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The Night the Oscars Almost Died: Fauci, Soderbergh and Chadwick Boseman’s Widow Finally Reveal What Really Happened Behind the Scenes…

Over 40 insiders — including Dr. Anthony Fauci, producer Steven Soderbergh, director Chloé Zhao, and Simone Ledward Boseman — are speaking out about the most surreal Academy Awards ceremony in history, and one of them just said: “I’m going to just spill all secrets.”

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COVID Almost Canceled the Oscars: Fauci, Soderbergh & Chadwick Boseman's Widow Reveal the Full Story
Steven Soderbergh, Dr. Anthony Fauci, Chloé Zhao, and Simone Ledward Boseman are among the 40+ voices featured in the definitive oral history of the COVID-era 93rd Academy Awards, held at Union Station in Los Angeles.

Five years ago, the world was barely holding together. Hospitals were overwhelmed. Streets were empty. And somewhere in the middle of all of it, a group of people were trying to figure out how to put on the Academy Awards.

It sounds almost absurd in hindsight — and frankly, it was. But the story of how the 93rd Oscars came to exist at all, against the backdrop of a global pandemic that was killing thousands of people every single day, is one of the most remarkable behind-the-scenes tales in the history of Hollywood. And now, five years later, the people who lived it are finally talking.

A sweeping oral history has brought together more than 40 insiders — nominees, winners, producers, Academy executives, and public health officials — to piece together what really happened during an awards season that stretched across an almost unbelievable 14 months. The testimonies are candid, emotional, and in some cases, genuinely shocking. One participant promised upfront: “I’m going to just spill all secrets.” They were not joking.

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A Century-Old Tradition Facing the Unthinkable

For nearly a hundred years, the Oscars had survived everything. The ceremony pushed through World War II, held its ground after Pearl Harbor, and carried on in the painful aftermath of 9/11. It had been postponed only three times in its entire history — following the Los Angeles floods of 1938, after the assassination of Dr. Martin Luther King Jr. in 1968, and following the attempted assassination of President Reagan in 1981. But canceled? Never.

Then came COVID-19.

The pandemic didn’t just threaten the ceremony — it threatened the entire foundation of the film industry simultaneously. Productions shut down overnight. Theaters went dark. Blockbusters like No Time to Die and West Side Story were postponed indefinitely. Meanwhile, Netflix, Prime Video, Disney+, HBO Max, and Peacock became the only entertainment most people had access to — accelerating a shift in how America consumed film that the industry is still grappling with today.

The 93rd Oscars had been scheduled for February 28, 2021. That date came and went. Eventually, the ceremony was rescheduled — and relocated — to Union Station, a train station in downtown Los Angeles, in a choice that felt equal parts creative and desperate.

The People Who Made It Happen — and the People Who Watched It Happen

What makes this oral history so compelling is the range of voices it captures. This is not just a Hollywood story. Dr. Anthony Fauci, who spent the pandemic as the United States’ most visible public health authority, speaks directly about the reality of the moment — the daily death toll, the fragile early rollout of vaccines, and what it meant to even contemplate a large live entertainment event in that environment. His presence in the account is a reminder of how genuinely dangerous the situation was, and how many people were weighing public health against the cultural and economic costs of continued shutdown.

On the production side, Steven Soderbergh — the acclaimed director of Traffic, Erin Brockovich, and the Ocean’s trilogy — took on the role of telecast producer and became one of the central figures in the effort to reimagine what an Oscars ceremony could even look like under pandemic conditions. His vision was unconventional from the start: no traditional stage setup, intimate presenter-to-presenter framing, a stripped-back atmosphere that was meant to feel cinematic rather than theatrical. Whether it worked is something the oral history addresses with refreshing honesty.

Chloé Zhao, who won the Best Director Oscar that night for Nomadland, reflects on what it was like to receive the industry’s highest honour during a moment when the world felt so fractured. Her win — historic as one of the first women of colour to claim the directing prize — deserved a thunderous room and a full house. What she got was something quieter, stranger, and in many ways more intimate.

