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Everyone Thought They Knew Victoria Pedretti Until ‘Forbidden Fruits’ Cherry Showed Up and Said, ‘You Have No Idea…’

The You and Haunting of Hill House actress just delivered her most surprising, layered, and laugh-out-loud performance yet — and Hollywood’s most celebrated screenwriters are already losing their minds over it.

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Victoria Pedretti Stuns as Cherry in 'Forbidden Fruits' — Her Most Surprising Role Yet | Daily Global Diary
Victoria Pedretti as Cherry in the 2026 comedy horror film Forbidden Fruits*, directed by Meredith Alloway and released by IFC Films and Shudder on March 27, 2026. The role has critics calling Pedretti a "zany delight" in what many are calling her most surprising performance yet. (Courtesy: IFC Films / Shudder)*

There’s a certain kind of actress who walks into a room and makes you feel something before she’s even said a word. Victoria Pedretti is one of those people. You saw it in the quiet devastation she brought to The Haunting of Hill House. You felt it in the eerie, soul-bending tension she carried through Netflix’s You. And now, in Forbidden Fruits — released this very weekend — she’s doing something nobody saw coming: she’s making you laugh until it hurts, and then quietly breaking your heart when you least expect it.

This is not the Victoria Pedretti you thought you knew.

From Scream Queen to Comedy Queen — Without Losing an Ounce of Depth

Pedretti was fresh out of Carnegie Mellon University‘s School of Drama when she was cast in Mike Flanagan‘s acclaimed 2018 horror series The Haunting of Hill House. In her breakout role as Nell Crain, she became the undisputed heart of the show, anchoring it with a spellbinding performance that christened her as a scream queen. Her subsequent appearances in The Haunting of Bly Manor and You solidified her renown in the horror genre.

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But genre labels have a way of boxing people in — and Pedretti, now 31, has clearly had enough of that box. “This bitch doesn’t want to do anything she has to do,” she quips, making clear she’s solely focused on projects that have an impact on people. Blunt, funny, totally self-aware — and that energy, it turns out, translates directly to the screen.

What Is Forbidden Fruits, Exactly?

Forbidden Fruits is a 2026 American comedy horror film directed by Meredith Alloway from a screenplay she co-wrote with Lily Houghton, based on Houghton’s stage play. The film had its world premiere at the 2026 South by Southwest Film & TV Festival on March 16, 2026, before being released by IFC Films and Shudder on March 27, 2026.

The story follows Apple, Fig, and Cherry — girls who work at a trendy mall clothing boutique called Free Eden. Beneath their fashionable retail jobs, these stylish women secretly run an intense witch coven after store hours. Everything gets chaotic when a new girl named Pumpkin infiltrates their tight group, pushing the friends to face dark secrets or suffer very bloody consequences. PRIMETIMER

Think Mean Girls — but with a witch cult in the basement, a whole lot more blood, and a feminist thesis that actually lands. Rotten Tomatoes critics noted that the film is “campy, full of laughs and some gore,” with the final 30 minutes already being called out as the stretch that puts it “on the map as a future feminist cult classic.” Rotten Tomatoes

Cherry: The Role Nobody Saw Coming

Here’s the thing about Pedretti’s character, Cherry — she looks like the easiest person in the room to dismiss. Glittery, loud, a little squeaky, boy-crazy. And that’s entirely the point.

Cherry is described as a jolly and glittery girl hiding deep tragedies inside. She’s desperate for validation, providing the movie’s biggest laughs while concealing some very real, raw hurt. PRIMETIMER

Pedretti stands out as squeaky-voiced Cherry, a boy-crazy former rich girl with a bad case of Main Character Syndrome and very little self-awareness. Deadline And yet, the more you watch her, the more those layers peel back — until you realize you’ve been completely played, in the best possible way.

As Pedretti herself explains: “Your character Cherry comes off as this ditsy and insecure girl at first, but by the end of it, you realize there’s so much more to her.” The Hollywood Reporter

‘She Has That Fragility. She Has That Humor. She Has All of It.’

