-Studded Return to the Grid
Joining Leto is Jeff Bridges, whose return instantly grounds the sequel in Tron legacy. Bridges’ involvement has been especially meaningful for longtime fans, many of whom still regard Tron: Legacy as a visually daring film ahead of its time.
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The cast also includes Greta Lee, fresh off critical acclaim for her recent dramatic work, and Evan Peters, known for performances that balance vulnerability with menace. Together, the ensemble signals that Tron: Ares is aiming for emotional depth — not just glowing light cycles.
A Director Known for Scale and Spectacle
Behind the camera is Joachim Rønning, a filmmaker experienced with large-scale storytelling and visually immersive worlds. His involvement suggests Tron: Ares won’t shy away from spectacle, but will also lean into character-driven tension — a balance the franchise has long flirted with.
According to those close to the production, the sequel explores what happens when digital creations begin crossing boundaries they were never meant to cross.

“This is no longer just about humans entering the Grid,” one insider teased. “It’s about what happens when the Grid comes to us…”
Why the Streaming Release Matters
The decision to debut Tron: Ares on streaming reflects how major studios are rethinking blockbuster releases. With built-in fan loyalty and global reach, streaming allows the film to land simultaneously with audiences who have waited more than a decade for the franchise to continue.
For the studio behind the project, The Walt Disney Company, Tron: Ares represents both nostalgia and experimentation — a chance to revive a visually iconic property while testing new release strategies.
A Make-or-Break Moment for the Franchise
Tron has always existed slightly outside the mainstream, beloved fiercely but narrowly. Tron: Ares could change that. With modern themes, an A-list cast, and a timely streaming launch, the film has a rare opportunity to finally pull the franchise out of cult status and into the cultural conversation.
Whether it becomes a breakthrough or another beautiful risk remains to be seen. But one thing is clear: the Grid is lighting up again — and this time, it’s coming straight into our homes.
Entertainment
Inside Sundance’s Wildest Years: “Screaming, Crying and Almost Throwing Up”… and How a Film Festival Changed Hollywood Forever
As the Sundance Film Festival prepares for its final chapter in Park City before relocating to Boulder, insiders recall the fear, faith, and chaos that launched careers, broke rules, and redefined independent cinema.
For four decades, January in Park City meant more than snow and ski lifts. It meant nerves so raw that filmmakers recall “screaming, crying and almost throwing up” moments before their lives changed forever. Now, as the Sundance Film Festival prepares to leave its longtime Utah home for Boulder, Colorado, a flood of memories has come rushing back — not polished nostalgia, but the messy, human kind that built America’s most influential film festival.
Sundance was never meant to be safe. It was meant to be necessary.
The festival that ran on fear and faith
In its early years, Sundance felt less like a red carpet event and more like a gamble played in the snow. Filmmakers arrived with films financed on credit cards, favors, and belief. Many had no agents. Some had no distribution plan. What they did have was hope — and a terrifying premiere slot.
One alumnus remembers sitting in a packed theater, heart racing, convinced the audience would walk out. Another recalls locking themselves in a bathroom, physically sick with anxiety, before a screening that later sold to a major distributor. These stories are not outliers — they are the Sundance norm.
That tension became the festival’s engine.
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Unlike studio premieres, Sundance screenings were unpredictable. A standing ovation could launch a career overnight. Silence could end it just as fast. Deals were whispered in cafés. Critics filed reviews before dawn. Word-of-mouth moved faster than snowstorms.
And when it worked, it really worked.
How Sundance rewrote the rules of independent cinema
The rise of Sundance coincided with a cultural hunger for stories Hollywood wasn’t telling. Small budgets, personal narratives, uncomfortable truths — these films didn’t fit studio formulas, and that was exactly the point.
Behind it all stood Robert Redford, whose belief in independent voices shaped Sundance’s DNA. Redford didn’t want imitation Hollywood. He wanted risk. He wanted originality. He wanted filmmakers to fail honestly if they had to — but to be heard first.
That philosophy turned Sundance into a proving ground. Careers were born here not because films were perfect, but because they were different. Directors, writers, and actors found an audience willing to lean forward instead of waiting to be entertained.
The festival became a place where unknown names could suddenly matter — and where the industry was forced to pay attention.

The human cost of overnight success
What doesn’t get talked about enough is the emotional whiplash. One moment you’re an unknown artist; the next, executives are fighting over your film. Sundance didn’t just open doors — it kicked them in, sometimes before filmmakers were ready.
Several alumni admit they struggled with the sudden attention. Deals fell apart. Expectations exploded. Some careers soared; others burned out just as fast. Sundance didn’t promise longevity — only possibility.
And yet, many say they’d do it all again.
Because for a brief, electric window, the world listened.
Park City: more than a location, a character
Park City itself became part of the Sundance mythology. The cold sharpened emotions. The cramped theaters intensified reactions. There was no hiding — filmmakers shared sidewalks with critics, buyers, and audiences.
That intimacy mattered. Conversations happened face-to-face. Reputations were built over coffee, not emails. Sundance thrived because it felt human — flawed, chaotic, alive.
As the festival prepares to relocate, many alumni acknowledge the change is practical, even necessary. But they also admit something intangible will be left behind: the sense that anything could happen because nothing was controlled.
Why Sundance still matters
In an era dominated by algorithms, franchises, and content churn, Sundance remains a reminder of what cinema can be when it’s allowed to be personal. It championed stories that didn’t test well but felt true. It trusted audiences to be curious, not comfortable.
As Sundance turns the page, its legacy is secure — not because every film succeeded, but because the festival dared filmmakers to be honest in public.
And sometimes, that honesty came with shaking hands, racing hearts, and the very real fear of throwing up in the front row.
That’s not weakness.
That’s art being born.
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