COVID Almost Canceled the Oscars: Fauci, Soderbergh & Chadwick Boseman's Widow Reveal the Full Story


And then there is Simone Ledward Boseman, the widow of Chadwick Boseman, who had died of colon cancer in August 2020 at just 43 years old. Boseman had been the heavy favourite to win Best Actor posthumously for his performance in Ma Rainey’s Black Bottom. The Academy made the unusual decision to close the ceremony with the Best Actor category rather than Best Picture — widely interpreted as setting the stage for what everyone assumed would be a poignant, celebratory moment honouring Boseman’s legacy. What happened instead — Anthony Hopkins winning for The Father, accepting via video link from Wales, the ceremony ending abruptly with no Best Picture winner on screen — has been described as one of the most chaotic finales in Oscar history. Simone Ledward Boseman’s account of that night is, by all indications, one of the most emotionally raw moments in the entire oral history.

A Fiasco, a Miracle, and Everything in Between

What the oral history ultimately captures is the impossible contradiction at the heart of the 93rd Oscars: it was, simultaneously, a bit of a disaster and a genuine miracle. A ceremony held in a train station, with nominees scattered across satellite locations around the world, no traditional audience, no red carpet as anyone knew it — and yet it happened. In a year when so much did not.

The Academy of Motion Picture Arts and Sciences made decisions under that pressure that it is still being asked to account for. Some of those decisions, with five years of distance, look brave. Others look misguided. The oral history, to its credit, does not try to resolve that tension — it simply lets the people who were there tell you what they saw, what they felt, and what they wish had gone differently.

Hollywood’s relationship with the Oscars has always been complicated — love and resentment in roughly equal measure. But there is something genuinely moving about the fact that in the worst public health crisis in a century, a group of people fought this hard to keep the lights on, even if only metaphorically. The movies mattered enough to them to try. And against all odds, they pulled it off.

Messily. Imperfectly. Unforgettably.

Entertainment

Harvey Keitel Chokes Up Mid-Speech… Then Honors Cinematography Icon Robert Richardson With a Moving Tribute

The veteran actor became emotional on stage before delivering heartfelt praise for the acclaimed filmmaker whose work has shaped generations of cinema.

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The Karlovy Vary International Film Festival witnessed one of its most heartfelt moments this year when veteran actor Harvey Keitel took the stage to honor legendary cinematographer Robert Richardson.

What began as a formal tribute quickly turned into an unforgettable scene. In a spontaneous and emotional gesture, Keitel reportedly ripped up his prepared notes before delivering a passionate speech from the heart, celebrating Richardson’s extraordinary contribution to cinema.

The audience responded with enthusiasm as Keitel praised the cinematographer as “one of the world’s greatest,” highlighting a career that has helped shape some of the most iconic films of the modern era.

For movie lovers, Richardson’s name is synonymous with visual excellence. Over several decades, he has crafted unforgettable imagery for some of Hollywood’s most influential filmmakers, including Martin Scorsese, Quentin Tarantino, and Oliver Stone.

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His signature style—marked by dramatic lighting, bold compositions, and striking visual storytelling—has earned him widespread acclaim and multiple industry honors. Richardson’s work has become instantly recognizable to cinephiles, helping elevate films from compelling stories into unforgettable cinematic experiences.

The tribute at Karlovy Vary came during celebrations surrounding “The White Devil”, which drew significant attention at the prestigious festival. While the event showcased notable films and performances, Richardson’s recognition became one of its defining highlights.

Throughout his career, Richardson has collaborated on acclaimed productions such as JFK, The Aviator, Inglourious Basterds, and Once Upon a Time in Hollywood. His ability to create atmosphere through imagery has earned him a reputation as one of the most respected cinematographers in the industry.

Keitel’s tribute carried particular significance because both men have spent decades helping define modern cinema. Their careers have crossed paths with many of the same legendary filmmakers, and both are regarded as influential figures whose work continues to inspire younger generations of artists.