If anyone was surprised by the transformation, it was Diablo Cody — the Oscar-winning screenwriter behind Juno and Jennifer’s Body, who also produced Forbidden Fruits. Cody was most familiar with Pedretti’s performance in You, pegging the actor as an “intense brunet” that didn’t quite match her vision of Cherry as an Anna Nicole Smith type. “Then I see the movie,” Cody recalls, “and I’m like, oh my God, she has that fragility. She has that humor. She has that sexuality. She has all of it. Victoria brought all of those layers and I’m really blown away by her.” Yahoo!

High praise from one of Hollywood’s sharpest creative voices — and it’s earned.

Victoria Pedretti Stuns as Cherry in 'Forbidden Fruits' — Her Most Surprising Role Yet | Daily Global Diary


Pedretti improvised constantly throughout filming and always kept pushing until somebody said “Cut.” The result is a laugh-out-loud-funny performance full of charm, packing humor into even the most routine dialogue. One of her most iconic facial expressions in the film is already circulating as a reaction meme online. Yahoo!

She Did Her Own Makeup — And Her First Topless Scene

The commitment to Cherry goes beyond the script. Pedretti played up Cherry’s emotional volatility, giving her a full-bodied form of expression. She even did her own onscreen makeup and collaborated heavily with costume designer Sarah Millman on Cherry’s wardrobe and styling. She also performed her first topless scene — in a sequence that doesn’t involve men or even sex. “I’m really proud of the way we use nudity to show a certain kind of unspoken comfortability among women,” she says.

That’s not something you throw into a performance carelessly. That’s an actress who has thought deeply about what her character means and what the film is trying to say.

A Cast That Delivers From Every Direction

Pedretti doesn’t carry this film alone, and she’d be the first to say so. She’s flanked by a cast that reads like a list of the most interesting young women working in Hollywood right now.

Lili Reinhart plays Apple, the icy queen bee of the coven. Alexandra Shipp plays Fig. Lola Tung plays Pumpkin, the dangerous new hire who starts pulling threads. Emma Chamberlain makes her acting debut as traumatized former cult member Pickle. And Gabrielle Union rounds things out as store manager Sharon.

Critics are already calling it “destined for cult greatness among generations of girls, gays, and they’s to come — a witchy vision dripping with pastels and endlessly quotable gems,” with Reinhart delivering what many are calling her best performance to date.

Three or Four Years in the Making

What makes this performance feel so lived-in is that Pedretti didn’t just show up and do the work. She’s been doing the work for years. “It’s rare that you read a script that is fun in this way, while also simultaneously dealing with a lot of very unfun topics — things that I think are very humanizing and universal and specific,” Pedretti says. “I got involved with it a long time ago, maybe three or four years before we actually shot the film. It was cool to have that much time to be able to think about the project, but also for it to mature.” The Hollywood Reporter

Three or four years of thinking about Cherry. Of figuring out who she is underneath all that glitter and desperation. That’s not a job — that’s devotion.

‘You Gotta Take the Big Swing’

There’s something genuinely refreshing about an actress who turns down work she doesn’t believe in and waits — patiently, stubbornly — for something that matters. And when she finds it, she goes all in.

“It asks a lot of people to try to step into a world like this one,” Pedretti says of the screenplay. “And as nerve-racking as it may be to take that big swing, you gotta take the big swing.” Recorder Online

She swung. She connected. And Forbidden Fruits, which opened in theaters and on Shudder today, is already being discussed as the kind of film that finds its real audience over years — not weeks.

Don’t underestimate Victoria Pedretti. She never does.

Entertainment

Hollywood Stars or Dancing Chaos? Marek Eben Opens Up on Hosting KVIFF Ceremonies: ‘Which One Is More Stressful… I Still Can’t Decide’

Ahead of Karlovy Vary’s landmark edition, Czech TV icon Marek Eben reflects on decades of hosting, celebrity encounters, and unforgettable festival moments.

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Marek Eben reflects on decades of hosting the Karlovy Vary Film Festival as Hollywood stars and live TV challenges shape his career.

As the Karlovy Vary International Film Festival prepares for its highly anticipated 60th edition, Czech television presenter, musician, and long-time host Marek Eben has opened up about his unique journey inside one of Europe’s most prestigious film events.

Known for his calm stage presence and sharp wit, Eben has become the face of KVIFF ceremonies — welcoming Hollywood legends, global filmmakers, and international guests year after year. But when asked about the most stressful part of his career, his answer comes with a smile and a surprising comparison.

Between hosting glamorous red-carpet ceremonies and presenting the popular Czech show “Dancing With the Stars”, Eben admits the stress levels are not as predictable as one might think.

ALSO READ : Sen. Elizabeth Warren Calls It a ‘Cesspool of Corruption’ — Here’s Why Senators Are Now Fighting Back Against the DOJ’s Live Nation Deal That Left Every Fan Betrayed…

“HOLLYWOOD LEGENDS OR LIVE TELEVISION CHAOS?”

Reflecting on his long career, Eben recalled how he once had the chance to meet legendary actor Gregory Peck during the festival’s earlier years — a moment he still describes as surreal.

Over time, KVIFF has hosted some of the biggest names in global cinema, turning Karlovy Vary into a summer hub for film lovers, critics, and A-list talent.

Yet despite the glamour, Eben suggests that live television may still hold the edge when it comes to pressure. Hosting unpredictable performances, live audiences, and tight production timing often creates a different kind of intensity compared to film festival ceremonies.

A FESTIVAL WITH GLOBAL REACH

The Karlovy Vary festival has grown significantly over the decades, evolving into a cultural landmark that bridges Eastern European cinema with Hollywood and international filmmaking.

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This year’s edition marks a milestone — 60 editions across 80 years — reinforcing its legacy as one of Europe’s most respected film festivals.

Eben’s role as host has helped maintain the festival’s identity, balancing sophistication with warmth and humor.

DREAM INTERVIEWS AND UNFULFILLED WISHES

Looking ahead, Eben also shared that there are still a few names he would love to interview — though he keeps them closely guarded. His curiosity reflects the spirit of the festival itself, where unexpected conversations often become the most memorable moments.

From red carpets to live television chaos, Eben’s career highlights the unpredictable nature of entertainment — where elegance and stress often coexist behind the scenes.

As Karlovy Vary prepares for another star-studded year, one thing remains clear: whether it’s Hollywood icons or live dance floors, Marek Eben continues to navigate both worlds with remarkable ease.

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‘A Lion at My Back’: Teenage Asylum Seeker & Cypriot Woman Form Unlikely Bond in Karlovy Vary Drama That’s Turning Heads…

Tonia Mishiali’s new film explores how family can emerge in unexpected places as it premieres in the Crystal Globe competition at Karlovy Vary Film Festival.

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A teenage asylum seeker and a Cypriot woman form an unexpected emotional bond in Tonia Mishiali’s new film premiering at Karlovy Vary Film Festival.

A deeply emotional and quietly powerful story is set to take center stage at this year’s Karlovy Vary International Film Festival, where Cypriot filmmaker Tonia Mishiali returns with her second feature film, “The Lion at My Back.”

Premiering in the prestigious Crystal Globe competition, the film has already begun drawing attention for its sensitive portrayal of an unexpected relationship between a teenage asylum seeker and a Cypriot woman in her 40s.

At its heart, the film explores how emotional bonds can form in the most unlikely circumstances — challenging traditional definitions of family, belonging, and survival.

A STORY ROOTED IN HUMAN CONNECTION

“The Lion at My Back” follows two individuals from vastly different worlds: a young asylum seeker navigating uncertainty and displacement, and a middle-aged Cypriot woman grappling with her own personal struggles.

Despite their differences, the two characters slowly build a fragile but meaningful connection, discovering shared vulnerabilities that transcend language, nationality, and age.

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The film’s premise highlights a growing theme in contemporary European cinema — the intersection of migration, identity, and human empathy.