Festival attendees described the moment as deeply personal, with Keitel opting to speak candidly rather than rely on a prepared script. The gesture reflected the respect and admiration he holds for Richardson’s achievements and artistic legacy.

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In an industry often focused on actors and directors, the tribute also served as a reminder of the crucial role cinematographers play in bringing stories to life. While audiences may remember memorable characters and dialogue, the visual language of film often shapes how those stories are experienced and remembered.

As the Karlovy Vary International Film Festival continues celebrating global cinema, Richardson’s honor stands as recognition not only of a remarkable individual career but also of the artistry behind the camera.

For many in attendance, the emotional exchange between Keitel and Richardson was a fitting reminder that great filmmaking is built on collaboration, creativity, and a shared passion for storytelling.

And judging by the standing ovation that followed, the audience agreed that few have contributed more to that craft than Robert Richardson.

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Ocean’s Eleven Prequel Adds Vicky Krieps, George MacKay and Omar Sy to Star-Studded Cast

The highly anticipated prequel expands its ensemble, with Vicky Krieps, George MacKay and Omar Sy joining Margot Robbie and Bradley Cooper in the next chapter of the iconic heist franchise.

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The world of high-stakes heists is preparing for a glamorous return.

Warner Bros. is reportedly moving ahead with its much-awaited Ocean’s Eleven prequel, and the latest casting additions have only heightened excitement around the project. Acclaimed actors Vicky Krieps, George MacKay and Omar Sy are set to join Margot Robbie in the upcoming film, according to industry reports.

Adding even more intrigue, Bradley Cooper is attached not only as a leading cast member but also as the film’s director, marking one of the most ambitious projects of his career.

A New Chapter for an Iconic Franchise

The Ocean’s franchise remains one of Hollywood’s most beloved series, combining stylish storytelling, charismatic characters and elaborate heist plots. The original franchise gained global popularity with stars such as George Clooney, Brad Pitt and Matt Damon leading a memorable ensemble cast.

Now, the prequel aims to take audiences back in time, exploring an earlier chapter of the universe that captivated moviegoers for decades.

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While plot details remain tightly guarded, insiders suggest the film will feature a mix of glamour, suspense and the sophisticated charm that has become synonymous with the Ocean’s brand.

Margot Robbie Leads Another Major Studio Project

Fresh off a series of high-profile successes, Margot Robbie continues to cement her status as one of Hollywood’s most influential stars.

The actress has become known for balancing blockbuster appeal with critically acclaimed performances, making her a natural choice to headline a major franchise revival. Her involvement has already generated significant buzz among fans eager to see how the new film reimagines the world of Ocean’s Eleven.

International Talent Strengthens the Cast

The addition of Vicky Krieps, known for her acclaimed dramatic performances, brings a strong artistic presence to the project.

Meanwhile, George MacKay, widely recognized for his breakthrough work in 1917, adds youthful energy and versatility to the ensemble.

French star Omar Sy, whose global profile soared after the success of Lupin, is expected to bring charisma and international appeal to the production.

Together, the trio significantly expands the film’s star power and reinforces Warner Bros.’ ambition to make the prequel a major cinematic event.

Bradley Cooper’s Vision Under the Spotlight

Perhaps the most intriguing aspect of the project is the involvement of Bradley Cooper behind the camera.

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After earning widespread praise for directing A Star Is Born and Maestro, Cooper has established himself as a filmmaker capable of blending emotional storytelling with visual sophistication.

Industry observers are now eager to see how he interprets the stylish, fast-paced world of the Ocean’s franchise while also stepping in front of the camera as an actor.

Warner Bros. Bets on a Franchise Revival

For Warner Bros., the project represents another major effort to revive and expand one of its most recognizable film properties.

The combination of an iconic franchise, an award-winning director, and an internationally recognized cast has positioned the prequel as one of the industry’s most closely watched developments.