MISHIALI’S CINEMATIC VOICE

Director Tonia Mishiali has been steadily gaining recognition for her intimate storytelling style, often focusing on emotional realism and socially relevant narratives.

Her latest work continues that trajectory, offering a grounded yet poetic examination of human relationships formed under pressure. The film’s narrative suggests that even in moments of displacement and isolation, connection can emerge in unexpected ways.

Festival programmers at Karlovy Vary have praised the film’s emotional depth and its ability to balance social commentary with personal storytelling.

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A FESTIVAL KNOWN FOR RISK-TAKING CINEMA

The Karlovy Vary International Film Festival, one of Europe’s most respected film events, has long been a platform for bold, independent voices in global cinema. The inclusion of Mishiali’s film in the Crystal Globe competition underscores its artistic ambition and thematic relevance.

Early reactions from festival insiders suggest that the film resonates strongly with contemporary global issues — particularly migration and human resilience.

FAMILY BEYOND BLOODLINES

At its core, “The Lion at My Back” suggests that family is not always defined by biology or tradition. Instead, it can emerge through shared experience, empathy, and survival.

As the film prepares for its world premiere, it stands as a reminder of cinema’s unique ability to reflect human complexity — and to find tenderness in unlikely places.

For audiences at Karlovy Vary, it may be one of the festival’s most quietly powerful entries.

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Virginie Efira to Be Honoured at Locarno… ‘Bold Yet Thoughtful’ Star Set for Prestigious Leopard Club Award

The Locarno Film Festival celebrates the acclaimed Belgian-French actress for her evolving cinematic voice, calling her “instinctive yet ironic” in a glowing tribute.

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Virginie Efira will be honoured at the Locarno Film Festival with the Leopard Club Award for her bold and evolving contribution to cinema.

Acclaimed actress Virginie Efira is set to receive one of European cinema’s most respected honours — the Leopard Club Award at the prestigious Locarno Film Festival in Switzerland.

The announcement has been met with widespread appreciation across the film industry, with festival organizers praising Efira for her distinctive artistic presence and evolving contribution to contemporary cinema.

Describing her body of work, the festival highlighted her as “bold yet thoughtful, instinctive yet ironic,” noting that she brings a fresh and constantly evolving perspective to modern filmmaking.

A CAREER DEFINED BY RANGE AND RISK

Over the years, Efira has built a reputation for choosing complex and emotionally layered roles, moving seamlessly between drama, romance, and psychological storytelling. Her performances have often been noted for their emotional authenticity and understated intensity.

ALSO READ : Sen. Elizabeth Warren Calls It a ‘Cesspool of Corruption’ — Here’s Why Senators Are Now Fighting Back Against the DOJ’s Live Nation Deal That Left Every Fan Betrayed…

From independent European films to internationally recognized productions, she has become one of the most versatile voices in modern French-language cinema.

Her work has also contributed to strengthening the global visibility of European storytelling, particularly through collaborations with acclaimed directors across France and Belgium.

LOCARNO’S TRIBUTE TO CINEMATIC EVOLUTION

The Locarno Film Festival, known for celebrating auteur-driven cinema and artistic experimentation, has a long tradition of honoring performers who redefine screen language.

This year’s Leopard Club Award selection reflects that tradition, with Efira recognized not just for her performances, but for her influence on contemporary cinematic expression.

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Festival curators emphasized that her presence on screen continues to “reinvent itself,” adapting to new storytelling styles while maintaining a strong emotional core.

EUROPEAN CINEMA’S CONTINUING GLOBAL INFLUENCE

Efira’s recognition comes at a time when European cinema is experiencing renewed global attention, particularly through streaming platforms and international co-productions.

Her award underscores how actors outside Hollywood continue to shape global film culture through originality and artistic risk-taking.

As anticipation builds for the ceremony, the honour places Virginie Efira among a select group of performers whose work transcends borders — both geographically and creatively.

For Locarno, it is not just an award. It is a celebration of an artist whose career continues to evolve with quiet power and striking consistency.

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