Although fans may have to wait for more details regarding characters, storyline and release plans, the growing cast list suggests that Warner Bros. is assembling a formidable team for the next chapter of the Ocean’s legacy.

For now, one question remains at the center of Hollywood speculation: what exactly does Bradley Cooper have planned for this return to the world of master thieves and impossible heists?

If the latest casting news is any indication, audiences are in for something far bigger than a simple prequel.

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Toronto Film Festival Picks ‘Being Heumann’ as Its Opener… Is Sian Heder About to Deliver Another Awards Season Sensation?

After the success of CODA, director Sian Heder returns with Being Heumann, leading a star-studded Toronto International Film Festival lineup that also includes Prima Facie and The Assassin(s).

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Director Sian Heder’s Being Heumann has been selected as the opening-night film of the 2026 Toronto International Film Festival.

The Toronto International Film Festival (TIFF) has unveiled a major highlight of its 2026 lineup, selecting Sian Heder’s highly anticipated drama Being Heumann as the festival’s opening-night film.

The announcement immediately places the project among the most closely watched titles of the upcoming awards season, especially given Heder’s remarkable track record following the success of CODA, the groundbreaking film that won the Academy Award for Best Picture.

Backed by Apple Studios, Being Heumann tells the inspiring story of disability rights activist Judy Heumann, whose advocacy transformed accessibility and civil rights policies in the United States. The film is expected to shine a spotlight on one of the most influential activists of the modern era, bringing her legacy to a wider global audience.

A Major Vote of Confidence from TIFF

Opening the Toronto Film Festival is often viewed as a significant honor and can serve as an early indicator of awards-season momentum. TIFF has long been regarded as one of the most influential stops on the film festival calendar, with previous opening-night selections frequently becoming major contenders during Hollywood’s biggest awards races.

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For Heder, the selection marks another milestone in a career that has rapidly gained international recognition. Since CODA captured the industry’s attention, expectations have remained high regarding what the filmmaker would tackle next.

Festival organizers appear confident that Being Heumann possesses both the emotional depth and inspirational storytelling that audiences have come to associate with Heder’s work.

Star-Studded Premieres Join the Festival Lineup

While Being Heumann will officially launch the festival, it won’t be the only high-profile world premiere drawing attention.

Among the most anticipated entries is Prima Facie, directed by Susanna White and starring Cynthia Erivo. The legal drama is based on the acclaimed stage production that earned widespread praise for its powerful exploration of justice, power, and gender.

Also making its world premiere is The Assassin(s) from acclaimed South Korean filmmaker Hur Jin-ho. The project is expected to add international prestige to an already impressive lineup, reflecting TIFF’s continued commitment to showcasing global cinema.

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Apple Studios Eyes Another Prestige Hit

For Apple Studios, the selection represents another opportunity to strengthen its growing reputation as a major force in prestige filmmaking.

The company has steadily expanded its presence in the entertainment industry, earning critical acclaim through a mix of original films and streaming content. With Being Heumann opening one of the world’s most influential film festivals, Apple once again finds itself at the center of an important cinematic conversation.

Industry analysts will be closely watching audience reactions, critical reviews, and potential awards buzz once the film premieres.

Why ‘Being Heumann’ Could Be One of 2026’s Most Important Films

Beyond its awards potential, Being Heumann arrives with a story that carries significant cultural relevance. Judy Heumann’s lifelong fight for disability rights helped reshape public policy and perceptions of accessibility, making her one of the most impactful activists of her generation.

If Heder succeeds in translating that journey to the screen with the same emotional resonance she brought to CODA, the film could emerge as both a critical darling and a meaningful contribution to conversations around inclusion and representation.

As TIFF prepares to welcome filmmakers, actors, and industry leaders from around the world, Being Heumann has already secured one distinction: it will be the film that sets the tone for the festival’s 2026 edition.

And if history is any guide, opening night in Toronto could be only the beginning of a much larger journey.

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